The Frame

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Writer/director John Ridley (far right, with actor Timothy Hutton) talks about his edgy new TV series, “American Crime"; We crash a viewing party for the breakout TV hit, “Empire"; Musician and attorney Joe Escalante on the fallout from the “Blurred Lines” verdict.

A jury ruled that Robin Thicke (pictured) and Pharrell Williams violated the copyright to Marvin Gaye's "Got to Give It Up"; an assistant director on the film "Midnight Rider" was found guilty of charges relating to the death of a camera assistant; producer David Shore revived a TV project created a dozen years ago by Vince Gilligan, before his "Breaking Bad" success.

"Midnight Rider" director Randall Miller was sentenced to two years in prison after pleading guilty to charges resulting from the death of a crew member on the set; Clint Eastwood talks about "American Sniper" (pictured) becoming the biggest-grossing film released in 2014; actress Gillian Jacobs has added director to her resumé with a documentary about computer pioneer Grace Hopper.

A fan laments that legendary radio DJ Art Laboe (pictured) can't be heard in L.A., at least for now; Robert Christgau, the Dean of American Rock Critics, has a memoir covering his 40-plus years on the music beat; Claire Keane is a third-generation artist who left a cushy job to write and illustrate children's books.

The trial for the lawsuit brought by Marvin Gaye's children against Robin Thicke and Pharrell Williams is nearing an end; how "Dead Man Walking" was transformed from a movie to an opera (pictured); comedian Wayne Federman rounds up his hilarious friends to host a film festival where they chose the lineup; comic book writer Scott Snyder put his anxieties into his version of "Batman."

Ed Piskor’s "Hip Hop Family Tree” (pictured) takes a look at the music's history in a comic book series; young comedians test their chops in roast battles; the Writer's Guild examines the lack of racial and gender diversity among TV writers.

Late night host Conan O'Brien tells us about his trip to Cuba and his thoughts on the late night TV shuffle; Vulture.com's Margaret Lyons recommends some TV shows that have an air of optimism; comic book writer Ed Brubaker goes from Captain America and Batman to a Hollywood noir graphic novel.

Will Smith's "Focus" (pictured) did middling business in its opening weekend, so where does this leave his career?; filmmaker Ed Burns on the highs and lows of his career since bursting on the scene with "The Brothers McMullen" in 1995; Valiant Entertainment has a simple goal: make comic books like they used to be made.

Leonard Nimoy (pictured) died today. We discuss his artistic journey as an actor, writer and photographer; the copyright trial pitting Robin Thicke, Pharrell Williams and T.I. against Marvin Gaye's children is underway; Will Forte is "The Last Man on Earth," a new Fox comedy.

Singer-songwriter Gabriel Kahane (pictured) wrote "The Ambassador," a song cycle inspired by architectural landmarks around L.A.; Yann Demange's new film is set amidst the violent Northern Ireland conflict known as The Troubles; a new study concludes that watching even just one film can change minds about a topic as charged as politics.

A new report by the Ralph J. Bunche Center for African American Studies at UCLA says movies and TV shows with diverse casts (such as "Empire," pictured) make good financial sense; Song Exploder breaks down the theme song for "House of Cards"; a new stage production at CalTech takes "Alice Through the Wormhole."

How did Amy Poehler's sitcom (pictured) survive seven seasons of average ratings?; Sam Beam, aka Iron & Wine, returns to his musical roots with "Archive Series Volume Number One"; Wes Anderson's Oscar-winning film is the subject of a new book; the L.A. Philharmonic stages a multimedia production of "Alice in Wonderland."