The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

Ben Harper & The Innocent Criminals have reunited for their first album in nine years. The singer talks about taking on police brutality in the title track, and he reveals how his family’s music shop in Claremont shaped his life, his passion for social justice and his music career.

Country music icon Merle Haggard died today on his 79th birthday. Filmmaker Gandulf Hennig talks about the Haggard documentary he made for PBS' “American Masters"; Jesse Eisenberg is a true multi-tasker. The actor plays Lex Luthor in “Batman v. Superman” and he’s also a playwright whose “The Revisionist” is currently at The Wallis in Beverly Hills.

Kulap Vilaysack is the creator of the Seeso original show "Bajillion Dollar Propertie$." Her husband, Scott Aukerman (host of IFC's "Comedy Bang! Bang!"), serves as executive producer on the series. The pair talk about collaborating on the show and their other projects.

The singer and guitarist's latest album, "Dig In Deep," is a collection of original songs plus covers of tunes by INXS and Los Lobos; Jessie Kahnweiler wasn’t sure anyone would want to watch “The Skinny” — her web series about her eating disorder. But then the Sundance Film Festival came calling.

The filmmaker describes his new movie as a “spiritual sequel” to “Dazed and Confused," this time with college baseball players sowing their wild oats.

The young actress got a huge break when she was cast on the HBO series, but fans often give her grief about her unlikeable character.