The Frame

A powerful documentary about the aftermath of the 2012 school shooting in Newtown, Connecticut premiered at the Sundance Film Festival; Rihanna's new album had a surprise (or maybe not?) release this week; the L.A. Art Fair aims to be the nexus for art from the Pacific Rim.

Nate Parker spent seven years making "The Birth of a Nation," and his efforts paid off as the breakout hit at the Sundance Film Festival; prominent comedians take to the stage to benefit Bernie Sanders' campaign; Larry Klein's work with Joni Mitchell made him a go-to producer for a wide variety of singers.

The legendary R&B singer has a new album and an HBO documentary coming up, but don't expect this to be her swan song; a film about Nat Turner's slave rebellion has set a sales record at the Sundance Film Festival; actresses Alysia Reiner and Sarah Megan Thomas launched Broad Street to counter gender inequity in Hollywood.

With the top award from the Producers Guild, "The Big Short" is now frontrunner for the best picture Oscar. We chat with producers Jeremy Kleiner and Dede Gardner; a Motion Picture Academy officer admits that the organization has been too slow to change; the band Foals has gone from playing house parties to arenas.

Velvet Underground co-founder John Cale has re-imagined an album from his long solo career, "Music For a New Society"; as the "X-Files" returns, we get the story behind its iconic theme music; even at the Sundance Film Festival, the talk of the town is #OscarsSoWhite.

Actor Matthew Spencer, who plays the lead in a new adaptation of George Orwell's dystopian novel, says the story has new resonance today; TV networks are casting doubt about the popularity of original programming on streaming services; Andrew Ahn passed up med school for a film career, and now his directing debut is at Sundance.

Carrie Brownstein, "Portlandia" co-creator and Sleater-Kinney co-founder, pulls back the curtain on her creative process; members of the U.K. punk band Savages reveal how they remain unpredictable on stage and in the recording studio; what's in store at this year's Sundance Film Festival?

In the two years since Lupita Nyong'o won an Oscar for "12 Years a Slave," no actor of color has been nominated for an Academy Award. Academy member Stephanie Allain says the Oscars reflect bigger problems in the industry; James Lecesne continues his advocacy for LGBTQ youth with "The Absolute Brightness of Leonard Pelkey."

Alicia Vikander's breakout year now includes an Oscar nomination for "The Danish Girl"; singer-songwriter Courtney Barnett deconstructs her song, "Depreston"; and we find out which new TV shows are on the must-watch list for the new year.

John Horn and Kyle Buchanan of Vulture.com dig into the snubs and surprises in the Oscar nominations, and the return of #OscarsSoWhite. And we hear from the directors nominated for "Room" and "The Revenant."

The British actor drops his accent as he reprises his role from BBC America's “Broadchurch” for Fox’s “Gracepoint”; "How to Get Away With Murder" sets a new ratings record for "delayed viewing"; and reality sets in for Fox's "Utopia."

Director Jason Reitman talks about his latest film, which explores how the Internet has changed the way we talk about sex; and the CityLab conference examines how the Golden State can restore its production luster.

What the early Academy Award predictions are telling us about diversity — or the lack thereof — among this year’s potential nominees; the documentary "This Ain't No Mouse Music," about Bay Area recording legend Chris Strachwitz, gives new insight into what drove his musical journey.

“The Simpsons” launched its 26th season Sunday. Vulture.com editor Jesse David Fox joins us to discuss how they chose the 100 Best Simpsons episodes; “The Equalizer” won the box office this weekend, but we also take a look at how some smaller, independent films are doing.

The FAA just approved use of drones for feature films. We talk with the owner of a company that stands to benefit; an Asian-American theater company explores how cultural bias can warp a family’s ability to discuss mental illness; Antoine Fuqua first directed Denzel Washington in "Training Day." Now they're together again for "The Equalizer."

Soloway talks about how Lena Dunham and Louis CK changed the way she writes; pianist and composer Cathlene Pineda discusses her commission for the Angel City Jazz Festival; and Viola Davis on why her casting for "How To Get Away With Murder" is groundbreaking

Kenya Barris, creator of the new ABC series "black-ish," says they had written an episode about spanking before the Adrian Peterson story broke. His challenge: Getting the network to buy in to the controversial topic; Artist Ai Weiwei debuts a new installation at Alcatraz that touches on themes such as freedom and human rights.

The actress founded an institute on gender in media that reports women don't get enough speaking roles in Hollywood; art and science intersect at the AxS Festival; New York's Metropolitan Opera opens its season amid protests, and more.

Colin Farrell will star in the next season of HBO's "True Detective"; Matt Atchity of Rotten Tomatoes chats about this weekend's box office winners and losers, including "The Maze Runner" (pictured). Plus, Jon Stewart discusses his first time on a comedy stage, Fox debuts “Gotham," and more.

How Scott Frank convinced Liam Neeson to star in yet another hostage movie; “Last Days in Vietnam” portrays the U.S. exit from Saigon; and a look at the legendary jazz musician at the heart of “Keep On Keepin’ On.”

The Toronto International Film Festival has a late-night series that brings out devoted horror fans; a group of artists and activists put a spotlight on LA's waterway; the indie band Allah-Las returns to its roots at Amoeba Records; and film director Ned Benson talks about his accidental trilogy, "The Disappearance of Eleanor Rigby."

In our latest episode, we get a preview of one of the largest and most vital film festivals on the circuit; we sit under a 340-ton boulder to interview Doug Pray about the subject of his documentary, "Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture"; and we chat with Teller (yes, of Penn & Teller) and Aaron Posner — co-directors of a novel staging of "The Tempest" at South Coast Repertory.