The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

So many questions: why is Leonardo DiCaprio nominated for lead actor and Brad Pitt for supporting actor for “Once Upon a Time in Hollywood”?; why wasn't Robert DeNiro nominated for "The Irishman"?; why is Tom Hanks a supporting actor for “A Beautiful Day in the Neighborhood”?; and how rare are Scarlett Johansson's nominations for both lead (“Marriage Story”) and supporting actress ("Jojo Rabbit")?

The actress had a breakout year, with roles in “Motherless Brooklyn,” “The Morning Show” and the well-reviewed but barely seen “Fast Color”; Clint Eastwood's "Richard Jewell" is being blasted over its depiction of a female journalist; “Joe Pera Talks With You” and we talk with him.

The museum marks its centennial with an exhibit of objects that were either acquired, published or exhibited in the year it was founded; are The Golden Globes legit or not?; “La Bohème aka The Hipsters” gets an ironic revival.

Mark Duplass on playing supporting roles in two projects tackling #metoo stories; Gugu Mbatha-Raw makes the case for seeing her buried movie "Fast Color"; the debate around black criticism of "Queen & Slim," a Netflix documentary exposes the toxic story of yoga guru Bikram Choudhury...

The 19-year-old filmmaker shot the movie while he was still in high school, and it won him awards at the Tribeca Film Festival; the U.S. Justice Dept. may allow studios to once again own movie theaters; the comedians who warm up TV studio audiences.

Bikram Choudhury made hot yoga an international phenomenon, but he allegedly assaulted a number of female students along the way, as told in a new documentary; should films by black artists be immune from criticism by black writers?; Beverly Hills High School had a pivotal role in "It's a Wonderful Life."

The influential event in Park City, Utah has built its reputation on films that advance racial diversity and gender parity; #PayUpHollywood takes the next step; the Sunset Studios in Hollywood mark their 100th anniversary.

The actor, writer, producer and director talks about his current roles for both TV and film; the Thanksgiving weekend box office kicked off the holiday season; the rapper JPEGMAFIA takes us inside his creative process.

Eddie Redmayne and Felicity Jones last acted together in “The Theory of Everything.” Now they’re back together for a film in which they play 19th Century balloonists; two companies behind the vinyl record renaissance.

The Frame is five years old! We revisit memorable interviews, strange locations, some laughs and a few good cries. Meryl Streep, Jordan Peele, Tom Hanks, Lizzo, Guillermo del Toro, Emma Thompson, Ava DuVernay, Zach Galifiankis, Karyn Kusama, Mark Bradford, Jon Robin Baitz and more...

Actor Adam Driver and writer/director Noah Baumbach reunite for the fourth time for "Marriage Story"; composer Gabriela Ortiz's latest commission for the L.A. Philharmonic.

Writer Lena Waithe and director Melina Matsoukas talk about how the traumatic deaths of unarmed black people by police officers shaped their movie's narrative; five years after the Sony hack, what's changed in Hollywood?