The Frame

If you think musicians are getting shorted by streaming services, songwriters fare even worse; Google introduces Daydream, its virtual reality headset that works with Android phones; the new light rail stop at Santa Monica's Bergamot Station has some worried about the art center's future.

"Outlander" creator Ronald D. Moore and costume designer Terry Dresbach share secrets from their married life and work collaboration; an inside look at creating the music for the ABC comedy, "The Middle"; how diverse are the broadcast networks' new shows?

Filmmaker Lee Daniels and actors Geena Davis and Peter Jacobson tell The Frame's John Horn what it's like to be part of the dog-and-pony show that are the broadcast TV Upfronts. Director Jay Roach makes political theater into an HBO movie with LBJ's story in "All the Way." Songwriter Guy Clark remembered.

Paul Buckmaster's long music career began with David Bowie in the 1960s and includes arranging for Elton John, Miles Davis, Taylor Swift and Carrie Underwood; The Mexican female punk band 'Las Hijas de Violencia' combats street harassment with performance art; NBC and Fox kick of day one of the TV Upfronts.

'The Lobster' filmmaker Yorgos Lanthimos reveals what lies behind his dark satire about love, society and relationships; The SFMOMA reopens with a new wing and new art but something is still missing; Broadcast TV networks cancel shows and rearrange line-ups ahead of next week's Upfront presentations to ad buyers.

The "Downton Abbey" creator has moved on to write the book for the Broadway musical, "School of Rock," and an interactive online novel, "Belgravia" but there may be a 'Downton' movie in the works; Donald Drumpf will begin fundraising in L.A, but does he have any Hollywood support?; singer-songwriter Andy Shauf makes a concept album, "The Party."

Comedian Ali Wong tackles everything from bodily functions, to specific sex acts, to the woes of feminism all while nearly 8 months pregnant in her Netflix special, 'Baby Cobra'; There’s a new music scene taking over south Los Angeles and it’s not hip-hop; Amazon mounts a challenge to YouTube.

Filmmaker Rodrigo Garcia and actor Ewan McGregor team up for a fresh take on a centuries-old story from the Bible; Chadwick Boseman follows roles as Jackie Robinson and James Brown with a new hero — Black Panther; Ticketmaster class action lawsuit plaintiffs won't get rich; YACHT's sex tape prank ends in a backlash.

Actors Alan Mandell and Barry McGovern continue their deep connection to Samuel Beckett at the Kirk Douglas Theatre; Paula Fairfield uses unusual sources (animal sex!) for the dragon sounds in the fantasy series; the Cannes Film Festival kicks off this week with the usual glitz and glamour.

Louie Anderson drew on his own mom for his role as Zach Galifianakis' mother, Christine Baskets, and John Roberts did the same to voice Linda Belcher; a report from the NewFronts: YouTube wants to replace your TV.

Fifteen young musicians from L.A. are collaborating with counterparts from the Japanese region struck by disaster four years ago (pictured); Burger Records has built a mini-indie empire in Southern California; Alex Gibney's documentary about the Church of Scientology debuts on HBO.

The Youth Orchestra is in Japan to conduct some teenage musical diplomacy (pictured); "Marilyn Forever" gives the Hollywood icon the opera treatment; Chapman University's film program decides to compete at the multiplex; Rihanna’s singing career just collided with her film career — and not in a good way.

Considering the success of TV shows such as "Fresh Off the Boat" (pictured), two casting directors discuss whether the demand for diversity has turned into a new form of affirmative action; filmmaker Noah Baumbach joins us for a discussion about his new film, "While We're Young."

Last year, for the first time, the record industry made more money from streaming services than from the sale of CDs; British singer/songwriter Laura Marling (pictured) talks about her love-hate relationship with L.A.; “Justified” creator Graham Yost on how the show maintained its spirit after the death of co-creator, Elmore Leonard.

NPR music critic Ann Powers provides a rundown of standout acts, including Leon Bridges (pictured), at SxSW; Twin Shadow goes from indie rock to pop music on his latest album, “Eclipse"; Lacey Schwartz talks about uncovering her secret racial identity in her documentary, "Little White Lie."

This weekend GLAAD honors entertainment and media that best represent LGBT characters. But handing out awards isn’t the group's only job in Hollywood; Why the Iranian band Kiosk had to flee their country to fully realize their art; Suge Knight's bail is set to $25 million, and his lawyers accuse the prosecution of equating Knight with "Empire."

James Corden reveals his hopes and fears as host of the revamped "Late Late Show." Actor Ethan Hawke and pianist Seymour Bernstein talk stage fright and their new documentary. Mr. T gets a reality show gig.

ASCAP president and board chairman Paul Williams (pictured) advocates better pay for songwriters; The Emmys define TV comedies by length; Hammer Museum celebrates the work of artist Charles Atlas.

Apple plans to offer an online package of 25 TV channels including ABC, CBS and FOX, perhaps as soon as this fall; singer/songwriter Tobias Jesso Jr. turned his misfortune into a music career that's blowing up.

Violinist Bing Wang (pictured) is one of the 120-plus L.A. Philharmonic musicians on a two-week tour of Asia; HBO's "The Jinx" is just the latest documentary to play a key role in a criminal case; hanging out with the dudes at the 14th annual celebration of "The Big Lebowski."

How is SxSW in Austin different from all other film festivals?; artist Charles Gaines (pictured) reflects on being black in the art world and gets a retrospective of his very own at the Hammer Museum.

The L.A. Philharmonic is set to leave on a tour of Asia, where it will make its first visit to mainland China and conductor Gustavo Dudamel will work with a youth orchestra born out of the Fukushima disaster in Japan; We take an audio tour of the Bjork exhibit at MOMA that's generating so much snark