The Frame

If you think musicians are getting shorted by streaming services, songwriters fare even worse; Google introduces Daydream, its virtual reality headset that works with Android phones; the new light rail stop at Santa Monica's Bergamot Station has some worried about the art center's future.

"Outlander" creator Ronald D. Moore and costume designer Terry Dresbach share secrets from their married life and work collaboration; an inside look at creating the music for the ABC comedy, "The Middle"; how diverse are the broadcast networks' new shows?

Filmmaker Lee Daniels and actors Geena Davis and Peter Jacobson tell The Frame's John Horn what it's like to be part of the dog-and-pony show that are the broadcast TV Upfronts. Director Jay Roach makes political theater into an HBO movie with LBJ's story in "All the Way." Songwriter Guy Clark remembered.

Paul Buckmaster's long music career began with David Bowie in the 1960s and includes arranging for Elton John, Miles Davis, Taylor Swift and Carrie Underwood; The Mexican female punk band 'Las Hijas de Violencia' combats street harassment with performance art; NBC and Fox kick of day one of the TV Upfronts.

'The Lobster' filmmaker Yorgos Lanthimos reveals what lies behind his dark satire about love, society and relationships; The SFMOMA reopens with a new wing and new art but something is still missing; Broadcast TV networks cancel shows and rearrange line-ups ahead of next week's Upfront presentations to ad buyers.

The "Downton Abbey" creator has moved on to write the book for the Broadway musical, "School of Rock," and an interactive online novel, "Belgravia" but there may be a 'Downton' movie in the works; Donald Drumpf will begin fundraising in L.A, but does he have any Hollywood support?; singer-songwriter Andy Shauf makes a concept album, "The Party."

Comedian Ali Wong tackles everything from bodily functions, to specific sex acts, to the woes of feminism all while nearly 8 months pregnant in her Netflix special, 'Baby Cobra'; There’s a new music scene taking over south Los Angeles and it’s not hip-hop; Amazon mounts a challenge to YouTube.

Filmmaker Rodrigo Garcia and actor Ewan McGregor team up for a fresh take on a centuries-old story from the Bible; Chadwick Boseman follows roles as Jackie Robinson and James Brown with a new hero — Black Panther; Ticketmaster class action lawsuit plaintiffs won't get rich; YACHT's sex tape prank ends in a backlash.

Actors Alan Mandell and Barry McGovern continue their deep connection to Samuel Beckett at the Kirk Douglas Theatre; Paula Fairfield uses unusual sources (animal sex!) for the dragon sounds in the fantasy series; the Cannes Film Festival kicks off this week with the usual glitz and glamour.

Louie Anderson drew on his own mom for his role as Zach Galifianakis' mother, Christine Baskets, and John Roberts did the same to voice Linda Belcher; a report from the NewFronts: YouTube wants to replace your TV.

Writer Lena Waithe and director Melina Matsoukas talk about their provocative film about a tragic incident involving a black couple and a white policeman; five years later, what has Hollywood learned from the Sony hack?

L.A.'s Marachi Arcoiris bills itself as the first LGBTQ group that plays traditional Mexican music; what should we make of the Golden Globes?; the Huntington Museum turns 100 with a centennial exhibition.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics," is on the shortlist for best international feature film at the Academy Awards.

Greta Gerwig shares her passion for "Little Women"; one TV journalist surveys how Jewish women are portrayed on TV; Jonathan Pryce dons the robes of Pope Francis for "The Two Popes"; a photographer turns objects confiscated from detainees at the border into art; The Black List turns 15; the ambitious filming of "1917".

The actress not only stars in the movie about the downfall of Roger Ailes at Fox News, she is also credited as a producer; assistants in Hollywood want better pay and treatment; "Not at the Dinner Table" is a release valve for uncomfortable holiday gatherings.

Director Sam Mendes and cinematographer Roger Deakins collaborated to film the movie in a single, continuous shot; will "Cats" snuggle up to moviegoers?; songwriter Kathryn Bostic is on the shortlist of nominees for the Academy Awards best original song.

Jonathan Pryce talks about playing the reluctant Pope Francis and screenwriter Anthony McCarten talks about mixing fact and fiction; top screenplays in The Black List.

The director willed her way onto the project to tell the 1868 Louisa May Alcott story in a new way; a photographer turns items confiscated at the U.S.-Mexico border into subjects for an exhibition.

Abby McEnany stars in and co-created the series, which tells the tragi-comic story of a gender non-conforming woman struggling with her lot in life. She and executive producer Lilly Wachowski talk about the series; Kyle Buchanan, who writes The Carpetbagger blog for The New York Times, on awards season in Hollywood.

Charlize Theron produces and stars in "Bombshell"; Lilly Wachowski and Abby McEnany find comedy and connection on their series "Work In Progress"; Matthew Bourne brings "Swan Lake" back to LA; Jad Abumrad argues that Dolly Parton is the great unifier in our fractured country with his new podcast.

The podcast from Radiolab host Jad Abumrad explores the amazing career of "The Backwoods Barbie"; Netflix is accused of breaching awards etiquette and journalism ethics in its courting of Critics Choice Association members; the Australian band Good Morning has a surprising following in the U.S.

Choreographer Matthew Bourne, who shocked the dance world with his staging of the classic ballet, brings the production back to L.A.; why are insurance companies willing to offer policies that protect behavior of figures like Harvey Weinstein?; the podcast, “Prince the Story of 1999,” takes us inside the making of the landmark album.