The Frame

In our fourth and final dispatch from Telluride, The Frame host John Horn interviews Ethan Hawke and musician Seymour Bernstein. Hawke directed the documentary, "Seymour: The Introduction," chronicling Bernstein's devotion to teaching students to love music and overcome creative pitfalls. Telluride also saw the premiere of "The Imitation Game," a film about the WWII British code breaker Alan Turing (played by Benedict Cumberbatch), which already has Oscar buzz. We spoke with the film's writer, Graham Moore, both before and after the first public screening of his first produced screenplay. And we also chatted with the film's Norwegian director, Morton Tyldum, debuting his first English-language feature.

In our latest podcast from the Telluride Film Festival, The Frame host John Horn talks with the acclaimed director Alejandro González Iñárritu, who, with "Birdman," takes a somewhat lighter approach from his previous films such as "Biutiful" and "Amores Perros." In the dark comedy, Michael Keaton plays a film action hero who's trying to establish his artistic credibility on Broadway.

In our second dispatch from the Telluride Film Festival, "The Frame" host John Horn interviews Jon Stewart. The "Daily Show" host makes his feature directing debut with "Rosewater," the story of Iranian-Canadian journalist Maziar Bahari (played by Gael Garcia Bernal), who was arrested and tortured while covering Iran's 2009 presidential election.

"The Frame" crew is in Colorado covering the 2014 Telluride Film Festival. In this first festival dispatch, "The Frame" host John Horn moderates a Q&A with the cast and filmmaker behind "Wild." Hear Reese Witherspoon, Laura Dern, director Jean-Marc Vallée ("Dallas Buyers Club") and author Cheryl Strayed talk about bringing her book to the big screen. "Wild" Q&A photos by Merrick Chase

Today on The Frame, we hear from 'Training Day' director Antoine Fuqua about his unfinished Showtime documentary on Suge Knight and how he got the news the rap mogul had recently been shot six times. Then, we talk to director Xavier Dolan at the Telluride Film Festival where his feature, "Mommy," is screening after winning the Jury Prize at Cannes. We also hear from 27-year-old Brad Colburn on how he amassed a following of people who watch him play video games online, (Yes, that's a thing.) Plus, why the Converse shoe brand is paying for up-and-coming musicians' studio time.

In our second podcast, we discuss TV's biggest night, the 66th Annual Primetime Emmy Awards. Then we meet "Mad Men" writer/producer Tom Smuts, who is organizing a bike ride to the Emmys with a group of fellow nominees. Singer/Songwriter Dan Bern performs two songs riffing on the nominees for the Best Comedy Series and Best Drama Series Emmys. We take a listen to Lauryn Hill's song "Black Rage," which she released in response to the turmoil in Ferguson, Missouri. Finally, La Santa Cecilia and the Yuval Ron Ensemble mash-up their influences.

Our inaugural podcast looks at how artists respond to social and racial strife; the odd couple of Zach Galifianakis and President Obama wins a Creative Arts Emmys; and the roots of the Teenage Mutant Ninja Turtles phenomenon.

So many questions: why is Leonardo DiCaprio nominated for lead actor and Brad Pitt for supporting actor for “Once Upon a Time in Hollywood”?; why wasn't Robert DeNiro nominated for "The Irishman"?; why is Tom Hanks a supporting actor for “A Beautiful Day in the Neighborhood”?; and how rare are Scarlett Johansson's nominations for both lead (“Marriage Story”) and supporting actress ("Jojo Rabbit")?

The actress had a breakout year, with roles in “Motherless Brooklyn,” “The Morning Show” and the well-reviewed but barely seen “Fast Color”; Clint Eastwood's "Richard Jewell" is being blasted over its depiction of a female journalist; “Joe Pera Talks With You” and we talk with him.

The museum marks its centennial with an exhibit of objects that were either acquired, published or exhibited in the year it was founded; are The Golden Globes legit or not?; “La Bohème aka The Hipsters” gets an ironic revival.

Mark Duplass on playing supporting roles in two projects tackling #metoo stories; Gugu Mbatha-Raw makes the case for seeing her buried movie "Fast Color"; the debate around black criticism of "Queen & Slim," a Netflix documentary exposes the toxic story of yoga guru Bikram Choudhury...

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

Bikram Choudhury made hot yoga an international phenomenon, but he allegedly assaulted a number of female students along the way, as told in a new documentary; should films by black artists be immune from criticism by black writers?; Beverly Hills High School had a pivotal role in "It's a Wonderful Life."

The influential event in Park City, Utah has built its reputation on films that advance racial diversity and gender parity; #PayUpHollywood takes the next step; the Sunset Studios in Hollywood mark their 100th anniversary.

The actor, writer, producer and director talks about his current roles for both TV and film; the Thanksgiving weekend box office kicked off the holiday season; the rapper JPEGMAFIA takes us inside his creative process.

Eddie Redmayne and Felicity Jones last acted together in “The Theory of Everything.” Now they’re back together for a film in which they play 19th Century balloonists; two companies behind the vinyl record renaissance.

The Frame is five years old! We revisit memorable interviews, strange locations, some laughs and a few good cries. Meryl Streep, Jordan Peele, Tom Hanks, Lizzo, Guillermo del Toro, Emma Thompson, Ava DuVernay, Zach Galifiankis, Karyn Kusama, Mark Bradford, Jon Robin Baitz and more...

Actor Adam Driver and writer/director Noah Baumbach reunite for the fourth time for "Marriage Story"; composer Gabriela Ortiz's latest commission for the L.A. Philharmonic.

Writer Lena Waithe and director Melina Matsoukas talk about how the traumatic deaths of unarmed black people by police officers shaped their movie's narrative; five years after the Sony hack, what's changed in Hollywood?