The Frame

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

Musicians Inara George and Eleni Mandell host an occasional performance and conversation series with songwriters of all genres composing music around a common theme; is R. Kelly still getting paid?; TV composer Kurt Farquhar was once homeless.

The veteran R&B singer finds the soul in classics such as "It AIn't Me Babe" and "Mama, You Been On My Mind" on her latest album, "Things Have Changed"; Emma Thompson went public with her decision to pull out of a movie produced by the company that recently hired a disgraced former Pixar executive.

There were surprises ("Green Book"! Olivia Colman!) and some history was made (Hannah Beachler, Ruth Carter). John Horn recaps the show with film critic Claudia Puig and L.A. Times film reporter Jen Yamato.

John Horn and Rebecca Keegan of The Hollywood Reporter co-host the hour-long special, which features interviews with many nominees, including Glenn Close, Rami Malek, Spike Lee and Rachel Weisz.

Bo Burnham's script won a top award from the Writers Guild, but it wasn't nominated for an Oscar; there's now an algorithm that writes movie scripts; Anthony Wilson's album of songs and photographs.

Twenty years after its premiere, the musical based on E.L. Doctorow's novel gets an elaborate revival at the Pasadena Playhouse; unpacking the Jussie Smollett story; what to expect (and not to expect) at the Academy Awards this weekend.

The prolific photographer talks about the survey that chronicles 50 years of documenting pop culture and politics; Hollywood Reporter TV critic Daniel Fienberg on the state of television.

In 1993, Lorena Bobbitt became famous for cutting off her husband's penis, but a new Amazon docu-series reveals the more complicated story; how the Oscar-nominated sound editors of "First Man" conveyed the anxiety of space flight; the Hollywood guilds spread awards love.

Barry Jenkins talks about his adaptation of James Baldwin's novel, and composer Nicholas Britell explains and demonstrates how he created the film's score.

The singer/songwriter is part of country music royalty, but her politics are out of the Nashville mainstream; the documentary about Supreme Court Justice Ruth Bader Ginsburg, "RBG," is up for an Academy Award.

Colombia's official Oscar entry for foreign language film did not make the final cut of nominees, but many critics say it should have; the microscope of the #MeToo era has found pop music's Ryan Adams; the Oscar-nominated sound editors from "A Quiet Place."

The actress has an Academy Award nomination for her supporting role in the period drama; The Academy of Motion Pictures has stirred up a hornet's nest by pulling four awards from the Oscars telecast; Arturo O’Farrill took his New York-based Afro-Latin Jazz Orchestra to the U.S.-Mexico border to record an album.