The Frame

Who got left out of the Academy Award nominations, and why; screenwriter Jason Hall on adapting war hero Chris Kyle's raw memoir for the big screen; and L.A. Opera adapts "The Marriage of Figaro" into a story about illegal immigration.

Neil Young (pictured) wants his hi-res audio player to let fans hear music the way it sounds in the studio; TV producers are previewing new shows for the new year; and an L.A. artist has turned his studio apartment into a museum.

Chris Lemmon's one-man stage revives his dad's stories and spirit (pictured); Film L.A. reports that film production is down, but TV production is way up over the past year; In-Q has carved out a place for himself where spoken word, poetry and music intersect.

The British actor talks about his new movie, "Match" (pictured); author Annabelle Gurwitch on the parallel universes surrounding awards season in Hollywood; the stage actors union is considering changes that could turn the theater scene upside down.

Jenni Konner, executive producer and writer of "Girls" (left, with star Lena Dunham), talks about season four; What do the Golden Globe, Writers Guild and Producers Guild nominations mean for the upcoming Oscars?; Disney's "Fantasia" film transforms into a video game with a modern update.

French artist Pierre Huyghe transforms an exhibition space at the L.A. County Museum of Art (pictured) into a quirky biosphere; the winter TV season has arrived; a new public radio show/podcast is about the invisible forces that control human behavior.

Mark Duplass talks about the new HBO series, "Togetherness" (pictured), he created with his brother, Jay; what's the market for the new high-end audio players from Sony and Neil Young?; a landmark mural of Anthony Quinn is being restored in downtown L.A.

The roster for the Coachella festival (pictured) has Drake, AC/DC and Jack White as headliners; Mica Levi conducts a live performance of her award-winning movie score; a look at the latest gadgets debuting at the Consumer Electronics Show; an effort to expand Wikipedia entries for African-American artists.

Movie ticket sales dropped five percent in 2014, worrying studios and theater owners; filmmaker Lee Daniels talks about his foray into TV production with his new Fox series, "Empire" (pictured); Shamir is one musician to watch in 2015.

Ranking various versions of the New Year's Eve tune, from Rod Stewart to Mariah Carey to ... cats!; Christmas came early for music lovers when an L.A. record store let customers cart off 25 albums for free; the City of L.A.'s former arts czar assesses the city's place in the cultural world.

Julie Plec has "The Vampire Diaries" and "The Originals" on The CW Network, and she'll soon add a third show, albeit one that's fang-free; it's been two decades since the Scottish band Garbage and singer Shirley Manson burst on the scene; the EEOC is looking into hiring practices for women filmmakers.

Director Danny Boyle says tech titans like the late Apple founder have to be called into account; stage director Peter Sellars collaborated with novelist Toni Morrison on a re-imagining of "Othello"; the Church of Scientology continues its campaign against Gibney's documentary, "Going Clear."

Photographer Eilon Paz and editor Sheila Burgel collaborated on a book about obsessive vinyl fans; the L.A. Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela team up for a Beethoven marathon; can TiVo's new device make a dent in the market?

Scott directed the science fiction classics "Blade Runner" and "Alien," but he says "The Martian" is science fact; a hilarious encounter with Chinese-to-English translations inspired Hwang's play, "Chinglish"; the Chinese dissident artist Ai Wei Wei discovered listening devices in his Beijing studio.

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.