The Frame

The Marley family has launched a line of marijuana products to be distributed at dispensaries around the country; Catherine Opie shows a wide range of her work in three current L.A. exhibitions; John Horn and Kyle Buchanan assess the Academy Awards campaign season.

"The Hateful Eight" came along at the right time for Jennifer Jason Leigh, and won her an Oscar nomination; the infamous freeway chase was diligently re-created for "American Crime Story: The People v. O.J. Simpson"; things are getting slightly better for female characters in movies, but only slightly.

“The Big Short” was originally to be released this year, but writer-director Adam McKay pushed it up and the result is five Oscar nominations; "Daily Show" Samantha Bee made a strong debut with her new late night show; with the primaries in full swing, which candidates are getting support from Hollywood?

The McFerrins recently performed their first-ever full concert together, and the father-and-son spoke about it after the show; Beyoncé surprised her fans with a new song and video that quickly dominated the cultural conversation; Big Freedia is the Big Easy's queen of bounce music.

After making three films with Joel and Ethan Coen, Josh Brolin says he still sometimes can't figure out their cryptic directing; the artists who installed a teahouse in Griffith Park last year are now transforming a downtown L.A. alley for one day; the Sundance Film Festival's commitment to inclusion has become a beacon for filmmakers such as Jason Lew.

The latest offbeat comedy from Jonathan Krisel is "Baskets," which stars Zach Galifianakis as a struggling clown; virtual reality projects had a huge presence at this year's Sundance Film Festival; "Kung Fu Panda 3" is the first big studio film to screen in English and a Chinese language in the U.S.

Larry Karaszewski and Scott Alexander, creators of "The People v. O.J. Simpson," talk about finding new ways to tell the familiar story; Slate TV critic Willa Paskin on why viewers are ignoring Trevor Noah; Drake's use of "Hotline Bling" for a phone ad was inevitable.

Brian Oakes tells the story of his childhood friend who became a conflict journalist in "Jim: The James Foley Story"; Mark Mangini made a battle truck sound like a living beast in "Mad Max: Fury Road"; residents of Leimert Park and Montebello connect in "Through the Looking Glass."

Elba's trophy for best supporting actor in "Beasts of No Nation" rekindles debate over his Academy Award snub; James Schamus used to buy films at Sundance as the head of Focus Features, but this year he was there with his directorial debut.

It's a new chapter in U.S.-Chinese relations — cinematically speaking. “Kung Fu Panda 3” opened simultaneously here and in China, thanks to a partnership between DreamWorks and its partners there; writer-director Sian Heder's feature debut was inspired by her experiences as a nanny.

The company that produced "The Wolf of Wall Street" is fined $60 million in embezzlement case; Shawn Colvin's new album is made for kids and their parents; Quiara Alegría Hudes' trilogy of plays gets a first-ever simultaneous staging.

Aparna Nancherla manages to find comic relief in her own depression and anxiety; how to fix an Academy Awards broadcast that hit an all-time ratings low; Tamar-kali's score for "Mudbound" is "the blood beneath the mud."

From the diversity seen on the red carpet and onstage, to the pointed messages delivered during the ceremony, the movie industry is at a tipping point.

We take one last look at the nominees and the larger cultural and political issues surrounding the ceremony; talent agencies have been in the middle of Hollywood's abuse scandals. Maha Dakhil talks about what role the agencies should play to protect their clients.

Wall Street Journal reporter Ben Fritz's book, “The Big Picture: The Fight for the Future of Movies,” examines the fallout from Sony's computers being hacked; Spotify seeks cash infusion as it prepares to sell stocks in the company; the Independent Spirit Awards take place on the eve of the Oscars.

John Horn & Rebecca Keegan of Vanity Fair look at key Academy Award nominees in a year that saw significant contributions by women. And, at least this year, it's not #OscarsSoWhite.

Lawrence Wright's book about the prelude to the 9/11 attacks has been turned into a TV series on Hulu; Nick Hakim's album, “Green Twins,” was partly inspired by his idol, Marvin Gaye; a recording of Allen Ginsberg's epic poem is being reissued on vinyl.

"Black Panther" is dominating the box office, but Hollywood’s diversity problem is far from over, according to a UCLA report; Only two women have ever won Academy Awards for composing. Taura Stinson, Laura Karpman and Lesley Barber discuss how women composers are faring these days in Hollywood.

Stacy Rukeyser is executive producer of "Unreal," a fictional TV series about the behind-the-scenes drama of a “Bachelor”-style reality show; there's an effort underway to pressure Amazon, Apple, Roku and Chromecast to drop NRA TV from the streaming services.

With two Russian Olympic athletes accused of doping at the games in South Korea, it brings renewed attention to "Icarus," the Oscar-nominated documentary that blew the lid off Russia's doping program; Anna Deavere Smith debuts "Notes From the Field," in which she portrays people she interviewed about race and class in America.

Margot Robbie goes for the gold in the Tonya Harding biopic; "Black Panther" appealed to a diverse audience rarely seen in Hollywood; in the new season of “Mozart in the Jungle,” women are the authors of musical compositions far more than in real life.

Danish actor Claes Bang stars in "The Square," nominated for foreign language film; sound editor Richard King is nominated for his work on the WWII epic, "Dunkirk"; USA Today surveyed women in the entertainment industry and found that 94% have encountered sexual harassment or abuse; Disney exec Tom Schumacher is the latest to face such accusations.