FilmWeek

Larry and FilmWeek critics Lael Loewenstein and Wade Major, talk about why foreign language films have such a hard time finding distribution in the U.S., how critics can encourage audiences to see them, and why Americans seem to have such an aversion to sub-titles.

News of staff cuts at newspapers around the country has become fairly common lately. Among those who have been laid off or have taken buy-outs are film critics at dozens of dailies and weeklies. Though a plethora of movie blogs exist on the Web, critics whose work appears in print seem to be a dying breed. Larry and three of our FilmWeek critics discuss the trend.

Yes, it's true and coming to a theater near you. An Australian theater company and its investors plan to build new luxury theaters in the U.S. that charge $35 bucks a head. What will you get for your thirty-five dollars? Reclining seats, waiter service, and valet parking. Is it worth it? Well, it seems folks in other countries think so because they've been showing up to luxury venues there. But will these luxury theatres entice American audiences into the theatres, especially in this era of shrinking box office revenues and our declining economy. Ted talks with Rob Goldberg of Village Roadshow Cinemas about the luxury theatres his company is planning to bring to the States.

Larry and critics Andy Klein, of CityBeat, and Claudia Puig, of USA Today, review some of the week's new feature films including "Drillbit Taylor," "The Grand," "The Hammer," and "Under the Same Moon," as well as the documentaries "Fighting for Life" and "'Tis Autumn."

"Black Magic" is the story of the era of the Civil Rights Movement told through the lives of basketball players and coaches who attended Historically Black Colleges and Universities. From more than 200 hours of interviews and footage, director and producer, Dan Klores, tells the story of separate leagues and facilities, championship games and titles that never qualified for the history books, and secret games played between blacks and whites in defiance of the law. Ted talks with the Klores, about the story he describes as one of "injustice, refuge, and joy."

Larry and critics Lael Loewenstein, of Variety and Peter Rainer, of The Christian Science Monitor, review some of the last week's new feature films including Married Life, Miss Pettigrew Lives for a Day, The Bank Job, Last Stop for Paul as well as the documentaries My Name is Albert Ayler and Girls Rock!

Larry and critics Claudia Puig of USA Today, Henry Sheehan of henrysheehan.com, and Charles Solomon of amazon.com review some of the last two weeks' new feature films including "The Other Boleyn Girl," "Semi-Pro," "Be Kind Rewind," "Vantage Point," "Charlie Bartlett," and "The Counterfeiters" as well as the documentary "Chicago 10."

Larry Mantle and all the FilmWeek critics gather at the historic Egyptian Theatre in Hollywood for a preview of the 2007 Academy Awards. Larry is joined by FilmWeek critics Andy Klein of CityBeat; Lael Loewenstein of Variety; Wade Major of boxoffice.com and CityBeat; Jean Oppenheimer of Village Voice Media; Claudia Puig of USA Today; Peter Rainer of The Christian Science Monitor, Henry Sheehan of HenrySheehan.com, and Charles Solomon, animation critic for amazon.com.

The 1960's were tumultuous not only in our country's political and social history but in our cultural and entertainment history as well. Larry talks with entertainment journalist Mark Harris whose new book, Picture at a Revolution, takes an in-depth look at the films and filmmakers that transformed American cinema in the late 60's. In it Harris tracks the five Best Picture nominees at the 1968 Academy Awards: The Graduate; Bonnie and Clyde; In the Heat of the Night; Guess Who's Coming to Dinner? and Dr. Doolittle from concept to Oscar night.

Persepolis is the coming-of-age story of a precocious and outspoken young Iranian girl that begins during the Islamic Revolution. Larry talks with Marjane Satrapi, the co-director and writer of the Oscar nominated animated film, "Persepolis," which is based on her book of the same name.