The Frame

Show biz veterans run a TV channel at an industry retirement home (pictured); the head of UCLA's Center for African American Studies weighs in on e-mails from studio executives joking about President Obama's taste in films; and acclaimed photographer Sebastião Salgado gets the documentary treatment from his son.

Julianne Moore talks about her role as an Alzheimer's patient in "Still Alice" (pictured); the British holiday stage tradition known as panto comes to the Pasadena Playhouse; and a movie marketing executive assesses Sony's challenge with "The Interview."

Several Screen Actors Guild award nominees took risky bets that paid off; Singer-songwriter Gaby Moreno rewrites some holiday classics; and director Laura Poitras talks about her Edward Snowden documentary, "Citizenfour."

There's some casting controversy over Ridley Scott's Biblical tale, "Exodus" (pictured); Sean Rameswaram of the Sideshow podcast leads us through the gems and lumps of coal among this year's holiday albums; and playwright Rebecca Gale mines the social welfare system in "Luna Gale."

World premieres at next month's Sundance Festival include Paul Weitz's "Grandma," starring Lily Tomlin (pictured); as "Boyhood" garners more praise, Ethan Hawke talks about the film's effect on audiences; artist Jennifer Moon gets her inspiration behind the wheel; and Jean-Marc Vallee says he didn't choose "Wild," the project chose him.

Grammy nominations are out: What did voters get right/wrong?; LACMA curator Franklin Sirmans attends Art Basel Miami and lives to tell the story; Chadwick Boseman has played Jackie Robinson, James Brown (pictured) and soon will play Marvel’s first black superhero; Robert Downey Sr. on his film retrospective.

NBC's coverage of the Rockefeller Plaza Christmas tree lighting ceremony was almost disrupted by protests (pictured); Alexandre Desplat is one of Hollywood’s busiest and most celebrated composers; a neuroscientist on how cinema manipulates our minds; and why the current dearth of great sitcoms?

Filmmaker Kyle Alvarez on the thrill of being invited to the Sundance Film Festival; why Kevin Costner reached into his own pocketbook for "Black or White" (pictured); “Into the Woods” is back onstage and headed for the multiplex; and Daniel Catán's operatic legacy won't end with 'Florencia en el Amazonas.'

As movie award season gets underway, talk inevitably returns to the novelty of "Boyhood," which was named 2014's best film by New York critics; the Wende Museum in Culver City turns East German artifacts into artwork; and Carmen Esposito may be the hardest-working comedian in show biz.

Sony Pictures computers were hacked last week, resulting in several unreleased films being leaked. We also talk about the wider effects of film piracy; actress Reese Witherspoon (pictured in "Wild") and her producing partner, Bruna Papandrea, talk about how they're working to change the film industry.

The British actor drops his accent as he reprises his role from BBC America's “Broadchurch” for Fox’s “Gracepoint”; "How to Get Away With Murder" sets a new ratings record for "delayed viewing"; and reality sets in for Fox's "Utopia."

Director Jason Reitman talks about his latest film, which explores how the Internet has changed the way we talk about sex; and the CityLab conference examines how the Golden State can restore its production luster.

What the early Academy Award predictions are telling us about diversity — or the lack thereof — among this year’s potential nominees; the documentary "This Ain't No Mouse Music," about Bay Area recording legend Chris Strachwitz, gives new insight into what drove his musical journey.

“The Simpsons” launched its 26th season Sunday. Vulture.com editor Jesse David Fox joins us to discuss how they chose the 100 Best Simpsons episodes; “The Equalizer” won the box office this weekend, but we also take a look at how some smaller, independent films are doing.

The FAA just approved use of drones for feature films. We talk with the owner of a company that stands to benefit; an Asian-American theater company explores how cultural bias can warp a family’s ability to discuss mental illness; Antoine Fuqua first directed Denzel Washington in "Training Day." Now they're together again for "The Equalizer."

Soloway talks about how Lena Dunham and Louis CK changed the way she writes; pianist and composer Cathlene Pineda discusses her commission for the Angel City Jazz Festival; and Viola Davis on why her casting for "How To Get Away With Murder" is groundbreaking

Kenya Barris, creator of the new ABC series "black-ish," says they had written an episode about spanking before the Adrian Peterson story broke. His challenge: Getting the network to buy in to the controversial topic; Artist Ai Weiwei debuts a new installation at Alcatraz that touches on themes such as freedom and human rights.

The actress founded an institute on gender in media that reports women don't get enough speaking roles in Hollywood; art and science intersect at the AxS Festival; New York's Metropolitan Opera opens its season amid protests, and more.

Colin Farrell will star in the next season of HBO's "True Detective"; Matt Atchity of Rotten Tomatoes chats about this weekend's box office winners and losers, including "The Maze Runner" (pictured). Plus, Jon Stewart discusses his first time on a comedy stage, Fox debuts “Gotham," and more.

How Scott Frank convinced Liam Neeson to star in yet another hostage movie; “Last Days in Vietnam” portrays the U.S. exit from Saigon; and a look at the legendary jazz musician at the heart of “Keep On Keepin’ On.”

The Toronto International Film Festival has a late-night series that brings out devoted horror fans; a group of artists and activists put a spotlight on LA's waterway; the indie band Allah-Las returns to its roots at Amoeba Records; and film director Ned Benson talks about his accidental trilogy, "The Disappearance of Eleanor Rigby."

In our latest episode, we get a preview of one of the largest and most vital film festivals on the circuit; we sit under a 340-ton boulder to interview Doug Pray about the subject of his documentary, "Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture"; and we chat with Teller (yes, of Penn & Teller) and Aaron Posner — co-directors of a novel staging of "The Tempest" at South Coast Repertory.