The Frame

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

Writer/director David O. Russell has completed a trifecta with Jennifer Lawrence and Bradley Cooper in his latest film, "Joy"; the Producers Guild and the Writers Guild have announced their award nominees, one week before the Motion Picture Academy does the same; there really is a company called Central Casting that's been casting extras for 90 years.

Sarah Silverman's career took a serious turn when she took on the lead role in "I Smile Back," and now she's getting award buzz; Phyllis Nagy worked for 18 years to adapt a Patricia Highsmith novel for the movie, "Carol"; composer and conductor Pierre Boulez had a long connection to the Ojai Music Festival.

Diane Warren's latest success is “Til It Happens to You,” which Lady Gaga performed for the documentary, “The Hunting Ground”; Coachella's headliners include Guns N' Roses and LCD Soundsystem; The Discovery Channel is scaling back on reality shows to get back to its original mission.

HBO chief Michael Lombardo joins us for an intimate chat about what he learned from "True Detective" and more; Then, 2015 was a record year at the box office, but most of the ticket sales came from just a handful of movies. Ben Fritz of the Wall Street Journal helps shed light on this trend.

We put together a special episode of The Frame, featuring interviews with George Clooney, "Empire" creator Lee Daniels, musician Jenny Lewis, actress Julianne Moore, "Transparent" creator Jill Soloway and the R&B singer Miguel.

Don Randi's memoir, "You've Heard These Hands," details his years with the L.A. studio band that played on hundreds of hits in the 1960s and '70s; Kelly Sue DeConnick revamped the "Captain Marvel" series, but her "Bitch Planet" titles are with a smaller publisher that allows her to control her work.

Comic strip artist Lalo Alcaráz draws on his own border upbringing as a writer/producer on Fox's typically irreverent animated comedy, "Bordertown"; writer/director László Nemes breaks away from the usual Hollywood treatment of Holocaust movies with his debut, "Son of Saul"

The screenwriter Charlie Kaufman wrote a play that ended up being turned into the stop-motion animated film, "Anomalisa"; filmmaker Evgeny Afineevsky relied heavily on footage shot by Ukrainian protestors for the documentary, "Winter on Fire"

Carter Burwell had a busy 2015, scoring five films including Todd Haynes' "Carol" and Charlie Kaufman's "Anomalisa"; Haskell Wexler had a long and illustrious career as a cinematographer and documentary filmmaker; musician Blair Tindall's memoir is the basis for the Amazon series, "Mozart In the Jungle."

We put together a show with some of our favorite conversations of 2015. Hear interviews with Meryl Streep, composer Philip Glass, "Orange is the New Black" actors Uzo Aduba and Lea DeLaria, "Hamilton" creator Lin-Manuel Miranda and "Mad Men" creator Matthew Weiner.

After more than 40 years as a recording artist, James Taylor had an album debut atop the Billboard charts for the first time this year; Tom Hooper is getting praise for directing “The Danish Girl," the true story of one of the first gender confirmation surgeries in the world, which took place in the 1920s.

Stacey Sher worked with Quentin Tarantino on “Pulp Fiction” and “Django Unchained,” so she's familiar with his methods and madness; "The Hateful Eight" was mostly filmed on a scenic ranch in Telluride, Colorado; holiday music to enjoy and avoid.