The Frame

“Orange is the New Black” actress Lea DeLaria (pictured) has a jazzy side career; The Grateful Dead play three final shows in Chicago this weekend to overwhelming demand; a classical music composer takes inspiration from California’s drought; Amy Winehouse’s record producer on the new documentary about the late singer.

Fox's big bet on the women's World Cup is paying off with record-setting ratings; when a new dinosaur was created for "Jurassic World" (pictured), the film's sound designers had to come up with new terrifying sounds; on "Song Exploder," Bono dissects U2's "Cedarwood Road"

The international terminal at the L.A. airport has debuted three permanent art installations, including one by Mark Bradford (pictured); Apple Music's streaming service debuted today without the Beatles, but with Taylor Swift.

After Donald Trump's controversial comments about Mexicans, NBC is dumping the Miss USA and Miss Universe pageants (pictured); the 30th anniversary of "Back to the Future" is being marked with a screening and live orchestral performance; comedian and actress Julie Brister says she's tired of being seen as fat first and as a performer second.

The brilliant but troubled singer and pianist Nina Simone (pictured) is the subject of a new documentary, "What Happened, Miss Simone?"; after the U.S. Supreme Court's ruling on gay marriage, we examine whether TV has swayed American attitudes on the matter.

Jazz saxophonist and composer Kamasi Washington (pictured) is adding a new chapter to L.A.'s storied jazz history with his 3-disc album, "The Epic"; veteran TV director Lesli Linka Glatter's career has ranged from "Twin Peaks" to her current show, "Homeland."

Writer and performer Tim Minchin talks about creating songs for the stage adaptation of Roald Dahl's "Matilda" (pictured); director Patricia Riggen recalls working with composer James Horner on one of his last films, "The 33"; songs by the '70s gay, glam rock act, Smokey, have been re-issued.

The stage musical "Recorded in Hollywood" (pictured) tells the story of John Dolphin and his landmark record stores in Los Angeles; a song from the solo album by Will Butler (Arcade Fire) is taken apart in a new installment of Song Exploder.

Apple changed its tune after Taylor Swift (pictured) called out the company for not compensating labels and artists during the upcoming three-month trial for its streaming service; Patrick Clair, who won an Emmy for creating the main titles for the first season of "True Detective," is once again setting the mood for the dark subject matter at hand.

Comedian and podcaster Marc Maron tells us about his interview with President Obama. The brothers in the documentary "The Wolfpack" grew up worshipping movies — now they're the subject of one. We also talk with KPCC's Kevin Ferguson about our new "True Detective" podcast.

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."