The Frame

As CEO of The Jim Henson Company, she's focused on new technologies and improving the gender, racial and ethnic diversity of the people behind the characters.

Comedian, podcaster and actor Chris Gethard has a talk show on the Fusion cable network after years on public access TV. He also hosts the podcast, "Beautiful Stories from Anonymous People." He sits down with The Frame for an in-depth conversation about failure, success, depression and comedy.

Shanghai Disney is the company's $5.5 billion entrance into mainland China with a resort that includes hotels and shopping areas in addition to the 123-acre park; "Tickled" is a documentary about the odd world of competitive endurance tickling.

Derek DelGaudio uses "magic, moments of wonder and mystery" in his hit stage show, “In & Of Itself"; the opera “Anatomy Theater" explores the nature of evil on a visceral level; a new initiative from the Berklee College of Music seeks to resolve compensation issues between musicians, streaming services and record labels.

Director Thomas Kail and production designer David Korins helped bring the Broadway hit “Hamilton” to life, but in 2016 they also collaborated on the production of “Grease: Live!” — the TV event for Fox; New York Magazine theater critic Jesse Green says diversity was the big winner at this year's Tony awards.

Musician Joe Henry produced what turned out to be the final album by the New Orleans legend, who died last Fall; will a crackdown by New York's attorney general help rein in the re-sale market for concert and stage tickets?; Muhammad Ali even sang about being "The Greatest."

Artist Rafa Esparza uses traditional handmade adobe bricks in his installations and to bond with his father; Led Zeppelin goes to trial for "Stairway to Heaven" copyright case; meet MØ, a Danish pop singer with the most-played song on Spotify.

Director James Wan took a detour with "Furious 7," but he's back to the horror genre in "The Conjuring 2"; "Harry Potter and the Cursed Child" begins previews in London; Pulitzer Prize winner Caroline Shaw is one of the featured composers at the Ojai Music Festival.

"The Fits" filmmaker Anna Rose Holmer makes a coming-of-age movie that has very little dialogue but a whole lot to say; the L.A.-based band The Allah-Las found early inspiration while working at Amoeba Records; the movie "Me Before You" has revived the debate over how Hollywood portrays people with physical disabilities.

Cellist Yo-Yo Ma and his Silk Road Ensemble are the center of the new documentary, "The Music of Strangers." He reflects on what drives his passion and how music is a source of creative connection and cultural diplomacy; Dissecting where Clinton, Sanders and Drumpf stand in Hollywood on the eve of the California primary.

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."