The Frame

The actress went behind the camera for the teen girl comedy, which marks her directing debut; an Amazon TV series and a movie starring Kristen Wiig have canceled plans to shoot in Georgia because of the state's new abortion law; singer, songwriter and guitarist Steve Gunn.

The TV series co-creators, Sarah Schneider and Chris Kelly, talk about their offbeat family comedy; can the video app TikTok take over music streaming?; recreating 1969 in "Once Upon a Time in Hollywood."

Now that "Game of Thrones" is over (and many viewers are over it), HBO and other networks are looking for The Next Big Thing; Andrew Bird's latest album is cleverly titled, "My Finest Work Yet"; rapper Little Simz explores the "Grey Area."

The popular HBO series concludes this Sunday, but can it possibly go out on a high note?; Megan Mullally and Stephanie Hunt talk and perform as their musical altar egos, Nancy and Beth.

The comedian was the victim of a rumor that his wife had left him, so he wrote an entire album of heartbreak songs inspired by his non-existent divorce; Amy Lemisch talks about her long tenure as head of the California Film Commission.

Anna Konkle and Maya Erskine co-created and co-star in the Hulu series that finds all the awkwardness and humor in being a young teen; broadcast and cable networks continue to pitch their Fall schedules to advertisers in New York City.

The singer, who has roots in both Mexico and the U.S., has a new album that takes on issues of the day; TV networks are laying out their fall plans for advertisers and the press; a new KPCC series reunites artists with the high school teachers who influenced them.

KPCC's newest podcast, "Tell Them, I Am," profiles Muslims from various walks of life who defy stereotypes about Islam and its followers; comedian Ramy Youssef has a new series on Hulu; the Japanese pop-punk band, Chai.

Actress D'Arcy Carden has become a fan favorite on the popular NBC series, but her success didn't come overnight; a preview of the Cannes Film Festival.

The Tony Award-winning actor and playwright has an ambitious podcast musical titled “Anthem: Homunculus”; Disney's $400 million bet on Vice Media is coming up dry; Anita Sarkeesian is out to halt harmful depictions of LGBTQ characters in video gaming.

The British actor drops his accent as he reprises his role from BBC America's “Broadchurch” for Fox’s “Gracepoint”; "How to Get Away With Murder" sets a new ratings record for "delayed viewing"; and reality sets in for Fox's "Utopia."

Director Jason Reitman talks about his latest film, which explores how the Internet has changed the way we talk about sex; and the CityLab conference examines how the Golden State can restore its production luster.

What the early Academy Award predictions are telling us about diversity — or the lack thereof — among this year’s potential nominees; the documentary "This Ain't No Mouse Music," about Bay Area recording legend Chris Strachwitz, gives new insight into what drove his musical journey.

“The Simpsons” launched its 26th season Sunday. Vulture.com editor Jesse David Fox joins us to discuss how they chose the 100 Best Simpsons episodes; “The Equalizer” won the box office this weekend, but we also take a look at how some smaller, independent films are doing.

The FAA just approved use of drones for feature films. We talk with the owner of a company that stands to benefit; an Asian-American theater company explores how cultural bias can warp a family’s ability to discuss mental illness; Antoine Fuqua first directed Denzel Washington in "Training Day." Now they're together again for "The Equalizer."

Soloway talks about how Lena Dunham and Louis CK changed the way she writes; pianist and composer Cathlene Pineda discusses her commission for the Angel City Jazz Festival; and Viola Davis on why her casting for "How To Get Away With Murder" is groundbreaking

Kenya Barris, creator of the new ABC series "black-ish," says they had written an episode about spanking before the Adrian Peterson story broke. His challenge: Getting the network to buy in to the controversial topic; Artist Ai Weiwei debuts a new installation at Alcatraz that touches on themes such as freedom and human rights.

The actress founded an institute on gender in media that reports women don't get enough speaking roles in Hollywood; art and science intersect at the AxS Festival; New York's Metropolitan Opera opens its season amid protests, and more.

Colin Farrell will star in the next season of HBO's "True Detective"; Matt Atchity of Rotten Tomatoes chats about this weekend's box office winners and losers, including "The Maze Runner" (pictured). Plus, Jon Stewart discusses his first time on a comedy stage, Fox debuts “Gotham," and more.

How Scott Frank convinced Liam Neeson to star in yet another hostage movie; “Last Days in Vietnam” portrays the U.S. exit from Saigon; and a look at the legendary jazz musician at the heart of “Keep On Keepin’ On.”

The Toronto International Film Festival has a late-night series that brings out devoted horror fans; a group of artists and activists put a spotlight on LA's waterway; the indie band Allah-Las returns to its roots at Amoeba Records; and film director Ned Benson talks about his accidental trilogy, "The Disappearance of Eleanor Rigby."

In our latest episode, we get a preview of one of the largest and most vital film festivals on the circuit; we sit under a 340-ton boulder to interview Doug Pray about the subject of his documentary, "Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture"; and we chat with Teller (yes, of Penn & Teller) and Aaron Posner — co-directors of a novel staging of "The Tempest" at South Coast Repertory.