Sustain LAist today!

Your monthly gift during our June member drive powers our local newsroom.
1,485 sustainers of 2,500 goal
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

A Tribe Called Quest @ The Wiltern 9/10

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

I had the misfortune to show up late to see Beastie Boys at Hammerstien Ballroom in NYC in '98 where A Tribe Called Quest was opening and apparently playing their last NYC show. So, i jumped at the opportunity to see them at the Wiltern last Sunday night, where Q-Tip, Phife Dawg and Ali Shaheeh Muhammad reunited after 8 years apart.

Playing third, Tribe's set lasted an hour, which I heard a lot of fans bitching about afterward. I'm wondering if the short set was because the second act, Rhymefest (co-writer and Grammy winner for the Kanye West song "Jesus Walks with Me"), who took forever, spending most of his time demanding respect from the audience and signing his shoes and throwing them into the crowd (Yawn).

Whatever the reason, Tribe played really only a handful of songs, and snippets at that. They did bring Jarobi White out, which was a nice treat. The three Emcees did a beatbox break, which had everyone's heads bobbing enthusiastically. The sound for Tribe's set was really nicely mixed and each lyric could be heard with crystal clarity. It was a good show, but I just came away wanting more. Hopefully, we'll be getting more.

The highlight of the night for me was the opening act, a band of, again, 3 Emcees (Stro, Rez and Mr. J.) and a DJ (DJ Vajra), called The Procussions. On newly reformed Rawkus Records, they are the champions of "underground" hiphop, The Procussions are full of energy, wit, anger and excitement. Representing the true "underground" sound of hip-hop with songs not about bling and hos, but about the struggles and frustrations of real life: songs with a political conscience and point of view. It's hard not to compare Mr. J. to Adrock of Beastie Boys, with his playful demeanor and frenetic energy. The band meshes perfectly together and you can't help but wish you were up there playing with them on stage.

They ended their set by thanking the audience for listening to and supporting underground hip. Personally, I call what The Procussions are doing "hip hop", not "underground hip hop". That other stuff? It's called pop.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today