The Frame

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

Writer/director John Ridley (far right, with actor Timothy Hutton) talks about his edgy new TV series, “American Crime"; We crash a viewing party for the breakout TV hit, “Empire"; Musician and attorney Joe Escalante on the fallout from the “Blurred Lines” verdict.

A jury ruled that Robin Thicke (pictured) and Pharrell Williams violated the copyright to Marvin Gaye's "Got to Give It Up"; an assistant director on the film "Midnight Rider" was found guilty of charges relating to the death of a camera assistant; producer David Shore revived a TV project created a dozen years ago by Vince Gilligan, before his "Breaking Bad" success.

"Midnight Rider" director Randall Miller was sentenced to two years in prison after pleading guilty to charges resulting from the death of a crew member on the set; Clint Eastwood talks about "American Sniper" (pictured) becoming the biggest-grossing film released in 2014; actress Gillian Jacobs has added director to her resumé with a documentary about computer pioneer Grace Hopper.

A fan laments that legendary radio DJ Art Laboe (pictured) can't be heard in L.A., at least for now; Robert Christgau, the Dean of American Rock Critics, has a memoir covering his 40-plus years on the music beat; Claire Keane is a third-generation artist who left a cushy job to write and illustrate children's books.

The trial for the lawsuit brought by Marvin Gaye's children against Robin Thicke and Pharrell Williams is nearing an end; how "Dead Man Walking" was transformed from a movie to an opera (pictured); comedian Wayne Federman rounds up his hilarious friends to host a film festival where they chose the lineup; comic book writer Scott Snyder put his anxieties into his version of "Batman."

Ed Piskor’s "Hip Hop Family Tree” (pictured) takes a look at the music's history in a comic book series; young comedians test their chops in roast battles; the Writer's Guild examines the lack of racial and gender diversity among TV writers.

Late night host Conan O'Brien tells us about his trip to Cuba and his thoughts on the late night TV shuffle; Vulture.com's Margaret Lyons recommends some TV shows that have an air of optimism; comic book writer Ed Brubaker goes from Captain America and Batman to a Hollywood noir graphic novel.

Will Smith's "Focus" (pictured) did middling business in its opening weekend, so where does this leave his career?; filmmaker Ed Burns on the highs and lows of his career since bursting on the scene with "The Brothers McMullen" in 1995; Valiant Entertainment has a simple goal: make comic books like they used to be made.

Leonard Nimoy (pictured) died today. We discuss his artistic journey as an actor, writer and photographer; the copyright trial pitting Robin Thicke, Pharrell Williams and T.I. against Marvin Gaye's children is underway; Will Forte is "The Last Man on Earth," a new Fox comedy.

Singer-songwriter Gabriel Kahane (pictured) wrote "The Ambassador," a song cycle inspired by architectural landmarks around L.A.; Yann Demange's new film is set amidst the violent Northern Ireland conflict known as The Troubles; a new study concludes that watching even just one film can change minds about a topic as charged as politics.

A new report by the Ralph J. Bunche Center for African American Studies at UCLA says movies and TV shows with diverse casts (such as "Empire," pictured) make good financial sense; Song Exploder breaks down the theme song for "House of Cards"; a new stage production at CalTech takes "Alice Through the Wormhole."

How did Amy Poehler's sitcom (pictured) survive seven seasons of average ratings?; Sam Beam, aka Iron & Wine, returns to his musical roots with "Archive Series Volume Number One"; Wes Anderson's Oscar-winning film is the subject of a new book; the L.A. Philharmonic stages a multimedia production of "Alice in Wonderland."