The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

Previewing the most anticipated features and documentaries at the Sundance Film Festival (pictured); Bill Robles has drawn the trials of everyone from Charles Manson to Lindsay Lohan; 'Mommy' is the fifth feature from 25-year-old Xavier Dolan.

Journalist Ben Fritz and former Navy officer-turned-actor Ricky Ryba on the marketing and accuracy of "American Sniper" (pictured); Frances McDormand and Suzzy Roche discuss "Early Shaker Spirituals"; the documentary "Red Army" looks at how the former Soviet Union built a hockey dynasty.

Former Disney exec-turned-producer Nina Jacobson discusses how an actor’s pay is determined in the industry; composer Hans Zimmer (pictured) discusses the making of his Oscar-nominated score for Christopher Nolan's "Interstellar"; Michael Chabon is the most recent novelist trying his hand at writing pop song lyrics.

Classical music legend Neville Marriner (pictured) is in L.A. to conduct the Colburn School student orchestra; Stephanie Allain, an executive producer of "Dear White People" and director of the L.A. Film Festival, on why Hollywood isn't diverse enough; Doug Lussenhop, aka DJ Douggpound, brings his sound-rich act to Riot LA.

Who got left out of the Academy Award nominations, and why; screenwriter Jason Hall on adapting war hero Chris Kyle's raw memoir for the big screen; and L.A. Opera adapts "The Marriage of Figaro" into a story about illegal immigration.

Neil Young (pictured) wants his hi-res audio player to let fans hear music the way it sounds in the studio; TV producers are previewing new shows for the new year; and an L.A. artist has turned his studio apartment into a museum.

Chris Lemmon's one-man stage revives his dad's stories and spirit (pictured); Film L.A. reports that film production is down, but TV production is way up over the past year; In-Q has carved out a place for himself where spoken word, poetry and music intersect.

The British actor talks about his new movie, "Match" (pictured); author Annabelle Gurwitch on the parallel universes surrounding awards season in Hollywood; the stage actors union is considering changes that could turn the theater scene upside down.

Jenni Konner, executive producer and writer of "Girls" (left, with star Lena Dunham), talks about season four; What do the Golden Globe, Writers Guild and Producers Guild nominations mean for the upcoming Oscars?; Disney's "Fantasia" film transforms into a video game with a modern update.

French artist Pierre Huyghe transforms an exhibition space at the L.A. County Museum of Art (pictured) into a quirky biosphere; the winter TV season has arrived; a new public radio show/podcast is about the invisible forces that control human behavior.

Mark Duplass talks about the new HBO series, "Togetherness" (pictured), he created with his brother, Jay; what's the market for the new high-end audio players from Sony and Neil Young?; a landmark mural of Anthony Quinn is being restored in downtown L.A.

The roster for the Coachella festival (pictured) has Drake, AC/DC and Jack White as headliners; Mica Levi conducts a live performance of her award-winning movie score; a look at the latest gadgets debuting at the Consumer Electronics Show; an effort to expand Wikipedia entries for African-American artists.