The Frame

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

If you think musicians are getting shorted by streaming services, songwriters fare even worse; Google introduces Daydream, its virtual reality headset that works with Android phones; the new light rail stop at Santa Monica's Bergamot Station has some worried about the art center's future.

"Outlander" creator Ronald D. Moore and costume designer Terry Dresbach share secrets from their married life and work collaboration; an inside look at creating the music for the ABC comedy, "The Middle"; how diverse are the broadcast networks' new shows?

Filmmaker Lee Daniels and actors Geena Davis and Peter Jacobson tell The Frame's John Horn what it's like to be part of the dog-and-pony show that are the broadcast TV Upfronts. Director Jay Roach makes political theater into an HBO movie with LBJ's story in "All the Way." Songwriter Guy Clark remembered.

Paul Buckmaster's long music career began with David Bowie in the 1960s and includes arranging for Elton John, Miles Davis, Taylor Swift and Carrie Underwood; The Mexican female punk band 'Las Hijas de Violencia' combats street harassment with performance art; NBC and Fox kick of day one of the TV Upfronts.

'The Lobster' filmmaker Yorgos Lanthimos reveals what lies behind his dark satire about love, society and relationships; The SFMOMA reopens with a new wing and new art but something is still missing; Broadcast TV networks cancel shows and rearrange line-ups ahead of next week's Upfront presentations to ad buyers.

The "Downton Abbey" creator has moved on to write the book for the Broadway musical, "School of Rock," and an interactive online novel, "Belgravia" but there may be a 'Downton' movie in the works; Donald Drumpf will begin fundraising in L.A, but does he have any Hollywood support?; singer-songwriter Andy Shauf makes a concept album, "The Party."

Comedian Ali Wong tackles everything from bodily functions, to specific sex acts, to the woes of feminism all while nearly 8 months pregnant in her Netflix special, 'Baby Cobra'; There’s a new music scene taking over south Los Angeles and it’s not hip-hop; Amazon mounts a challenge to YouTube.

Filmmaker Rodrigo Garcia and actor Ewan McGregor team up for a fresh take on a centuries-old story from the Bible; Chadwick Boseman follows roles as Jackie Robinson and James Brown with a new hero — Black Panther; Ticketmaster class action lawsuit plaintiffs won't get rich; YACHT's sex tape prank ends in a backlash.

Actors Alan Mandell and Barry McGovern continue their deep connection to Samuel Beckett at the Kirk Douglas Theatre; Paula Fairfield uses unusual sources (animal sex!) for the dragon sounds in the fantasy series; the Cannes Film Festival kicks off this week with the usual glitz and glamour.

Louie Anderson drew on his own mom for his role as Zach Galifianakis' mother, Christine Baskets, and John Roberts did the same to voice Linda Belcher; a report from the NewFronts: YouTube wants to replace your TV.

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.