The Frame

If you think musicians are getting shorted by streaming services, songwriters fare even worse; Google introduces Daydream, its virtual reality headset that works with Android phones; the new light rail stop at Santa Monica's Bergamot Station has some worried about the art center's future.

"Outlander" creator Ronald D. Moore and costume designer Terry Dresbach share secrets from their married life and work collaboration; an inside look at creating the music for the ABC comedy, "The Middle"; how diverse are the broadcast networks' new shows?

Filmmaker Lee Daniels and actors Geena Davis and Peter Jacobson tell The Frame's John Horn what it's like to be part of the dog-and-pony show that are the broadcast TV Upfronts. Director Jay Roach makes political theater into an HBO movie with LBJ's story in "All the Way." Songwriter Guy Clark remembered.

Paul Buckmaster's long music career began with David Bowie in the 1960s and includes arranging for Elton John, Miles Davis, Taylor Swift and Carrie Underwood; The Mexican female punk band 'Las Hijas de Violencia' combats street harassment with performance art; NBC and Fox kick of day one of the TV Upfronts.

'The Lobster' filmmaker Yorgos Lanthimos reveals what lies behind his dark satire about love, society and relationships; The SFMOMA reopens with a new wing and new art but something is still missing; Broadcast TV networks cancel shows and rearrange line-ups ahead of next week's Upfront presentations to ad buyers.

The "Downton Abbey" creator has moved on to write the book for the Broadway musical, "School of Rock," and an interactive online novel, "Belgravia" but there may be a 'Downton' movie in the works; Donald Drumpf will begin fundraising in L.A, but does he have any Hollywood support?; singer-songwriter Andy Shauf makes a concept album, "The Party."

Comedian Ali Wong tackles everything from bodily functions, to specific sex acts, to the woes of feminism all while nearly 8 months pregnant in her Netflix special, 'Baby Cobra'; There’s a new music scene taking over south Los Angeles and it’s not hip-hop; Amazon mounts a challenge to YouTube.

Filmmaker Rodrigo Garcia and actor Ewan McGregor team up for a fresh take on a centuries-old story from the Bible; Chadwick Boseman follows roles as Jackie Robinson and James Brown with a new hero — Black Panther; Ticketmaster class action lawsuit plaintiffs won't get rich; YACHT's sex tape prank ends in a backlash.

Actors Alan Mandell and Barry McGovern continue their deep connection to Samuel Beckett at the Kirk Douglas Theatre; Paula Fairfield uses unusual sources (animal sex!) for the dragon sounds in the fantasy series; the Cannes Film Festival kicks off this week with the usual glitz and glamour.

Louie Anderson drew on his own mom for his role as Zach Galifianakis' mother, Christine Baskets, and John Roberts did the same to voice Linda Belcher; a report from the NewFronts: YouTube wants to replace your TV.

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."