The Frame

Considering the success of TV shows such as "Fresh Off the Boat" (pictured), two casting directors discuss whether the demand for diversity has turned into a new form of affirmative action; filmmaker Noah Baumbach joins us for a discussion about his new film, "While We're Young."

Last year, for the first time, the record industry made more money from streaming services than from the sale of CDs; British singer/songwriter Laura Marling (pictured) talks about her love-hate relationship with L.A.; “Justified” creator Graham Yost on how the show maintained its spirit after the death of co-creator, Elmore Leonard.

NPR music critic Ann Powers provides a rundown of standout acts, including Leon Bridges (pictured), at SxSW; Twin Shadow goes from indie rock to pop music on his latest album, “Eclipse"; Lacey Schwartz talks about uncovering her secret racial identity in her documentary, "Little White Lie."

This weekend GLAAD honors entertainment and media that best represent LGBT characters. But handing out awards isn’t the group's only job in Hollywood; Why the Iranian band Kiosk had to flee their country to fully realize their art; Suge Knight's bail is set to $25 million, and his lawyers accuse the prosecution of equating Knight with "Empire."

James Corden reveals his hopes and fears as host of the revamped "Late Late Show." Actor Ethan Hawke and pianist Seymour Bernstein talk stage fright and their new documentary. Mr. T gets a reality show gig.

ASCAP president and board chairman Paul Williams (pictured) advocates better pay for songwriters; The Emmys define TV comedies by length; Hammer Museum celebrates the work of artist Charles Atlas.

Apple plans to offer an online package of 25 TV channels including ABC, CBS and FOX, perhaps as soon as this fall; singer/songwriter Tobias Jesso Jr. turned his misfortune into a music career that's blowing up.

Violinist Bing Wang (pictured) is one of the 120-plus L.A. Philharmonic musicians on a two-week tour of Asia; HBO's "The Jinx" is just the latest documentary to play a key role in a criminal case; hanging out with the dudes at the 14th annual celebration of "The Big Lebowski."

How is SxSW in Austin different from all other film festivals?; artist Charles Gaines (pictured) reflects on being black in the art world and gets a retrospective of his very own at the Hammer Museum.

The L.A. Philharmonic is set to leave on a tour of Asia, where it will make its first visit to mainland China and conductor Gustavo Dudamel will work with a youth orchestra born out of the Fukushima disaster in Japan; We take an audio tour of the Bjork exhibit at MOMA that's generating so much snark

Velvet Underground co-founder John Cale has re-imagined an album from his long solo career, "Music For a New Society"; as the "X-Files" returns, we get the story behind its iconic theme music; even at the Sundance Film Festival, the talk of the town is #OscarsSoWhite.

Actor Matthew Spencer, who plays the lead in a new adaptation of George Orwell's dystopian novel, says the story has new resonance today; TV networks are casting doubt about the popularity of original programming on streaming services; Andrew Ahn passed up med school for a film career, and now his directing debut is at Sundance.

Carrie Brownstein, "Portlandia" co-creator and Sleater-Kinney co-founder, pulls back the curtain on her creative process; members of the U.K. punk band Savages reveal how they remain unpredictable on stage and in the recording studio; what's in store at this year's Sundance Film Festival?

In the two years since Lupita Nyong'o won an Oscar for "12 Years a Slave," no actor of color has been nominated for an Academy Award. Academy member Stephanie Allain says the Oscars reflect bigger problems in the industry; James Lecesne continues his advocacy for LGBTQ youth with "The Absolute Brightness of Leonard Pelkey."

Alicia Vikander's breakout year now includes an Oscar nomination for "The Danish Girl"; singer-songwriter Courtney Barnett deconstructs her song, "Depreston"; and we find out which new TV shows are on the must-watch list for the new year.

John Horn and Kyle Buchanan of Vulture.com dig into the snubs and surprises in the Oscar nominations, and the return of #OscarsSoWhite. And we hear from the directors nominated for "Room" and "The Revenant."

Actress Judith Light has been passionate about LGBT issues for decades, which makes her a natural fit for Amazon's "Transparent"; Spotify has partnered with Genius to augment music with a feature called "Fact Track"; Contra-Tiempo is a dance company with a social conscience.

"Making a Murderer" continues to spark debate about the intersection between art, journalism, public reaction and the law; the Directors Guild Award nominees are announced; "Star Wars" opens in China, but the world's second largest movie market is a challenge for the franchise.

We pay tribute to David Bowie's life and career with Los Angeles Times critic-at-large Sasha Frere-Jones, Devo frontman Mark Mothersbaugh, poet Tracy K. Smith, singer/actress Lea DeLaria, and New York Times theater critic Ben Brantley.

In our continuing series of conversations with TV network chiefs, ABC's Paul Lee talks about how diversity has become a cornerstone for the company; the Palm Springs Film Festival is a showcase for foreign films from around the world.

Writer/director David O. Russell has completed a trifecta with Jennifer Lawrence and Bradley Cooper in his latest film, "Joy"; the Producers Guild and the Writers Guild have announced their award nominees, one week before the Motion Picture Academy does the same; there really is a company called Central Casting that's been casting extras for 90 years.

Sarah Silverman's career took a serious turn when she took on the lead role in "I Smile Back," and now she's getting award buzz; Phyllis Nagy worked for 18 years to adapt a Patricia Highsmith novel for the movie, "Carol"; composer and conductor Pierre Boulez had a long connection to the Ojai Music Festival.