LAistory: Hollyhock House
Photo by erinpk, via Flickr.
Hollyhock House was the first LA home designed by Wright. He was commissioned by unconventional oil heiress, Aline Barnsdall in Chicago, where she was studying the American stage. After a trip to California in 1915, she decided to make her residence here in order to develop arts and theater. She bought 11 acres between Sunset and Hollywood Boulevards, just west of Vermont. She named it after her favorite flower, a motif repeated throughout the structure. It was built between 1919 and 1923. Wright was spending most of his time in Tokyo, building the Imperial Hotel (one of the few structures to survive the earthquake of 1923) and left the construction under the watchful eye of his son, Lloyd Wright and his apprentice, Rudolph Schindler. The house was supposed to be a private residence in the center of an arts park -- there were plans for theaters, dormitories and studios for artists and actors, shops and two guest houses. Due to artistic and financial troubles (Wright and Barnsdall, both strong willed, disagreed), only the main residence and the guest houses were built.
Photo by le, via flickr.
Like all Wright houses in Los Angeles, Hollyhock House is a mystery. There's a vast, ancient feeling to it, as a structure, it lies open to the elements, with its broad, flat roofs, its windows are small and deep, keeping the heat of the sun out But inside, under deep overhangs are walls of windows leading out to fountains and gardens. You can feel the Mayan and Aztec influences, in the squareness of the structures and the geometric nature of the motifs.
Wright was attempting to find a style that fit the landscape of Southern California. He called these "Califonia Romanza" (romanza is a musical term, which means "freedom to make ones own form.") Though they may look like reinforced concrete, the bearing walls are actually hollow, then covered in terra cotta tile. The decorative effects are from a kind of proto-concrete poured into molds.
Virginia Kazor, the city's historic curator for the house, told The San Diego Union-Tribune, "I've been in this house 100 times, and I'm still seeing things I've never seen before."
4800 Hollywood Boulevard, Los Angeles, CA
(cross-streets Vermont Ave. and Edgemont Ave.)
LAistory is our series that takes us on a journey to what came before to help us understand where we are today.
Check out our other entries in the series:
Val Verde; Thelma Todd's Roadside Cafe; An eclectic house in Beverly Hills; Echo Park's Bonnie Brae House; Marineland of the Pacific; Grand Central Air Terminal; LA's Own Wrigley Field; How LA got its name; The wreck of the Dominator; The 1925 "Hollywood Subway."; The Pink Lady of Malibu; Lions Drag Strip; Disneyland...when it was cheap to get in; The ugliest building in the city; Union Station; Union Station's Fred Harvey Room; A Smelly Mystery at another train station; The Egyptian Theatre; Pilgrimage Bridge; The "It" Girl, Clara Bow; Elias J. "Lucky" Baldwin; Get Involved!; Houdini's House; Spanish Kitchen; The Platinum Blonde; Chutes Park; Fatty Arbuckle; The Brown Derby; Griffith Park; The Outpost Sign; Cross Roads of the World; Sowden House; Monkey Island ; Carthay Circle Theater; The Post-War House & the Home of Tomorrow; Dan the Miner; Tropical Ice Gardens; William Desmond Taylor; Alligator Farm; Schwab's Pharmacy; Tail O' the Pup; Good Reads; Fatty Arbuckle's Plantation Cafe; The Garden of Allah, Mapping LAistory, The Pan Pacific Auditorium; Pickfair, The Tower of Pallets.