The Frame

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

Director Bill Pohlad cast two actors to play Beach Boys mastermind Brian Wilson in two periods of his life (pictured: Paul Dano as the young Wilson); Algiers' singer Franklin James Fisher talks about the group’s politically-charged debut album; 28-year-old New Orleans musician Jon Batiste will lead the band on "Late Night with Stephen Colbert."

Hollywood is rarely more out of touch with reality than in how it romantically pairs young actresses with much older actors (pictured: Emma Stone with Ed Norton); Rupert Parkes, aka Photek, is known for his remixes, but he’s also the composer for TV's “How to Get Away With Murder”; California's increased tax credits for movies and TV is already paying dividends.

Apple is expected to introduce its music streaming service next week, but can the company make gains against Spotify?; L.A. Philharmonic music director Gustavo Dudamel (pictured) reflects on his six seasons on the podium and his long-term future here; Pete Townsend has recorded a new version of his rock opera, "Quadrophenia," with actual opera singers.

Writer-director Paul Feig gets to fulfill his Bond movie fantasy with "Spy"; the bistro at Whole Foods in Pasadena hosts a monthly comedy night (pictured); "San Andreas" director Brad Peyton takes us into his edit suite to show how he assembled one key sequence for the disaster film.

Cameron Crowe's new movie, "Aloha," is being savaged by critics; a visit with legendary L.A. artist Ed Moses (pictured) at his Venice compound; the arts organization Clockshop is making good use of a parcel of land on the banks of the Los Angeles River.

Terry Teachout turned his biography of Louis Armstrong into a play, "Satchmo at the Waldorf" (pictured); a tour of the inventory for special effects and makeup master Rick Baker's auction of his monstrous creations; Film LA reports an increase in movie production in California in 2013 — even before the new tax incentives kicked in.

U2 begins a string of five shows at The Forum on its Innocence + Experience Tour; a new work by Philip Glass is being premiered by the L.A. Philharmonic; Special effects and makeup master Rick Baker (far right) is auctioning a career's worth of monstrous creations.

The Cannes Film Festival wrapped up in typical fashion with an unexpected grand prize winner alongside the requisite victim of critics' ire; in our "Song Exploder" segment, a breakdown of the "Downton Abbey" theme music; playwright Paul Oakley Stovall tackles racism and homophobia among African-Americans in "Immediate Family" (pictured).

Four filmmakers talk about possible solutions for an industry that's been criticized for "widespread exclusion" of women directors; the movie "Tomorrowland" continues the futuristic vision promoted by Walt Disney (pictured at left); Memorial Day is no longer the beginning of summer for the movie business.

Four successful women filmmakers share their stories about an industry that's been criticized for "widespread exclusion" of women directors (pictured: Catherine Hardwicke); classical guitarist Angel Romero performs "Concierto de Aranjuez" with the L.A. Philharmonic; the Rolling Stones rolled into L.A. for a semi-secret show. Were you there?

Memorable moments with David Letterman from comedian Paul Morrissey, Louie Pérez of Los Lobos, and former assistant Cassie St. Onge; comc book writer G. Willow Wilson famously created Ms. Marvel — a female superhero who, like Wilson, is an American Muslim.

"Mad Max: Fury Road" production designer Colin Gibson (pictured) was responsible for the film's insanely tricked-out cars, trucks and motorcycles; Hot Chip's new album goes in a different direction for the indie-electro band; Deaf West Theatre moves its hit production of the musical "Spring Awakening" to a larger space.