The Frame

Today's show: The creators of "Sherman's Showcase" discuss the comedy and music in their sketch show. We discuss the portrayal of Bruce Lee in Tarantino's new film. Why Patricia Arquette wanted to co-star in "Otherhood." Then Indie duo The Bird and The Bee make a tribute album of Van Halen covers.

Actress Patricia Arquette, writer/director Cindy Chupack and producer Cathy Schulman talk about their new film and how middle-aged women are portrayed in Hollywood; has hip-hop reached a turning point in its inclusivity of black, gay artists?

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?

The writer/director of "Hereditary" returns with another film that's guaranteed to creep you out; the summer box office is 10% from last year, as proven franchises underperform and original hits are nearly extinct; keeping the music of Harry Partch alive.

The former pro football player began directing music videos and TV shows, and is not turning his children's book into a short animated film; Spotify walks back a program for indie musicians; the exquisite voice of counter-tenor John Holiday.

The veteran producer started out as a lawyer, but she switched careers and is now one of Hollywood's top show-runners; Taylor Swift isn't happy about the fate of every album she has recorded to date; a visit to a collective of video game designers.

Daisy Ridley goes from "Star Wars" to Shakespeare, Alan Yang ("Master of None," "Forever") gives his take on the changing TV biz. Fifty years after Stonewall, we unearth the soundtrack to the gay liberation movement. Toni Morrison gets a documentary worthy of her genius. Himesh Patel channels the Beatles in "Yesterday" and more...

The classically-trained actress became widely known through "Star Wars," but now she's looking for smaller, meaty roles; the new documentary, "Toni Morrison: The Pieces I Am."

'On the Inside' is a group exhibition of LGBTQ artists who are currently incarcerated; a look back at the largely unheard music of the early gay liberation movement; how movies (and movie theaters) will survive the next decade.

TV producer Alan Yang on how his mission in storytelling has changed; L.A. Times TV critic Lorraine Ali says the Democratic debates are the best reality show; writer and musician Solvej Schou reunites with her mentor, high school English teacher Barry Smolin.

Himesh Patel stars as a struggling musician who awakens one day to a world where only he remembers the songs of The Beatles; Ann Sarnoff is named head of Warner Bros. studio.

In 1989, the first all-female crew was assembled for a famously grueling 'round-the-world sailing competition that's chronicled in the new documentary, "Maiden"; musicians have filed the first lawsuit resulting from a devastating 2008 fire on the Universal Studios backlot.

"The Central Park Five" tragedy gets put in operatic scale; Prince estate releases album of "new" old songs; Scorsese take footage from Bob Dylan's 1975 Rolling Thunder tour to create a "fever dream" film and "Sea of Solitude" video game creator wants people to feel less alone in their loneliness.