The Frame

The film's director, Peyton Reed, says Marvel's smallest superhero (pictured) has always had a bit of an inferiority complex; Disney chief Bob Iger gave a preview this week of the long-in-the-works resort and theme park; Kristina Wong is out to destroy stereotypes of Asian women.

The host of "Comedy Bang! Bang!" (pictured) didn't get an Emmy nomination for the show, but he and his staff will write jokes for Emmy host Andy Samberg; Grantland's Andy Greenwald on the Emmy nods; Kyle Patrick Alvarez revisits an infamous episode in "The Stanford Prison Experiment."

The Emmy nominations will be announced on July 16, but have the awards lost their luster?; Inara George and Greg Kurstin, aka The Bird and the Bee (pictured), are back with a new album after a five-year gap; writer and performer Sandra Tsing Loh's new stage show draws, as usual, on just about anything she sees and hears.

The feature film "Tangerine" (pictured), directed by Sean Baker, was ingeniously shot on an iPhone; a report from the Berklee College of Music calls for transparency in the record business; Tim Heidecker and Eric Wareheim turn their twisted humor into a parody of a self-help book.

A new documentary follows comedian Tig Notaro (pictured) after her cancer diagnosis and double mastectomy; 'True Detective' is shot in Southern California, but avoids the usual postcard locales; Comic-Con teased audiences with some of the most anticipated films in nerd culture.

“The Gospel at Colonus,” the 1980s musical that blends gospel and greek tragedy still resonates with people today; Why comic-con and comic books appeal to people with disabilities; We get the highlights from the first days of Comic-Con and how thousands of fake weapons get real inspections at the Con.

Taking the train to Comic-Con (pictured) means avoiding traffic and mingling with fans, comic book artists and even studio execs; The Hero Initiative is a charity that helps pioneer comic book artists who didn't have salaries or benefits; “10,000 Km," a film by Carlos Marques-Marcet, is about negotiating a long-distance relationship.

Alison Faulk worked with Channing Tatum to design the sexy dance moves in “Magic Mike XXL” (pictured); Nerdstrong Gym is where pop culture geeks are changing the image of flabby, couch-bound obsessives; Paramount Pictures and Hulu make the latest moves in the streaming world.

Comic book writer Kelly Sue DeConnick previews Comic-Con; "Cartel Land" director Matthew Heineman embedded himself with vigilante groups to document their fight against drug cartels in Mexico and Arizona (pictured); composer J. Ralph on writing music for "Shark Week"

Leon Russell (pictured) was unhappy with a documentary he financed in the early '70s. The film by Les Blank is finally getting released; the Getty Conservation Institute is preserving original animation cels from classic Disney movies; the music industry has agreed to move the release day for new music from Tuesdays to Fridays.

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."