Protect local news!

Be one of 5,000 supporters to make a monthly gift during our fall member drive and help strengthen our nonprofit newsroom.
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
The Frame

New Twitter account exposes how female characters are described in scripts

A replica of the Hollywood sign was put up in Bronson Canyon for the 1974 film Day of the Locust.
A replica of the Hollywood sign was put up in Bronson Canyon for the 1974 film Day of the Locust.
(
Marc Wanamaker/Bison Archives
)

About the Show

A daily chronicle of creativity in film, TV, music, arts, and entertainment, produced by Southern California Public Radio and broadcast from November 2014 – March 2020. Host John Horn leads the conversation, accompanied by the nation's most plugged-in cultural journalists.

#OscarsSoWhite has dominated much of the conversation surrounding this year's Academy Awards, but it's not like race is the only issue in Hollywood.

For example, a recent study out of The Center for the Study of Women in Film and TV found that among last year's 100 highest-grossing films, women accounted for just about one-third of all major and speaking characters. Those numbers were even worse for women characters who were black, Latina and Asian, and for all women characters older than 40.

Coincidentally, a new 

 has been launched which, in less than 24 hours, exploded the Twitter-verse. The account is run by film producer Ross Putman who uses it to shed light on how female leads are introduced in scripts. For the tweets he changes the actual character names to the generic JANE. 

As a producer, Putman gets a lot of scripts sent his way. So he created the account @femscriptintros to show how some writers view their female characters — and thus how those characters are cast.  

In an interview with Jezebel, Putman observed:



Women are almost always, first and foremost, described based on their physical attractiveness ... The suggestion is that women are only valuable if they’re "beautiful." It’s not always true, but it’s an underlying current. Beyond that, scripts always make a point of quite distinctly saying when someone "isn’t beautiful."

And while Putman says he doesn't want to "shame individual screenwriters," it seems like his Twitter account could go a long way toward making some of the wider "systemic" changes that Putman wants to see in Hollywood.