The Frame

The Walking Dead's Greg Nicotero's zombie lesson; LACMA brings rain to a drought-riddled city with The Rain Room; 'Saw' composer and former Nine Inch Nails keyboardist Charlie Clouser on how to score a scary movie.

LA-based opera company “The Industry” has created an experimental opera that takes place in 24 cars around the city. Starz CEO Chris Albrecht wants his channel to reach a diverse audience. LA taco place partners with bands.

Ilene Chaiken runs "Empire" while co-creator Lee Daniels develops his next show for Fox, "Star"; the SxSW Interactive Conference is getting heat for canceling sessions about sexism in the gaming industry; the Hammer Museum will benefit from UCLA's purchase of the Occidental Petroleum building.

The duo's production company, Smokehouse, has examined politics in the TV series, "K Street," and the films “The Ides of March" and "Good Night and Good Luck." Their latest is "Our Brand is Crisis."

Rock star Courtney Love has acted in films and TV, but now she's hitting the boards in Todd Almond's "Kansas City Choir Boy"; the "Steve Jobs" biopic got good reviews from critics, but audiences are staying away in droves; Upright Citizens Brigade is taking its comedy franchise online.

Sean Rameswaram of WNYC and Soraya Nadia McDonald of the Washington Post talk about the week's top stories from the wide world of culture; the new music ensemble Bang on a Can All-Stars performs Brian Eno's "Music for Airports" for the first time in an American airport.

Mark Mothersbaugh, a founding member of the new wave band Devo, is also a film and TV composer with a long list of credits that includes "The Last Man on Earth"; an exhibition of Cuban art arrives as the island nation develops a new relationship with the United States.

"Suffragette" screenwriter Abi Morgan and director Sarah Gavron made a period film that has current-day resonance; Disney is going all out to sell "Star Wars" in the world's second-biggest film market; Pakistani and L.A. musicians collaborated to create a new East-meets-West sound.

Filmmaker James Vanderbilt revisits the story that led to Dan Rather and a "60 Minutes" producer losing their jobs at CBS; producer Noah Hawley says the key to making "Fargo" a TV series was to not be bound by the Coen brothers movie.

As the most prominent woman on HBO's "Project Greenlight," film producer Effie Brown has had to address race and gender issues; Lenny Abrahamson wrote a long letter to "Room" novelist Emma Donoghue to convince her that he was the right director for the film version.

Director Bill Pohlad cast two actors to play Beach Boys mastermind Brian Wilson in two periods of his life (pictured: Paul Dano as the young Wilson); Algiers' singer Franklin James Fisher talks about the group’s politically-charged debut album; 28-year-old New Orleans musician Jon Batiste will lead the band on "Late Night with Stephen Colbert."

Hollywood is rarely more out of touch with reality than in how it romantically pairs young actresses with much older actors (pictured: Emma Stone with Ed Norton); Rupert Parkes, aka Photek, is known for his remixes, but he’s also the composer for TV's “How to Get Away With Murder”; California's increased tax credits for movies and TV is already paying dividends.

Apple is expected to introduce its music streaming service next week, but can the company make gains against Spotify?; L.A. Philharmonic music director Gustavo Dudamel (pictured) reflects on his six seasons on the podium and his long-term future here; Pete Townsend has recorded a new version of his rock opera, "Quadrophenia," with actual opera singers.

Writer-director Paul Feig gets to fulfill his Bond movie fantasy with "Spy"; the bistro at Whole Foods in Pasadena hosts a monthly comedy night (pictured); "San Andreas" director Brad Peyton takes us into his edit suite to show how he assembled one key sequence for the disaster film.

Cameron Crowe's new movie, "Aloha," is being savaged by critics; a visit with legendary L.A. artist Ed Moses (pictured) at his Venice compound; the arts organization Clockshop is making good use of a parcel of land on the banks of the Los Angeles River.

Terry Teachout turned his biography of Louis Armstrong into a play, "Satchmo at the Waldorf" (pictured); a tour of the inventory for special effects and makeup master Rick Baker's auction of his monstrous creations; Film LA reports an increase in movie production in California in 2013 — even before the new tax incentives kicked in.

U2 begins a string of five shows at The Forum on its Innocence + Experience Tour; a new work by Philip Glass is being premiered by the L.A. Philharmonic; Special effects and makeup master Rick Baker (far right) is auctioning a career's worth of monstrous creations.

The Cannes Film Festival wrapped up in typical fashion with an unexpected grand prize winner alongside the requisite victim of critics' ire; in our "Song Exploder" segment, a breakdown of the "Downton Abbey" theme music; playwright Paul Oakley Stovall tackles racism and homophobia among African-Americans in "Immediate Family" (pictured).

Four filmmakers talk about possible solutions for an industry that's been criticized for "widespread exclusion" of women directors; the movie "Tomorrowland" continues the futuristic vision promoted by Walt Disney (pictured at left); Memorial Day is no longer the beginning of summer for the movie business.

Four successful women filmmakers share their stories about an industry that's been criticized for "widespread exclusion" of women directors (pictured: Catherine Hardwicke); classical guitarist Angel Romero performs "Concierto de Aranjuez" with the L.A. Philharmonic; the Rolling Stones rolled into L.A. for a semi-secret show. Were you there?

Memorable moments with David Letterman from comedian Paul Morrissey, Louie Pérez of Los Lobos, and former assistant Cassie St. Onge; comc book writer G. Willow Wilson famously created Ms. Marvel — a female superhero who, like Wilson, is an American Muslim.

"Mad Max: Fury Road" production designer Colin Gibson (pictured) was responsible for the film's insanely tricked-out cars, trucks and motorcycles; Hot Chip's new album goes in a different direction for the indie-electro band; Deaf West Theatre moves its hit production of the musical "Spring Awakening" to a larger space.