The Frame

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

Taking the train to Comic-Con (pictured) means avoiding traffic and mingling with fans, comic book artists and even studio execs; The Hero Initiative is a charity that helps pioneer comic book artists who didn't have salaries or benefits; “10,000 Km," a film by Carlos Marques-Marcet, is about negotiating a long-distance relationship.

Alison Faulk worked with Channing Tatum to design the sexy dance moves in “Magic Mike XXL” (pictured); Nerdstrong Gym is where pop culture geeks are changing the image of flabby, couch-bound obsessives; Paramount Pictures and Hulu make the latest moves in the streaming world.

Comic book writer Kelly Sue DeConnick previews Comic-Con; "Cartel Land" director Matthew Heineman embedded himself with vigilante groups to document their fight against drug cartels in Mexico and Arizona (pictured); composer J. Ralph on writing music for "Shark Week"

Leon Russell (pictured) was unhappy with a documentary he financed in the early '70s. The film by Les Blank is finally getting released; the Getty Conservation Institute is preserving original animation cels from classic Disney movies; the music industry has agreed to move the release day for new music from Tuesdays to Fridays.

“Orange is the New Black” actress Lea DeLaria (pictured) has a jazzy side career; The Grateful Dead play three final shows in Chicago this weekend to overwhelming demand; a classical music composer takes inspiration from California’s drought; Amy Winehouse’s record producer on the new documentary about the late singer.

Fox's big bet on the women's World Cup is paying off with record-setting ratings; when a new dinosaur was created for "Jurassic World" (pictured), the film's sound designers had to come up with new terrifying sounds; on "Song Exploder," Bono dissects U2's "Cedarwood Road"

The international terminal at the L.A. airport has debuted three permanent art installations, including one by Mark Bradford (pictured); Apple Music's streaming service debuted today without the Beatles, but with Taylor Swift.

After Donald Trump's controversial comments about Mexicans, NBC is dumping the Miss USA and Miss Universe pageants (pictured); the 30th anniversary of "Back to the Future" is being marked with a screening and live orchestral performance; comedian and actress Julie Brister says she's tired of being seen as fat first and as a performer second.

The brilliant but troubled singer and pianist Nina Simone (pictured) is the subject of a new documentary, "What Happened, Miss Simone?"; after the U.S. Supreme Court's ruling on gay marriage, we examine whether TV has swayed American attitudes on the matter.

Jazz saxophonist and composer Kamasi Washington (pictured) is adding a new chapter to L.A.'s storied jazz history with his 3-disc album, "The Epic"; veteran TV director Lesli Linka Glatter's career has ranged from "Twin Peaks" to her current show, "Homeland."

Writer and performer Tim Minchin talks about creating songs for the stage adaptation of Roald Dahl's "Matilda" (pictured); director Patricia Riggen recalls working with composer James Horner on one of his last films, "The 33"; songs by the '70s gay, glam rock act, Smokey, have been re-issued.

The stage musical "Recorded in Hollywood" (pictured) tells the story of John Dolphin and his landmark record stores in Los Angeles; a song from the solo album by Will Butler (Arcade Fire) is taken apart in a new installment of Song Exploder.