The Frame

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

At 82, Michael Caine plays the lead in 'Youth' but for the most part he considers himself retired; Roy Orbison's son releases his dad's 1969 lost album 'One Of The Lonely Ones'; The Oscar short list for documentaries is out and Sundance is the big winner.

Alan Yang says the Netflix series he created with Aziz Ansari was sparked by their shared experiences as millennials and second-generation Americans; Hollywood power brokers have ideas for improving the standing of women in the entertainment industry; the Sundance festival will include the directing debut of actress Clea Duvall.

Young Jean Lee's play, "Straight White Men," is an examination of privilege that provokes and challenges audiences; movie theater owners are getting creative about selling "Star Wars" merchandise and concessions; Lorely Rodriguez, aka Empress Of, is getting raves for her debut album.

Spike Lee's latest provocation likens the level of gun violence in Chicago to a war zone; Rooney Mara's performance in "Carol" adds to her already impressive list of credits; the beloved "Charlie Brown" holiday special, now in its 50th year, wasn't originally embraced by network executives.

Eddie Redmayne, last year’s best actor Oscar winner for “The Theory of Everything,” talks about portraying a trans-woman in “The Danish Girl”; Latin Grammy-winner Natalia Lafourcade deconstructs her song, “Hasta La Raíz”; This year's Independent Spirit Award winners will likely differ a lot from the Oscars.

As producer of the "Hunger Games" movies and a former studio executive, Nina Jacobson has a platform to demand gender equality in Hollywood; Pixar president Ed Catmull has helped build the studio into the empire it is today.

Ryan Coogler grew up watching the "Rocky" movies, and now he's director and co-writer of the spin-off, "Creed"; How "Toy Story" saved a struggling special effects firm called Pixar; "The Hunting Ground" inspires the question: can journalism and advocacy co-exist in documentaries?

Todd Haynes has directed several films with women as protagonists and his latest is “Carol,” which stars Cate Blanchett and Rooney Mara; MADtv debuted 20 years ago and managed to stay on the air for 14 seasons; a club owner considers L.A. nightlife after the Paris attacks.

Series creator Kurt Sutter is disappointed but not bitter about the cancellation of "The Bastard Executioner"; it's been 20 years since MADtv set out to be the west coast version of "Saturday Night Live"; "The Hunting Ground" examines sexual assaults on college campuses.

Writer-producer John McNamara and director Jay Roach talk about the struggle to make "Trumbo," about the 1940s Hollywood blacklist victim; Nancy Tartaglione, international editor for Deadline.com, on the importance of cinema in France; Rashard Bradshaw, aka Cakes da Killa, is a loud and proud gay rapper.

The Marvel comics character Jessica Jones has a dark backstory, which is what inspired producer Melissa Rosenberg to create a TV series about her; in the documentary "Song of Lahore," a group of Pakistani musicians use a jazz standard and You Tube to find a global audience; Pandora will enter the on-demand music streaming business.

After taping an episode in Cuba earlier this year, Conan O'Brien travels to Armenia with his assistant, who gets to visit her family's homeland; the terrorist attacks in Paris have caused two networks to postpone sensitive episodes, and several bands have canceled European dates.