The Frame

The Frame pays tribute to Prince: music critic Melissa Ruggieri reports on Prince's final concerts; singer Judith Hill had her debut album produced by Prince; Alex Pappademas of MTV News on Prince's legacy in music and film; and Scott Goodman got a personal request from Prince to have his music removed from Goodman's file sharing website.

Kathryn Bostic has a varied music career as a composer for film, stage and the concert hall, and a singer/songwriter; the Ford Amphitheatre in the Hollywood Hills is nearing the end of an extensive renovation; an unprecedented number of women comic book writers and artists are up for Eisner Awards.

Kamau Bell's new CNN docu-series gets off to a wild start when he spends time with some Ku Klux Klan members on their turf; on a new episode of Song Exploder, punk legend Iggy Pop and Josh Homme of Queens of the Stone Age dissect their collaboration.

Rachel Bloom, star and co-creator of the CW show, “Crazy Ex-Girlfriend,” reveals how she took her love of musical theater and made it into a modern day commentary on sex and the single woman; Plus, electronic music rules at Coachella this year. We'll hear a wrap-up of the first weekend and a review of some wearable tech aimed at audiophiles.

Former "Daily Show" correspondent puts a twisted spin on the family sitcom with "The Detour"; at CinemaCon in Las Vegas, vendors tease movie theater ideas, including a robotic bar; L.A. theater veteran Diane Rodriguez takes her expertise to a national stage.

Eric Spitznagel's new book chronicles his quest for prized albums he disposed of over the years; Pacific Symphony tries to find new audiences in bars and restaurants; Amazon lays out its plans in the original feature film arena.

Screenwriter Susannah Grant revisits the 1991 hearings that pitted Supreme Court nominee Clarence Thomas against law professor Anita Hill; the spokesman for movie theater owners says theaters should remain the first venue for film releases; Arctic Monkeys frontman Alex Turner teams up with Miles Kane on a side project.

Rob Delaney and Sharon Horgan, the stars and creators of the Amazon series "Catastrophe" explain why they may push the boundaries of language but not of nudity. Musician Mayer Hawthorne muses on his upbringing and his Detroit roots. Host John Horn reports from CinemaCon in Las Vegas-- where theater owners and movie studio execs strategize ways to generate box office boffo.

Ben Falcone opens up about directing his wife, Melissa McCarthy, in "The Boss"; Karyn Kusama made her new movie with support from a group of investors who fund movies made by women; N.W.A. injects some West Coast rap style into the Rock and Roll Hall of Fame.

The Pulitzer Prize-winning playwright once again ties history to the present day in "Father Comes Home From The Wars."

A vocal group from "Pitch Perfect 2" (pictured) takes us inside the world of competitive singing; a week after Chris Burden died, his final work launches at the L.A. County Museum of Art; the Minnesota Orchestra plays a role in normalizing relations between the U.S. and Cuba; critics are effusive about the debut album by Shamir.

You know who’s really sad to see “Mad Men” end? The local businesses that supplied all that vintage clothing and furniture; musician Robert Cray and filmmaker Antoine Fuqua pay tribute to blues legend B.B. King (pictured); director Andrew Niccol’s new film, “Good Kill,” examines the difficult life of an Air Force drone pilot.

"Mad Men" creator Matthew Weiner (far right) talks about the show's legacy; if Harry Shearer leaves "The Simpsons," what would Ned Flanders, Kent Brockman and Mr. Burns say?; Chad Hodge sheds some light on his confusing new series, "Wayward Pines"; CBS' fall plans include "Supergirl."

Marc Maron (pictured) does stand-up, hosts a popular podcast, and his TV show is beginning its second season; at the TV upfronts in New York, the never-ending search for Latino audiences goes on; an artist-turned-radio producer seeks to find out why he's compelled to draw while riding the subway.

"Mad Max: Fury Road" has the hottest trailer, the best reviews and one of the oldest working filmmakers. We go deep with director George Miller (pictured with Charlize Theron); Crash the red carpet with our sneak peek of the Cannes Film Festival; ABC doubles down on diversity for fall season.

Reggie Watts (pictured), the one-man band from "Comedy Bang Bang," has moved on to become a bonafide bandleader on CBS' "The Late Late Show"; L.A. Times art critic Christopher Knight discusses the work of the late Chris Burden, who created two popular installations at the L.A. County Museum of Art.

As the Los Angeles County Museum of Art marks its 50th anniversary, CEO Michael Govan discusses the museum's past, present and future; the museum's coming exhibitions include a showcase for the late L.A. assemblage artist, Noah Purifoy.

As the big TV networks prep to unveil their new Fall line-ups, one show looms large — "Empire"; a new film about Gloria Trevi, known as "The Mexican Madonna"; former MTV news correspondent Tabitha Soren has a new photo exhibit of her work documenting the careers of minor league baseball players (pictured).

CalArts marks the 25th anniversary of its Community Arts Partnership with an annual stage show at Plaza de la Raza; Chaz Budwick is the musical talent behind Toro y Moi; first-time filmmakers Jarrad Paul and Andrew Mogel were fortunate to get Jack Black for "The D Train" (pictured).

Disney is in a dispute with theater owners over box office revenue from "Avengers: Age of Ultron"; the defunct TV show "Revolution"gets new life as a digital comic book; Best Coast (pictured) continues its love affair with California on the band's new album.

A writer asks: How Much Is Music Worth?; an L.A. teen is a finalist in the August Wilson Monologue Competition on Broadway; composer Brian Tyler creates movie magic with his scores to films like "Avengers: Age of Ultron" (pictured) and "Furious 7"; and "Game of Thrones" author George R.R. Martin is a Deadhead.

New York magazine art critic Jerry Saltz says the new Whitney Museum is showing up the rest of the art scene; a new exhibit at Sotheby’s (pictured) pairs work by prominent African-American artists with a soundtrack curated by rapper Drake; Rebekah Maysles, daughter of the late documentary filmmaker Albert Maysles, worked with her father on one of his last films, “Iris.”