The Frame

Is Apple the big bad wolf of the music streaming world? The tech giant will withhold all payments to labels and artists for the first three months of Apple Music. Runaway film score production leads Hollywood composers and musicians to take action. How the Pixar filmmakers created the world of a little girls mind and the character based on her emotions for "Inside Out." Arnold is back and scaring people on Hollywood Blvd.

Filmmaker Maya Forbes cast Mark Ruffalo to play her likable bipolar dad in "Infinitely Polar Bear" and shows the human side of mental illness. Singer/Songwriter Ryn Weaver's quick rise to fame and the internet haters that came with it. Report from the floor of the massive video game trade show E3; Neil Young v. Donald Trump

"Dope" filmmaker Rick Famuyiwa was influenced by Inglewood, Hip Hop and John Hughes movies. Author Jillian Lauren and her Weezer bassist husband share tales of a rock 'n' roll tour life with their young son. E3 Day one: Star Wars and virtual reality. Is Jeb Bush a "Die Hard" fan?

The 5 lessons to be learned from 'Jurassic World''s $500 million weekend. An experimental comedy show puts comedians in purgatory. Filmmaker Zoe Cassavetes takes on ageism in Hollywood. What the heck are Will Ferrell and Kristen Wiig doing in a Lifetime movie?

Pete Docter and Ronnie Del Carmen talk about depicting the inner life of a child’s mind in "Inside Out" (pictured); on our latest "Song Exploder" segment, the composer for "Game of Thrones" deconstructs his theme music; FIFA invested $32 million in a film that virtually no one will see.

Alfonso Gomez-Rejon used his film, "Me and Earl and the Dying Girl" (pictured), to process his father’s death; a long-lost silent cartoon by Walt Disney finally gets a musical score; Rupert Murdoch takes the next step for his sons' future at 21st Century Fox.

As Pixar readies the release of "Inside Out," we visit the animation studio's Bay Area campus (pictured); former NBA star Baron Davis co-directed a documentary that takes him back to his basketball roots; the Ojai Music Festival presents the West Coast premiere of a work by Pulitzer Prize-winning composer John Luther Adams.

'The Wolfpack' is a documentary about six brothers, sheltered in a New York apartment, who look to movies as their refuge (pictured); FFS is a new supergroup that combines the bands Franz Ferdinand and Sparks; the Charles Manson case continues to reverberate in pop culture through a TV series, feature film and podcast.

Apple finally announced its streaming service, with a little help from Drake (pictured); the 21st annual Los Angeles Film Festival will once again include a showcase called LA Muse; the Tony Awards made some Broadway history with a first-time win for women composers.

Popular comics are tackling more serious issues these days, says Megan Garber in her essay, "How Comedians Became Public Intellectuals" (pictured: John Oliver); Joan Scheckel is a popular teacher for many directors, writers and actors, but what goes on inside her studio?; Australian singer Vance Joy talks about the ups and downs of life on tour.

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."