The Frame

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."

Previewing the most anticipated features and documentaries at the Sundance Film Festival (pictured); Bill Robles has drawn the trials of everyone from Charles Manson to Lindsay Lohan; 'Mommy' is the fifth feature from 25-year-old Xavier Dolan.

Journalist Ben Fritz and former Navy officer-turned-actor Ricky Ryba on the marketing and accuracy of "American Sniper" (pictured); Frances McDormand and Suzzy Roche discuss "Early Shaker Spirituals"; the documentary "Red Army" looks at how the former Soviet Union built a hockey dynasty.

Former Disney exec-turned-producer Nina Jacobson discusses how an actor’s pay is determined in the industry; composer Hans Zimmer (pictured) discusses the making of his Oscar-nominated score for Christopher Nolan's "Interstellar"; Michael Chabon is the most recent novelist trying his hand at writing pop song lyrics.

Classical music legend Neville Marriner (pictured) is in L.A. to conduct the Colburn School student orchestra; Stephanie Allain, an executive producer of "Dear White People" and director of the L.A. Film Festival, on why Hollywood isn't diverse enough; Doug Lussenhop, aka DJ Douggpound, brings his sound-rich act to Riot LA.

Netflix debuts the latest adaptation of Marvel Comics' "Daredevil" (pictured); women singers are not allowed to perform solo in Iran, which is partly why Delaram Kamareh came to the U.S.; the audience for electronic dance music is widely diverse, but that's not the case for the genre's DJs and producers.

"Made Men" creator Matthew Weiner (pictured, holding Emmy Award) is saying a long goodbye to his landmark series; Lauren Bon, the artist behind Metabolic Studio, looks at water and the drought through a creative lens; HBO's "Veep" is back, and so is Tony Hale as the president's personal assistant.

Whether you're attending Coachella or following via YouTube or Sirius, you need to know who's playing and when; director Jay Chandrasekhar used a crowd sourcing campaign to fund 'Super Troopers 2'; Judith Hill (pictured) goes from backup singer to releasing her debut solo album with a little help from Prince.

On the 100th anniversary of her birth, we revisit a 1948 performance by Billie Holiday (pictured) at the Shrine Auditorium; the band Night Terrors of 1927 is a Coachella Music Festival newbie; writer/director Alex Garland explores artificial intelligence in the new film, "Ex Machina."

WonderCon turned the Anaheim Convention Center into pop culture nirvana over the weekend; the hip-hop old schoolers from De La Soul (pictured) are in the studio with an album financed by their fans; getting the new TV show “American Odyssey” on the air was an odyssey unto itself.

Tips on which "Mad Men" episodes to watch before the series begins its swan song (pictured); the landmark exhibition by Chinese dissident artist Ai Wei Wei is in its last month on Alcatraz Island; animal trainer Teresa Ann Miller talks about casting and wrangling 250 dogs for the new movie, “White God"

Comic book editor Janelle Asselin is reviving the romance genre in a new magazine anthology (pictured); L.A. stage actors are voting on contract changes that would pay them more, but could result in fewer roles; 'Game of Thrones' novelist George R.R. Martin drops an excerpt from his next book. (Spoiler alert!)

Director Bob Yari (pictured, far left) recently shot the first American feature film in Cuba in more than 50 years; 2015 is already shaping up as perhaps the best year for hip-hop music ever; Amber Tamblyn's third book of poetry is about young actresses who died tragically.

Should Trevor Noah’s Tweets cost him his job as the new host of "The Daily Show"?; “Furious 7” director James Wan (pictured at left, with Vin Diesel) reveals why he needed to finish the film after the death of actor Paul Walker; The Los Angeles Philharmonic completes its tour of Asia, jet lag and all.

Comedy Central drops a surprise by announcing Trevor Noah (pictured) will replace Jon Stewart; young musicians from L.A. and Fukushima get to work with Gustavo Dudamel; Dreamworks gets a much-needed hit with "Home"; transgender actors are in demand during TV pilot season.

Fifteen young musicians from L.A. are collaborating with counterparts from the Japanese region struck by disaster four years ago (pictured); Burger Records has built a mini-indie empire in Southern California; Alex Gibney's documentary about the Church of Scientology debuts on HBO.

The Youth Orchestra is in Japan to conduct some teenage musical diplomacy (pictured); "Marilyn Forever" gives the Hollywood icon the opera treatment; Chapman University's film program decides to compete at the multiplex; Rihanna’s singing career just collided with her film career — and not in a good way.