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  <title xmlns="http://www.w3.org/2005/Atom">LAist Weekly Favorites</title>
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    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160821</id>
    <title xmlns="http://www.w3.org/2005/Atom">Getting Closer to the Westside: Subway, Bus,  Aerial, Nothing?</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;There are two more meetings left (&lt;a href="http://metro.net/projects_studies/westside/meetings.htm"&gt;one tonight, one on Monday&lt;/a&gt;) for the third round of public meetings with Metro regarding the Westside Extension, often noted as the "subway to the sea."  &lt;a href="http://laist.com/2008/01/30/metro_questions.php"&gt;At the last set of meetings&lt;/a&gt;, 17 alternatives were proposed which have been honed down to five alternatives being presented this week.  What survived was underground heavy rail and one robust rapid bus system.  What didn't was at grade trains and aerial transit. &lt;/p&gt;

&lt;p&gt;&lt;img class="right" alt="Metro Westside Extension" title="Metro Westside Extension" src="http://laist.com/attachments/la_zach/metro_map_combined.gif" width="317" height="167" /&gt;In regards to elevated rail, Metro says they are not opposed to it (after all, Gold and Green lines use it), but they do not think it works well in the Wilshire and Santa Monica corridors.  The carrying capacity is lower and its effects on pedestrians and the street scape are too overwhelming for it to be plausible to be built.  &lt;/p&gt;

&lt;p&gt;And in the end, the public response has been much on the side of the subway than anything else.  Besides the rapid bus alternative (think on-street bus lanes, not an Orange Line busway), the four subway alternatives are as such:&lt;ol&gt;&lt;li&gt;The classic Wilshire Blvd. straight shot to the sea with possible deviations in Century City and Westwood Village.&lt;br /&gt;
&lt;li&gt; A more topsy-turvy Wilshire Blvd. route that would hit such destinations as the Farmer's Market/Grove and Cedars Sinai.  It could add more travel time and cost, but also increase ridership.&lt;br /&gt;
&lt;li&gt;All stand alone Santa Monica Blvd. routes were eliminated, but they were still kept it in the picture by combining it with the Wilshire route.  One of the combined alternatives takes a transfer point at Hollywood/Highland heading down Santa Monica Blvd and maybe turning south on La Cienega or San Vicente, eventually catching up with the Wilshire alignment that drifts off Wilshire (above #2).&lt;br /&gt;
&lt;li&gt;The last combined alternative takes the classic Wilshire straight shot proposal and mixes it with the Santa Monica alignment.&lt;/ol&gt;&lt;/p&gt;

&lt;p&gt;After this set of community meetings, Metro will continue to work and evaluate the routes before presenting a recommendation to the Metro Board in the Fall.  As for another community meeting?  Expect to see one coming near the end of the summer, possibly by Labor Day.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;It should be noted that Metro is required to consider a no-build or a transit system maintenance alternative (lots of buses)&lt;/em&gt;.  &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Fun Facts&lt;/strong&gt;: In March, Metro hit a record number of Red Line weekday average boardings at 144,000.  That's the highest it has been since July of 2001, when it was around 147,000.  The average weekday boardings for the 2006-07 fiscal year was 120,196.&lt;/p&gt;

&lt;p&gt;&lt;!--continue work and eval as &lt;/p&gt;

&lt;p&gt;next time to public labor day&lt;/p&gt;

&lt;p&gt;1. straight classic wilshire&lt;br /&gt;
14. grove, farmer's market, cedars sinai, add travel time, more riders, more expenses&lt;br /&gt;
11. elminated all santa monica stand alones, transfer to sm one, turn south on la cieng or san vience and pick up in bh + alt 1&lt;br /&gt;
16. this + 14&lt;br /&gt;
5. the most robust busways, bus lanes, but not like orange line that is dedicated.&lt;/p&gt;

&lt;p&gt;march 7 year record on red 144,000 weekday, hastn' been that high since july 2001.  defintiely a spike.  06-07 120,196 avg weekday, total 40million --&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/08/elevated_not_th.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161477</id>
    <title xmlns="http://www.w3.org/2005/Atom">$1 Megabus Rides to SF &amp; Vegas May Cease</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="megabus service in los angeles" title="megabus service in los angeles" src="http://laist.com/attachments/la_zach/megabus.jpg"&gt;&lt;br /&gt;
&lt;span class="photo_caption"&gt;Photo by &lt;a href="http://flickr.com/photos/stevedeger/303124321/"&gt;Steve Deger&lt;/a&gt; via Flickr&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Thrifty bus service is not making the grade for Angelenos on the go to other cities via coach bus. "Maybe, truth be told, we were unable to get them out of their cars," Dale Moser, president of Megabus, &lt;a href="http://www.latimes.com/business/la-fi-megabus13-2008may13,0,6862809.story"&gt;told the LA Times&lt;/a&gt; about Californians not "warming up" to the service. "Quite frankly, the ridership hasn't been as robust as we'd like. We might just have to discontinue [the service]." &lt;/p&gt;

&lt;p&gt;Ridership from Los Angeles on the 56-seat busses were sometimes three-quarters full, but often only carried 12 people with no increase in business in sight.  In the Midwest, &lt;a href="http://www.megabus.com/us/"&gt;Megabus&lt;/a&gt; saw a 137% increase over the last year.  &lt;/p&gt;

&lt;p&gt;Earlier this year, the company, which is a subsidiary of Coach USA, stopped service to San Diego and Phoenix, but may stop all service from Los Angeles later this summer.  The final decision will be made by Friday.  Megabus began service in Los Angeles &lt;a href="http://www.laist.com/2007/07/31/megabus_losangeles_sanfrancisco.php"&gt;late last summer&lt;/a&gt; offering $1 deals to those who booked the first seats.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/13/1_megabus_rides.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161388</id>
    <title xmlns="http://www.w3.org/2005/Atom">LA's Pop Culture in 3 Blocks</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img alt="eboy does Los Angeles" title="eboy does Los Angeles" src="http://laist.com/attachments/la_zach/eboy_los_angeles.jpg" width="640" height="452"/><br/>
<span class="photo_caption">See the <a href="http://hello.eboy.com/eboy/wp-content/uploads/shop/ECB_LA_28k.png" target="blank">larger version</a> | Via <a href="http://hello.eboy.com/eboy/">eBoy's website</a></span></p>

<p>Along with their <a href="http://concretehermitgallery.com/">art opening</a> last week in London featuring the new "LA" work, <a href="http://en.wikipedia.org/wiki/Pixel_art">pixel art</a> group eBoy <a href="http://hello.eboy.com/eboy/2008/05/08/new-la-poster-now-available/">released the artwork as a poster</a> in a series of many including Tokyo and New York City.  </p>

<p>The piece pictures Los Angeles' pop culture in a micro-condensed two to three block area.  No Waldo spottings, but there's plenty of fun to spot inch by inch including a SWAT shoot out, lots of paparazzi and a Segway cruising the gridlocked freeway.</p>

<p>You can <a href="http://hello.eboy.com/eboy/shop/?cat=poster">purchase</a> it via their website.</p>

<p>[h/t <a href="http://www.boingboing.net/2008/05/12/new-eboy-los-angeles.html">boingboing</a>]</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/los_angeles_thr.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161556</id>
    <title xmlns="http://www.w3.org/2005/Atom">Hundreds of Tires Slashed in San Pedro</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt=100s of Tires Slashed in San Pedro" title=100s of Tires Slashed in San Pedro" src="http://laist.com/attachments/la_zach/sanpedro_tire_slashing.jpg" width="640" height="389" /&gt;&lt;br /&gt;
&lt;span class="photo_caption"&gt;Photo by &lt;a href="http://flickr.com/photos/nikonvscanon/1302297236/"&gt;david.nikonvscanon&lt;/a&gt; via Flickr&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;Around 100 people's car tires were slashed over the night, leaving San Pedro residents with an unhappy morning surprise.  It wasn't until people gathered at a local tire store that they all began to figure out what happened. Police are not sure exactly how many people were victimized, but one person is quoted in &lt;a href="http://www.dailybreeze.com/news/ci_9240156?source=email"&gt;a Daily Breeze  report&lt;/a&gt; saying they were "inundated" with calls.&lt;/p&gt;

&lt;blockquote&gt;Several neighborhoods were hit, including those near 21st Street between Gaffey Street and Pacific Avenue; Ninth Street and Patton Avenue; Sebastian and Channel streets; and Battery Street and Cabrillo Avenue.

&lt;p&gt;"It was all across town, from north to south," said Dan Dixon, who lives near one of the impacted neighborhoods.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;The vandals even went an extra step and slashed tires of trucks at the closest towing company forcing people to call over to Long Beach for towing service.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/13/hundreds_of_tir.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160396</id>
    <title xmlns="http://www.w3.org/2005/Atom">Why We Deserve Global Warming </title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img class="left" alt="angry%20girl.jpg" src="http://laist.com/attachments/la_simone/angry%20girl.jpg" width="300" height="261"/>Yesterday, in the L.A. Times, I read a <a href="http://www.latimes.com/news/local/la-me-vegoil6-2008may06,0,6562739.story">story</a> that made my blood boil.  People with the initiative and the where-with-all to make their cars run on vegetable oil, thus saving themselves money and us all fumes, are being smacked down by the state government for not seeing to such things as, oh, a $300 license from the Meat and Poultry Inspection Branch to collect grease from kitchens.  Oh, and road tax, God forbid these forward-thinking citizens should get away without chipping in on the road tax normally included in gas pump prices!  That would mean their noble efforts might actually be rewarded.  Matthew Tiffany had to shut down his Good Earth Grease Haulers because of too much red tape and fines.  What was he thinking, trying to help us all convert our vehicles to help work towards a healthier planet?  Dave Eck and his fryer-oil cars, why, what a little tax cheat!  Even the governor got nailed for running his Hummer on Costco cooking oil (now there's an odd sentence), without paying the state 18 cents for each gallon of oil, which is apparently the law, clearly as a punishment for setting us all an example.</p>

<p>This ranks right up there with an <a href="http://www.latimes.com/news/science/environment/la-na-cars1-2008may01,1,1886979,full.story">article</a> that set my teeth on edge last week, where House members were complaining about how an amendment to last year's energy bill requires their office-funded vehicles (that's right, no actual cost to them), to be switched out for more fuel-efficient cars.  Two of the reps are quoted trying to explain their need to drive Chevy Tahoes, Joe L. Barton's excuse being that he's pretty sure his district in Texas doesn't mind, (I bet they don't, sadly), while California's own Diane Watson referred to questions about the issue as "idiotic" and insisted she needed her Lincoln Town Car, because she was over six feet tall.  </p>

<p>Well, I guess I don't mind if we destroy the planet, as long as you have your leg room, honey.</p>

<p>This is the point in science fiction where the aliens give up, shake their heads, and just kill us all.  Because we clearly don't deserve our spot in the galaxy.  One step forward, five steps back.</p>

<p><em>Image courtesy of <a href="http://flickr.com/photos/brooke/153904682/">Brooklyn</a> via Flickr</em></p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/why_we_deserve.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Simone Snaith</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160812</id>
    <title xmlns="http://www.w3.org/2005/Atom">Found in LA: The Future of Parking</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="Los Angeles parking pay stations meters" title="Los Angeles parking pay stations meters" src="http://laist.com/attachments/la_zach/ladot_pay_station.jpg" width="640" height="480" /&gt;&lt;br /&gt;
&lt;span class="photo_caption"&gt;Taken on outside of &lt;a href="http://www.laist.com/2007/08/17/intelligentsia.php"&gt;Intelligentsia&lt;/a&gt; in Silver Lake on Sunset Blvd. | Photo by LAist News Editor Andy Sternberg&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;What's the update on these? From the &lt;a href="http://www.lacity.org/ladot/Park%20and%20Pay%20Off%20Street%20Fact%20Sheet.pdf"&gt;Department of Transportation&lt;/a&gt; (.pdf): &lt;/p&gt;

&lt;blockquote&gt;In Spring of 2008, LADOT will begin to replace an additional 5,000 on-street parking meters with advance technology single space meters and multi-space Park and Pay Stations in locations throughout the City. 

&lt;p&gt;Each parking space will have a designated number and the customer only needs to input the assigned number of the parking space into the Park and Pay station located near you. The Park &amp; Pay Stations will feature easy to follow step-by-step payment instruction.&lt;/blockquote&gt;&lt;blockquote&gt;[...]&lt;/p&gt;

&lt;p&gt;An added feature of the mobile payment service is that subscribers will have the option of being automatically notified by text message prior to their time being expired. They will be able to purchase additional time for their parking space wirelessly through the service, as long as they adhere to posted time limits&lt;/blockquote&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/08/found_in_la_the_5.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161308</id>
    <title xmlns="http://www.w3.org/2005/Atom">2 Hour One-Way Bus Commuting No More</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img alt="metro_to_car.jpg" src="http://laist.com/attachments/la_zach/metro_to_car.jpg" width="640" height="415"/><br/>
<span class="photo_caption">Photo by <a href="http://flickr.com/photos/fredcamino/2308761043/">Fred Camino</a> of <a href="http://MetroRiderLA.com">MetroRiderLA</a> via Flickr</span></p>

<p><a href="http://www.latimes.com/news/local/la-me-roadsage12-2008may12,0,6706500.column">Today's edition</a> of Steve Hymon's weekly Road Sage column explores one Altadena man's story of de-caring for five years, but unwillingly giving back into car culture after Metro changed some lines, ultimately forcing his four hour daily roundtrip to be a little longer and more unpredictable.  </p>

<p>Cliff Moore, who is not fond of driving, lives in Altadena, works in Sun Valley and likes it that way.  He was fine with his commute of three busses, but when Metro split the 92 for reliability reasons, Moore found that reliability a bit unpredictable, forcing him to be often late for work after a newer four bus commute. However, "he knows a mass transit system can't be built to serve him," Hymon notes.  </p>

<p>Moore now drives a 1995 BMW and his commute takes him 25-minutes each way cutting 95-minutes off his old public transit route.  Maybe he might consider going back to transit someday, but that might depend on fixing a "glaring hole" in the bus system.  Currently, as the Road Sage reports, there is "no service connecting the San Gabriel Valley to cities along the 210 Freeway corridor."</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/2_hour_oneway_b.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161334</id>
    <title xmlns="http://www.w3.org/2005/Atom">Eye Nosh: The Counter, Custom Built Burgers</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p>It seems that Los Angeles either <a href="http://laist.com/2008/04/22/photo_essay_fat.php">loves</a> or <a href="http://laist.com/2008/05/05/eye_nosh_thai_s_1.php#comments">hates Father's Office</a>.  Among the reasons why to dislike Sang Yoon's operation: you cannot choose or replace food items.  What you get is what you get.  No ketchup! If you don't like that, then the recommendation is to not go there.  Yoon will not lose sleep.</p>

<p>However, if you want choice in how your food is made or adapted, then you go to <a href="http://www.thecounterburger.com/">The Counter</a> in Santa Monica (other SoCal locations include Irvine and Corona).  Here, you make your burgers custom. You get a little clipboard and you get to check off what you want (<a href="http://www.thecounterburger.com/menu/">it looks like this</a>).  And yes, they do have veggie burgers. It's also one of <a href="http://laist.com/profile/la_malingering/posts">Malingering's</a> favorite spots, so she had to share...<em>Submit your <a href="http://laist.com/tags/eyenosh">Eye Nosh</a> food 'porn' photos and mini-reviews to LAist via <a href="http://flickr.com/groups/laist-photos/pool/">LAist Featured Photos</a> on Flickr.</em></p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/eye_nosh_the_co.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160589</id>
    <title xmlns="http://www.w3.org/2005/Atom">A Forgettable Game... At Least There Were Boobs</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;a href="http://laist.com/attachments/la_malingering/DSC_0763.JPG"&gt;&lt;img alt="DSC_0763.JPG" src="http://laist.com/attachments/la_malingering/DSC_0763-thumb.JPG" width="640" height="381" /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I can't believe I called in sick to work to watch this utterly terrible Dodger game. The Blue Crew &lt;a href="http://losangeles.dodgers.mlb.com/news/wrap.jsp?ymd=20080507&amp;content_id=2657145&amp;vkey=wrapup2005&amp;fext=.jsp&amp;team=home"&gt;lost 12 to 1 to the Mets&lt;/a&gt; at their monthly mid-week day game today. Maine was pitching a complete game shutout into the 9th until the Dodgers managed to squeak out one run to wipe that big fat 0 off the scoreboard. Not much to say about this one. It sucked balls. A bunch of ground balls that were immediately thrown out at first. I would like to erase it from my memory.&lt;/p&gt;

&lt;p&gt;Nevertheless, here are some photos for those of you who were even less fortunate and actually had to be at work. A bad day at the ballpark is still better than a good day at work.&lt;em&gt;all photos by malingering&lt;/em&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/a_fortgettable.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Malingering</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161184</id>
    <title xmlns="http://www.w3.org/2005/Atom">Work Where the Money Is:  Tons of City of LA Jobs Worth $100k</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="Over 6000 City of Los Angeles Employees earn over $100,000 a year salary" title="Over 6000 City of Los Angeles Employees earn over $100,000 a year salary" src="http://laist.com/attachments/lindsayrebecca/WadOfCash.jpg" width="285" height="190" class="left"/&gt;In light of ongoing news about the city's budget crisis (a predicted $295 million dollar deficit), information about the number of people employed by the city who earn more than $100,000 is not sitting well with some.&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.dailynews.com/ci_9220386?source=rss_viewed"&gt;As reported in the Daily News&lt;/a&gt;, the newspaper conducted research and compiled a "review of salary data [that] shows more than 21,000 city workers take home $70,000 or more a year and more than 6,000 take home more than $100,000."  Some individual salaries will see increases in the coming months, bringing "city workers' average salaries [to] about $68,850 for civilians and $93,800 for sworn police and fire by July - placing them in the upper ranks of comparable cities and far higher than private-sector workers."&lt;/p&gt;

&lt;p&gt;The &lt;em&gt;Daily News&lt;/em&gt; obtained the data by accessing a database via the City Controller's office which is available through the California Public Records Act.  In fact, the City Controller herself, Laura Chick, has observed some instances of spending at the city level that are deals indicative of "a fatal flaw in city spending patterns."  Some City employees have come forward with observations about the salaries, including "Deputy Mayor Robert 'Bud' Ovrom - who took a nearly $100,000 pay cut to move from head of the Community Redevelopment Agency to oversee economic development for the mayor at an annual salary of $138,622" who noted that "top city managers in some cases could make more in the private sector" but that "entry- and mid-level workers make more money with government jobs because they get regular cost-of-living and 'step' - or promotional - increases."  Ovrom added the following, addressing some of the questionable applications of $100k salaries: "I had a dozen (employees) making over $100,000 in the CRA, and I didn't know what they did." &lt;/p&gt;

&lt;p&gt;In defense of City employees, union leaders claim that the budget crisis cannot be attributed to salaries.  Some suggest pay cuts as a solution, while the reality of program funding cuts are becoming undeniable.  In addition, increased taxes may be one option the City has to counteract the deficit.&lt;/p&gt;

&lt;blockquote&gt;TOP TIER

&lt;p&gt;More than 6,000 city workers earn $100,000 or more a year in base pay, excluding overtime. Here's a look at the departments where they work:&lt;/p&gt;

&lt;p&gt;2,600 -- Police&lt;/p&gt;

&lt;p&gt;1,176 -- Fire&lt;/p&gt;

&lt;p&gt;485 -- City attorneys&lt;/p&gt;

&lt;p&gt;229 -- Airport employees&lt;/p&gt;

&lt;p&gt;214 -- Bureau of Engineering&lt;/p&gt;

&lt;p&gt;178 -- Information Tech. Agency&lt;/p&gt;

&lt;p&gt;161 -- Harbor employees&lt;/p&gt;

&lt;p&gt;158 -- Bureau of Sanitation&lt;/p&gt;

&lt;p&gt;93 -- Transportation&lt;/p&gt;

&lt;p&gt;69 -- General Services&lt;/p&gt;

&lt;p&gt;63 -- Personnel&lt;/p&gt;

&lt;p&gt;60 -- Housing Department&lt;/p&gt;

&lt;p&gt;56 -- City Administrative Office&lt;/p&gt;

&lt;p&gt;36 -- City Council&lt;/p&gt;

&lt;p&gt;34 -- Recreation and Parks&lt;/p&gt;

&lt;p&gt;33 -- Community Development&lt;/p&gt;

&lt;p&gt;32 -- Controller&lt;/p&gt;

&lt;p&gt;30 -- Planning&lt;/p&gt;

&lt;p&gt;25 -- City Clerk&lt;/p&gt;

&lt;p&gt;24 -- Mayor&lt;/p&gt;

&lt;p&gt;20 -- Board of Public Works&lt;/p&gt;

&lt;p&gt;19 -- Library&lt;/p&gt;

&lt;p&gt;17 -- Fire and Police Pension&lt;/p&gt;

&lt;p&gt;16 -- Bureau of Street Lighting&lt;/p&gt;

&lt;p&gt;13 -- Office of Finance&lt;/p&gt;

&lt;p&gt;13 -- City Employees' Retirement System&lt;/p&gt;

&lt;p&gt;10 -- L.A. Convention Center&lt;/p&gt;

&lt;p&gt;10 -- Environmental Affairs&lt;/p&gt;

&lt;p&gt;10 -- Office of Treasurer&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Photo by &lt;a href="http://www.flickr.com/photos/refractedmoments/223052548/"&gt;Refracted Moments™&lt;/a&gt; via Flickr&lt;/em&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/11/work_where_the.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Lindsay William-Ross</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161192</id>
    <title xmlns="http://www.w3.org/2005/Atom">Box Office Review: &lt;i&gt;Speed Racer&lt;/i&gt; crashes, burns!</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img src="http://laist.com/attachments/la_josh2/speedburns.jpg" "Car burning" title="The Wachowski Brothers career, in metaphor" width="640" height="480" /&gt;&lt;span class="photo_caption"&gt;Emile Hirsch now regretting agent's 'can't miss' advice. | Photo courtesy of xiaming via &lt;a href="http://www.flickr.com/photos/xiaming/117872452/"&gt;flickr&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;On Friday I surmised that &lt;i&gt;&lt;a href="http://www.imdb.com/title/tt0811080/"&gt;Speed Racer&lt;/a&gt;&lt;/i&gt; would &lt;a href="http://laist.com/2008/05/09/weekend_movie_g_32.php"&gt;bomb&lt;/a&gt; and now the events of the weekend have borne that prediction out.  The live-action cartoon &lt;a href="http://www.variety.com/article/VR1117985453.html?categoryid=13&amp;cs=1"&gt;sputtered&lt;/a&gt; to a weak $20.2M weekend, just ahead of &lt;i&gt;&lt;a href="http://www.imdb.com/title/tt1033643/"&gt;What Happens in Vegas&lt;/a&gt;&lt;/i&gt; ($20M) and well behind the summer's first true blockbuster, &lt;i&gt;Iron Man&lt;/i&gt; ($50.5M/$177.1M).  Once the actual numbers come in on Monday, many &lt;a href="http://www.deadlinehollywooddaily.com/what-a-disaster-speed-racer-20m-weekend-half-what-warner-bros-hoped-overseas-take-dismal-too/"&gt;expect&lt;/a&gt; &lt;i&gt;Speed Racer&lt;/i&gt; to fall to an embarrassing third.&lt;/p&gt;

&lt;p&gt;The rest of the top 10 was filled with hold-overs: the harmless, disposable &lt;i&gt;Made of Honor&lt;/i&gt; ($7.6/$26.2M), the funny &lt;i&gt;Baby Mama&lt;/i&gt; ($5.7M/$40.3M), the funnier &lt;i&gt;Forgetting Sarah Marshall&lt;/i&gt; ($3.7M/$50.7M), the below-average &lt;i&gt;Harold &amp; Kumar&lt;/i&gt; ($3.1M/$30.7M), the obvious &lt;i&gt;The Forbidden Kingdom&lt;/i&gt;, ($1.9M/$48.2M) the unexpectedly strong &lt;i&gt;Nim's Island&lt;/i&gt; ($1.3M/$44.2M) and the pseudo-tough but ultimately silly &lt;i&gt;Redbelt&lt;/i&gt; ($1.1M/$1.2M). &lt;/p&gt;

&lt;p&gt;The limited release crowd had a fairly mild weekend in the face of the rising summer popcorn-movie season.  Tarsem Singh's long-gestating &lt;i&gt;&lt;a href="http://www.imdb.com/title/tt0460791/"&gt;The Fall&lt;/a&gt;&lt;/i&gt; averaged a respectable $8911 per theater.  &lt;i&gt;&lt;a href="http://www.imdb.com/title/tt0110882/"&gt;Before the Rain&lt;/a&gt;&lt;/i&gt; was okay in its debut ($6537 per) while &lt;i&gt;&lt;a href="http://www.imdb.com/title/tt0425308/"&gt;Noise&lt;/a&gt;&lt;/i&gt; didn't make much of any ($2025) in only a couple theaters.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/box_office_revi_45.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Josh Tate</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160427</id>
    <title xmlns="http://www.w3.org/2005/Atom">Vacation Stories from Los Angeles: Search &amp; Rescue</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img class="right" alt="Tourist hikers lost in griffith park" title="Tourist hikers lost in griffith park" src="http://laist.com/attachments/la_zach/hikers_lost_griffithpark.jpg" width="250" height="361"/>Yesterday, two men visiting Los Angeles took a hike in Griffith Park and before they knew it, it was dark. Probably not a place for night hiking if don't know your way around, especially with the constant tease of being within sight of the city lights below, but many cliff jumps away.</p>

<p>Eventually, they were on their cell phone with park rangers trying to find their way back to their car, but after some time, park rangers called the assistance of the Los Angeles Fire Department to help locate the men by high powered lights mounted on a helicopter.  </p>

<p>The men were found unharmed, mid slope near Mineral Wells Trail, by the helicopter.  Then came the fun part -- they got a free ride in the LAFD helicopter to an ambulance for a standard check up.  Apparently, they were jazzed about the helicopter ride.  Who wouldn't be? Sounds like a good story to tell friends when you get back home. </p>

<p>LAFD Spokesman Brian Humphrey said there is a lesson to be learned about this in regards to personal safety when going hiking.  The two men had a fully charged cell phone with them.  Without it, they probably would have been found the next morning... alive and well with a hankering for some warm clothes and food.</p>

<p><em>Photo by <a href="http://flickr.com/photos/hamed/566421595/">Hamed Saber</a> via Flickr</em></p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/van_crashes_int.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160813</id>
    <title xmlns="http://www.w3.org/2005/Atom">Extra, Extra: Mothers, Don't Let Your Babies Get Eaten By Coyotes</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="thirteen.jpg" src="http://laist.com/attachments/la_carrie/thirteen.jpg" width="640" height="444" /&gt;&lt;br /&gt;
&lt;span class="photo_caption"&gt;Photo by &lt;a href="http://www.flickr.com/photos/kpe2/104688780/in/pool-laist-photos/"&gt;kpe II&lt;/a&gt; via the &lt;a href="http://flickr.com/groups/laist-photos/pool/"&gt;LAist Featured Photos pool&lt;/a&gt; on Flickr&lt;/span&gt;&lt;/p&gt;

&lt;ul&gt;&lt;li&gt; Commuters who take Sunset Blvd. through West LA, beware of extra traffic tonight: a fatal motorcycle crash in the 11500 block will &lt;a href="http://latimesblogs.latimes.com/lanow/2008/05/this-just-in-fa.html"&gt;shut down the street between the 405 onramp and Barrington&lt;/a&gt;. 
&lt;li&gt; LA Now also reminds us of a happy fact: it's &lt;a href="http://latimesblogs.latimes.com/lanow/2008/05/its-almost-jaca.html"&gt;jacaranda season&lt;/a&gt;! 
&lt;li&gt; A &lt;a href="http://www.knbc.com/news/16204935/detail.html?rss=la&amp;psp=news"&gt;90-year-old woman was found dead of physical trauma&lt;/a&gt; inside her house in Altadena, where a fire had burned out two of the rooms. The woman's death was unrelated to the fire, so authorities are scratching their heads to determine why the woman died. 
&lt;li&gt; &lt;a href="http://www.knbc.com/news/16205123/detail.html?rss=la&amp;psp=news"&gt;375 miles of wilderness in the Tehachapi Mountains will be preserved&lt;/a&gt; in new conservation efforts spearheaded by the governor and organizations such as the Sierra Club. 
&lt;li&gt; Hit and run: literally. A woman crashed her SUV into a truck on the southbound 110 earlier today -- and just &lt;a href="http://www.knbc.com/news/16204183/detail.html?rss=la&amp;psp=news"&gt;got out and ran away&lt;/a&gt;! 
&lt;li&gt; Another toddler &lt;a href="http://www.kfwb.com/pages/2150829.php?contentType=4&amp;contentId=2019006"&gt;seized by a coyote&lt;/a&gt; in Lake Arrowhead this week. There's got to be a movie plot in here somewhere. (The coyote released the child when her mother began to run after it.)
&lt;li&gt; Will the city ever reach a happy compromise on the &lt;a href="http://www.dailynews.com/ci_9188193"&gt;101-405 improvement project&lt;/a&gt;? Modifications to one of the country's busiest interchanges may severely affect a nearby wildlife refuge. 
&lt;li&gt; You know you want to read it: &lt;a href="http://www.laweekly.com/eat+drink/counter-intelligence/all-hopped-up-at-the-new-fathers-office/18828/"&gt;Jonathan Gold's take&lt;/a&gt; on the, um, &lt;em&gt;controversial&lt;/em&gt; new Father's Office location. 
&lt;/ul&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/08/extra_extra_253.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Carrie Meathrell</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161358</id>
    <title xmlns="http://www.w3.org/2005/Atom">Jacarandas: Friend or Foe? </title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="jacarandas%20ucla.jpg" src="http://laist.com/attachments/la_carrie/jacarandas%20ucla.jpg" width="640" height="480" /&gt;&lt;br /&gt;
&lt;span class="photo_caption"&gt;Photo by &lt;a href="http://flickr.com/photos/caelestis/5051695/"&gt;sauvagenoble&lt;/a&gt; via Flickr&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;It's May, which in Southern California means the onset of jacaranda season -- that magical time of year when trees across the city erupt into purple splendor. It's a romantic sight, to be sure, and one of those oft-overlooked reasons why living in L.A. can be so very beautiful sometimes. Anybody who's walked through the Franklin D. Murphy Sculpture Garden on a sunny spring morning knows the feeling of pure aesthetic bliss as you take in a lavender-carpeted vista of long-limbed, fragrant trees. &lt;/p&gt;

&lt;p&gt;But as today's &lt;a href="http://www.latimes.com/news/local/la-me-jacaranda12-2008may12,0,3212410.story"&gt;LA Times&lt;/a&gt; points out, those flowers you see gently falling to the ground do have a sticky side: &lt;blockquote&gt;...if smashed, the liquid inside the pods emits a sticky substance -- aphid waste in the bloom, not sap -- which can cause slippery pavement. Bug remover can usually get rid of stickiness once the sun bakes it onto cars, sidewalks or even the soles of shoes, [horticulturist David] Lofgren said.&lt;/p&gt;

&lt;p&gt;The juicy flower has made the jacaranda controversial at times. In 2004, Garden Grove officials put restrictions on planting them near a planned senior citizens' housing development, saying the blossoms cause conditions that could endanger elderly residents.&lt;/blockquote&gt; As much as I love those trees, I've had a few spills myself on those slippery leaves. But is it enough of a nuisance to restrict planting them? Or do you welcome the sight of these beautiful blossoms every year, as they usher in another long, hot summer in L.A.? &lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/jacarandas_frie.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Carrie Meathrell</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160489</id>
    <title xmlns="http://www.w3.org/2005/Atom">Parking Ticket Fines to Possibly Increase</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img class="left" alt="Parking Ticket in Los Angeles" title="Parking Ticket in Los Angeles" src="http://laist.com/attachments/la_zach/parking_ticket_la.jpg" width="320" height="191"/>The city of Los Angeles is struggling over a $406 million dollar shortfall, forcing them to look at ways to cut costs and increase revenue.  One obvious idea on the revenue side of things: parking tickets.</p>

<p>It was mentioned two weeks ago that the city could <a href="http://www.insidesocal.com/politics/2008/05/parking_tickets_to_rise.html">raise an extra $20 million by adding 8,600 miles to the street sweeping schedule</a>, therefore allowing more opportunity for parking enforcement.  But the Daily News' <a href="http://www.dailynews.com/breakingnews/ci_9175498">most recent coverage</a> of the city's budget hearings has yet to mention that again.  Instead, Mayor Antonio Villaraigosa is suggesting that parking ticket fines be increased by $5 across the board, which could make the city an extra $10 million.  </p>

<p>"But council members said Tuesday that they want additional information on potentially raising the cost of violations by $10 or $15 each, <a href="http://www.dailynews.com/breakingnews/ci_9175498">Rick Orlov of the Daily News wrote</a>. "While the move could bring in more money, officials were warned it also could lead to an increase in voter anger and more potential violence against parking officers."</p>

<p><em>Photo by <a href="http://flickr.com/photos/discarted/2385534643/in/set-72157604372068892/">discarted</a> who received a parking ticket for parking in a red zone while parked at a curbed that was painted grey. <a href="http://laist.com/2008/04/03/grey_is_the_new.php">Read the story here.</a>  </em></p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/parking_ticket.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160607</id>
    <title xmlns="http://www.w3.org/2005/Atom">LAist Interview: We Are Scientists</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img class="right" alt="We Are Scientists" title="We Are Scientists" src="http://laist.com/attachments/la_tomdog/rsz_1WAS_pic_MySpace.jpg" width="300" height="200" /&gt;Artist: &lt;strong&gt;&lt;a href="http://www.wearescientists.com/"&gt;We Are Scientists&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Album: &lt;strong&gt;&lt;a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPreorder?id=279291539&amp;s=143441"&gt;Brain Thrust Mastery&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Label: &lt;strong&gt;Astralwerks&lt;/strong&gt;&lt;br /&gt;
Release Dates: &lt;strong&gt;May 13th, 2008&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Listen to "After Hours":&lt;/strong&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,0,0" width="210" height="25" id="mp3playerlightsmallv3" align="middle"&gt;&lt;param name="allowScriptAccess" value="sameDomain" /&gt;&lt;param name="movie" value="http://www.podbean.com/podcast-audio-video-blog-player/mp3playerlightsmallv3.swf?audioPath=http://tomdog.podbean.com/medias/play/aHR0cDovL21lZGlhMS5wb2RiZWFuLmNvbS85MzM1L3UvMDNBZnRlckhvdXJzLm1wMw/03AfterHours.mp3&amp;autoStart=no" /&gt;&lt;param name="quality" value="high" /&gt;&lt;param name="bgcolor" value="#ffffff" /&gt;&lt;param name="wmode" value="transparent" /&gt;&lt;embed src="http://www.podbean.com/podcast-audio-video-blog-player/mp3playerlightsmallv3.swf?audioPath=http://tomdog.podbean.com/medias/play/aHR0cDovL21lZGlhMS5wb2RiZWFuLmNvbS85MzM1L3UvMDNBZnRlckhvdXJzLm1wMw/03AfterHours.mp3&amp;autoStart=no" quality="high"  width="210" height="25" name="mp3playerlightsmallv3" align="middle" allowScriptAccess="sameDomain" wmode="transparent" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" /&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;

&lt;p&gt;We Are Scientists is Keith Murray on guitar and lead vocals, Chris Cain on bass guitar and backing vocals. Keith and Chris were supposed to have first gotten the band together in Pomona but they disabused me of that misinformation in the below interview. Their full length album, &lt;em&gt;Brain Thrust Mastery&lt;/em&gt;, comes out next week on Astralwerks and it's a collection of 11 rock tunes that range from disco-tinged to outright pop. While there is no overt dance club tune like previous W.A.S. releases which included "Nobody Move, Nobody Get Hurt" and "It's a Hit", &lt;em&gt;Brain Thrust Mastery&lt;/em&gt; is high energy all the way through with inflections of funk, punk, techno, and particularly '80s pop (as discussed below). This is a fun album that will power a fun show when W.A.S. makes their way to Los Angeles later this Summer. In the meantime all we can do is listen. We Are Scientists kindly took a break during their current tour of the UK to answer some of our questions: &lt;br /&gt;
&lt;strong&gt;LAist: Was the music scene in LA a reason/influence for forming up in Pomona back in the day? Is there anything you miss about LA or are their haunts that you gravitate towards when you return on tour?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We Are Scientists: That's an easy enough question to weasel out of answering because we actually formed in Berkeley the year after we graduated and left Claremont. But it's fair to say that the four years we spent in LA had an influence on our decision to start a band. I'll never forget those early, early, very first Chili Peppers shows -- this was back when they were called Tony Flow &amp; the Miraculously Majestic Masters of Mayhem and a gawky, snaggle-toothed Jack Irons was on drums and Flea was still going by Little Mikey. They were playing a lot of strip joints on Sunset back then -- mostly because they liked the food, I think -- and Anthony Kiedis could work a pole with the best of them. Seriously, dude got freaky -- FREAKY freaky. Like, whole sections of the pole disappearing for minutes and even hours at a time.&lt;/p&gt;

&lt;p&gt;And there was hanging out at Denny's with Axl and Duff back in '86/'87 when GNR first got signed to Geffen. Those two loved the shit out of Denny's. I remember the day Steven Adler arrived breathless at our usual booth and announced that "Sweet Child" had gone to #1, and everybody's eyes got really wide and we were all kind of nervously laughing under our breath, like, "holy cow, this is a really big deal," and suddenly Axl calls the waitress over and says, "Are you waiting for the chicken to lay the eggs back there, or what, sugar? I had the Moons Over My Hammy," and everybody just lost it. Except Axl -- he really just wanted his Moons Over My Hammy. Jesus christ, Axl loved Denny's.&lt;/p&gt;

&lt;p&gt;There's one place that I visit habitually when I'm back in LA: La Parrilla on Sunset Blvd just before it hits Silverlake. Everybody in Los Angeles has their favorite Mexican place, but unless it's La Parrilla they're wrong. Such margaritas... such fajitas... the chips are not bad...&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;LAist: Are you big fans of '80s music? On Brain Thrust Mastery I hear (and I'm a huge fan of these groups) among other things, some Joey Santiago guitar on "Ghouls", Psychedelic Furs on "Lethal Enforcer", the Wedding Present on "Impatience", and Squeeze on "That's What Counts" - I'm not saying that your work is derivative, it's just great to hear some of these aesthetics again. Is it just me experiencing cocaine flashbacks or did you have some specific influences for this album?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We Are Scientists: Fuck you -- I've never heard of any of those bands.&lt;/p&gt;

&lt;p&gt;Ha. Just kidding. Yeah, that's all great stuff. Certainly we were listening very attentively to lots of 80's music when we made this album. In addition to the bands you cite, there's a touch of Eno on there, there's a lot of Bowie, there's a significant contribution from srs. Hall &amp; Oates, and perhaps I flatter myself, but I like to think that the Fleetwood Mac we were listening to 16 hours a day bled through in some way.&lt;/p&gt;

&lt;p&gt;But yes.... Also, you're experiencing cocaine flashbacks.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;LAist: Also '80s-related, is "Altered Beast" a reference to the most excellent arcade game of the same era?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We Are Scientists: It is. In their demo stages, most of the songs on &lt;em&gt;Brain Thrust Mastery&lt;/em&gt; had video game titles; some, like "Altered Beast", "Lethal Enforcer" and "Ghouls" (which is a truncation of "Ghouls 'n Ghosts"), were never updated. "After Hours" was originally called "Rush 'n Attack".&lt;/p&gt;

&lt;p&gt;There's a b-side on the "Chick Lit" single called "Gauntlet". "Spoken For" was originally called "Super Mario Brothers". Just kidding about that last one.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;LAist: When can LA expect to experience your excellent stage show again?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We Are Scientists: We're tentatively planning to tour the west coast during the first two weeks of July. Final confirmation is dependent on our receiving assurances that the shark problem is being handled. A man was killed in San Diego last week by a great white shark -- this shit requires your full attention. I don't consider us big cowards, but we love life way too much to tour the west coast when there are sharks wreaking havoc all over the place, taking human prey whenever whim suggests, openly mocking law enforcement with their dorsal fins. And the press is covering it up: one article (!) on the cover of the New York Times, BELOW THE FOLD (!). And then nothing. Same story with the other national papers -- The Wall Street Journal devoted a grand total of 22 words to the full-tilt battle between man and ocean. The whole thing is surviving -- barely -- in the blogosphere, but for how long? Is America about to be quietly swallowed up by the toothy inhabitants of the Pacific? I'm not a betting man, and I don't have a million dollars, but a million dollars says yes.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/08/laist_interview_143.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Tom Lewis</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161159</id>
    <title xmlns="http://www.w3.org/2005/Atom">Photo Essay:  Anonymous Protests Scientology, May 10</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p>On Saturday May 10th, members of Anonymous took to the streets all over the world in protest of Scientology.  <a href="http://forums.enturbulation.org/85-usa-west-coast/los-angeles-hollywood-5-10-official-protest-thread-8857/">Here in Los Angeles</a>, Anonymous staged their gathering at 6331 Hollywood Boulevard at one of the many Scientology buildings in the city.  </p>

<p>LAist photographer <a href="http://www.flickr.com/photos/tomandrews/">Tom Andrews</a> was on the scene this week, <a href="http://laist.com/2008/05/05/anonymous_prote_1.php">just as he was last week</a>, to capture the events on camera.</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/11/anonymous_scientology_may_10.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Lindsay William-Ross</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160218</id>
    <title xmlns="http://www.w3.org/2005/Atom">A Day Without Pants</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml">
        <p>My whole life I have dreamed of a world where we did not need to wear pants. I find them to be uncomfortable and entirely unnecessary and I'd always hoped that we would reach a point when society stood up and said, "screw you, pants!" As I found, ladies and gentlemen, that day is today.<!--<img alt="IMG_3281.JPG" src="http://laist.com/attachments/la_malingering/IMG_3281.JPG" width="480" height="640" /> </p>

<p>Think of all of the child laborers who would be saved from a lifetime of abuse and sweatshop suffering if we simply stopped wearing pants. Think of the environmental benefits with a decline in production and waste. A life without pants is a socially responsible life.</p>

<p><img alt="IMG_3270.JPG" src="http://laist.com/attachments/la_malingering/IMG_3270.JPG" width="442" height="640" /> </p>

<p>The sign may say "NO SHIRT. NO SHOES. NO SERVICE." but it does not mention PANTS. That is not an oversight.</p>

<p><img alt="IMG_3289.JPG" src="http://laist.com/attachments/la_malingering/IMG_3289.JPG" width="385" height="640" /></p>

<p>Legs get a bad rap. They're just like arms, but lower. People have no problem wearing sleeveless shirts. Why should they have a problem wearing legless pants? What is up with the anti-legism discrimination? This is the new millenium and we are still quite narrow minded.</p>

<p><img alt="IMG_3271.JPG" src="http://laist.com/attachments/la_malingering/IMG_3271.JPG" width="449" height="640" /></p>

<p>Go ahead Los Angeles. Throw on a shirt. Skip the rest. It is only a matter of time before the rest of the world follows, and we can finally declare ourselves free of the oppression of The Pants. Liberate yourselves from the social norms which dictate your discomfort. Stand tall and proud and join me in saying "fuck you, PANTS! You will control me no more!"</p>

<p><img alt="IMG_3277.JPG" src="http://laist.com/attachments/la_malingering/IMG_3277.JPG" width="479" height="640" />--><em>photos by malingering, who was rather upset she was not invited to the no-pants-party</em></p>
      </div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/the_land_withou.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Malingering</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161100</id>
    <title xmlns="http://www.w3.org/2005/Atom">40 Graffiti Artists to Bomb Venice Walls on Sunday</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img alt="LA Goldrush at The Hollywood condos" title="LA Goldrush at The Hollywood condos" src="http://laist.com/attachments/la_zach/italian_graffiti.jpg" width="640" height="425"/><br/>
<span class="photo_caption">Saturday morning in the parking garage of The Hollywood | Photo by <a href="http://flickr.com/photos/tomandrews/">Tom Andrews</a>/LAist</span></p>

<p>LA Goldrush is an international exchange of Graffiti artists from Italy visiting Los Angeles this week.  Now in it's second year, organizers <a href="http://is.gd/c2m">Raptuz</a> (Milan) and <a href="http://www.manone.com/">Man One</a>/<a href="http://www.crewest.com/">Crewest Gallery</a> (Los Angeles) have created a series of events throughout the city, one that many witnessed on Winston St. at the <a href="http://laist.com/2008/05/09/photo_essay_las_1.php">Downtown Art Walk</a> on Thursday.</p>

<p>Yesterday and today, in an event closed to the public, the artists hit the parking garage of <a href="http://livethehollywood.com">The Hollywood</a>, a new 54 unit condo development a half block east of Hollywood and Highland. Their works here will be the only permanent display of this trip.  </p>

<p>Tomorrow, the graffiti artists will be hitting the <a href="http://www.veniceartwalls.com/">Venice Walls</a>.  No set time or official event, but if you see forty or so Italians with spray paint in hand, then that's probably them.  </p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/10/la_goldrush_the_hollywood_condos.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160339</id>
    <title xmlns="http://www.w3.org/2005/Atom">LAist Interview: Jessica Denay of The Hot Mom's Club</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img class="left" alt="Jessica Denay" title="Jessica Denay" src="http://laist.com/attachments/LA_Melissa/HMC_3.jpg" width="300" height="450" /&gt;Not knocking the strictly stay-at-home soccer moms of yesteryear with their mom jeans, feathered bobs and tuna casseroles, but Baby, we’ve come a long way. The sea change of the last decade has made Mom cool again, and not just because hipsters have appropriated their high-waisted pants and MILFs are TV plotline de rigueur (30 Rock’s “MILF Island,” anyone?).  Parents in general and mothers specifically are throwing away the old books with their outdated rules determining what defines a stereotypical caregiver in favor of a broadened perspective that not only includes but embraces the non-traditional progressions to motherhood.  &lt;/p&gt;

&lt;p&gt;With women entering the baby-making game better educated and more career orientated than years past, the realization that childbearing doesn’t have to be synonymous with dowdy has been a welcome relief to those of us whose path has strayed from (or never even neared) that of our mother’s and grandmother's.  No one knows this better than Jessica Denay, single hot mom and founder of &lt;a href="http://www.hotmomsclub.com"&gt;The Hot Mom’s Club&lt;/a&gt;, a community-centered website and light-hearted (but indispensable!) book series dedicated to the re-envisioning of mothers everywhere.   Lest you think Mom Talk is relegated to recipe exchanges and lice treatments, in the spirit of Mother’s Day I sat down with Denay to discuss the website, our kids, dating, her new book, &lt;em&gt;The Hot Mom To Be Handbook&lt;/em&gt;, and a whole lot more. &lt;strong&gt;So, for the uninitiated, how did HMC come about? &lt;/strong&gt;&lt;br /&gt;
There’s never been a hotter time to be a mom then right now; it’s such an exciting time for mothers. The climate is just so accepting. My son is eight now, but nine years ago when I was pregnant and first had my son, people were like, “Oh, you’re a &lt;em&gt;mom&lt;/em&gt;?"  Suddenly I didn’t have anything interesting to say anymore. It just wasn’t cool and hip and as trendy as it right now. I really struggled to find that balance by between staying me and staying cool and hip and being a good mom. At the time when my son was first born, it was really frowned upon that if you didn’t give everything for your child, that if your world didn’t revolve around them, you were a bad mother. &lt;/p&gt;

&lt;p&gt;And I fell into that rut. I was the stereotypical mom; I put my hair back in a ponytail, I wore the same thing three days in a row, I brought him to all the little Gymboree’s and all the little activities, and I thought I’m the best mom because I’m doing all these things. Then I started to realize I wasn’t as happy as I usually was. I was usually pretty outgoing before and I really felt like, “How can I be the best mom to him if I’m not the best me?” You really have to make your life bright so you have enough to shine on your children.  What are you giving them? You have to be the best you.  &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Right. Getting rid of that guilt about having to do it all, all the time…&lt;/strong&gt;&lt;br /&gt;
Yes.  So, The Hot Mom’s Club actually started out as a joke in my living room with a couple girlfriends. I had my mom’s group and we just started calling ourselves "The Hot Mom’s Club” because it made us feel good.  And by hot, we meant confident, empowered.  So, what I realized was, through the years, any time I’d say, “Hey, do you want to be part of The Hot Mom’s Club?” they’d go “YES!” I’d say, “Do you want to know what it is, what we do?” And they’d say, “No, it doesn’t matter. I just want to be part of that Hot Mom’s Club. Just call me a ‘Hot Mom’.”  &lt;/p&gt;

&lt;p&gt;So, a couple years ago, somebody said to me, "You know, you should really go international with this. Everyone gets such a kick out of it."  It never occurred to me to start it as a business. I had probably not even zero business experience, probably negative business experience.  It was probably a good thing I had no idea what I was doing or no clue what we were getting ourselves into. [&lt;em&gt;Laughs&lt;/em&gt;] So, we put up the website. I didn’t even know what a domain name was three years ago.  I’m not kidding you.  Within three weeks, we started to realize this was going to be a full blown job for me because we started getting flooded with emails. Within three months of having the site up, I had a book deal.  Things just started happening. People were finding us, we didn’t even know how! &lt;/p&gt;

&lt;p&gt;It’s just at the time, when The Hot Mom’s Club first launched, no one was really speaking to moms in this way.  We couldn’t have timed it any better.  Desperate Housewives had just come on TV, the celebrity baby boom was just starting, and we were the first mom site to really talk to moms in a cheeky, fun way that was cool and hip and really spoke to today’s mom about losing the guilt and that you’re not the best mom if you're not the best you. Now it’s commonplace, and that’s great. Look, we even have a mother running for president! I mean, it’s such a cool time. But at &lt;em&gt;that&lt;/em&gt; time, it really wasn’t. &lt;/p&gt;

&lt;p&gt;&lt;img alt="The Hot Mom's Club's Jessica Denay" title="The Hot Mom's Club's Jessica Denay" src="http://laist.com/attachments/LA_Melissa/HMC_2.jpg" width="640" height="425" /&gt;&lt;span class="photo_caption"&gt;Brooke Burke | Photo courtesy of The Hot Mom's Club&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Let’s talk about the handbook. It’s really a one-stop shop for pregnant woman. But while it incorporates all aspects of those nine months, I felt like remaining calm and staying comfortable in your own skin was the central recurring theme. &lt;/strong&gt;&lt;br /&gt;
It’s about the balance. There’s going to be things you can’t control, there’s going to be times it’s going to get a little crazy. Take a deep breath, and just roll with it.  When I first started, everything seemed so serious, it felt so tense, like you had to cross all these things off your list. You had to do this to be a good mother, whether it was bake the cookies instead of buy them – there were so many rules and so much competition if you were a working mom or a stay at home mom. I was like, let’s lose all that, why can’t we all just help each other? We’re all women, let’s be a support system for each other. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;It’s like the idea that one kind of mothering is better than another. It’s not that I wanted all moms to be single working parents like myself, I just wanted to be recognized as an equal to a stay at home mom.&lt;/strong&gt;&lt;br /&gt;
There’s a lot of different ways to be a good mother.  Just because you work, doesn’t mean you’re a bad mother, just because you stay at home doesn’t mean you’re a bad mother. There’s a lot of different ways to be a great mom.  And I think the better you know yourself and the better person you are, the better you’re going to be because our confidence is reflected in our children and our happiness is reflected in our children.&lt;br /&gt;
If any message can get out there from Hot Mom’s, that’s the big thing we want.  Let’s face it, Mom is the nucleus of the family and when Mom’s happy, that affects everybody else and vice versa. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;How did being a single parent influence this journey? Did it inform your drive to create this community around you?&lt;/strong&gt;&lt;br /&gt;
For the majority of my life as a mom, I’ve been a single mom. So, it’s kind of all I know. But starting out, there’s part of me that thought maybe I did need a little more of that. I think the fact is, by nature I’ve always been social.  I was always friendly with everybody, always tried to put people together. Ironically, I always tease my mom, I say, “Remember all those years I used to get in trouble for being on the phone, or talking too much? I was actually building my resume!”  But little did I know I’d be able to make a job and a living out of this.  I think I’ve always kind of had that need or desire in me to connect with people.  I think [the previous perception of being a mom] hit me more because I was out on the dating scene. You’re dating guys and they’re like, “Oh…you’re a &lt;em&gt;mom&lt;/em&gt;?” You realize wow, as a mother it’s a little more challenging, and from that, start to feel a little less confident? Maybe it did? I hadn’t really thought about it until you just asked that.  I’m sure it did somewhere. But the girl who started this with me is married and she was feeling the same way I was. We just wanted the image of motherhood to change, we wanted people to look at moms the way they do now right now. But look back five or six years ago and it wasn’t the occasion.  You totally understand what I was saying. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Of course. &lt;/strong&gt;&lt;br /&gt;
How long have you been a single mom? &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Since my daughter was one.  And I remember, in the early years, that it felt like there was this societal taboo about dating moms, or some preconceived notions about what a single mom brought to the table.  Now it feels like that has lifted somewhat.&lt;/strong&gt;&lt;br /&gt;
So, you know! I’ve seen a change. Guys actually think it’s cool to date a mom now. We have these shirts that say “I love Hot Moms” and they sell like crazy! And it’s young guys buying them! It’s so interesting to see how that totally flipped from that image of every mom looks like a soccer mom with mom jeans! I think they’re actually starting to appreciate that moms have more depth. There’s a sexiness about motherhood that’s always been there, I just think it’s being realized now. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;I think the media and the celebrity baby boom have probably helped that somewhat.&lt;/strong&gt;&lt;br /&gt;
It’s an exciting time to be a mother right now. When we first started The Hot Mom's Club, this is what I‘d hoped there would be for me at that time. There were sites for moms, but they didn’t speak to me, and the moms that &lt;em&gt;we&lt;/em&gt; know. A mom that still looked hip and cool. It didn’t speak to me as a woman, it spoke to me as maybe a parent and that’s great, you need those resources, but you also need things that talk to you as a woman. You still have needs and desires, and it’s OK to indulge them. You’re actually doing it for the sake of your family, and you’re a better mother for it. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Yeah. Being a mom can be really integrated into your current life and lifestyle, it has to be. You can use your cool messenger bag as a diaper bag if you want to.  You can still be in on the cutting edge, whether that's fashion or art or science or literature. &lt;/strong&gt;&lt;br /&gt;
There is an importance to doing that, because you are a better mother. Because you’re filling your bucket. We believe motherhood broadens and expands you. You’re not merely &lt;em&gt;just a mom&lt;/em&gt;. You’re a mom in addition to all those other amazing things you were before, you’re just broadened now.  Incorporate that person you were before into your mothering. You’re a better mother for it, and everyone around you is better for it.  Your relationships are better. You owe it to your kids to model for them by your relationship, with your husband or your partner or whoever it is.  You’re the primary role model.  &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;So, what does your son think, that you’re the coolest mom on the whole planet?&lt;/strong&gt;&lt;br /&gt;
No, god no! [&lt;em&gt;Laughs&lt;/em&gt;] Well, it depends, if he gets to watch a show, or he gets extra popcorn at the movies, then at that moment in time I’m the coolest mom on the planet. Depends on when you ask him! If he has to go to bed at a certain time, he might disagree. But you know what’s interesting, because of The Hot Mom's Club, he’s grown up with this.  He just calls every mom a “Hot Mom.” Because he just thinks that’s what we are called. He said “Hot Mom” to one of his friends and I said, “Oh gosh, he’s either going to get kissed or slapped.”&lt;/p&gt;

&lt;p&gt;&lt;img alt="HMC4.jpg" src="http://laist.com/attachments/LA_Melissa/HMC4.jpg" width="640" height="425" /&gt;&lt;span class="photo_caption"&gt;Trista Sutter, Jessica Denay, Ming-Na Wen | Photo courtesy of The Hot Mom's Club&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;How do you think living in LA influenced your trajectory with this project? Do you think there was a geographic impact with it being such a cool hub and so accepting of change and pushing of boundaries? &lt;/strong&gt;&lt;br /&gt;
Definitely, being in LA, being at the hub of what’s hip and new and trendy and the latest and the greatest has definitely helped because I’m able to see the trends before they’re mainstream. It’s really nice to be on the pulse of that. Plus, we’re able to get a lot of celebrity support and a lot of the media support, which has been a big help for us.  Like anything else, you do what you know best.  We had a great message that really resonated with a lot of moms. And then it just dominoes, and the word spreads and you’re able to do a few great events and next thing you know you have people coming to us, the celebrities and the publicists asking, “Can we do an event with you, how can we get to your moms?” We have such a great turnout because the moms that come to these events they’re so excited. I love our moms. Our members are just so cool. So awesome! They’re really into it, they’re great mothers, you just see that they’re happy. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;And it’s not just about the celebrity presence.&lt;/strong&gt;&lt;br /&gt;
Well, The Hot Mom's Club is everything. It’s just not being about being a celebrity. Really, the crux of it is the everyday mom.  And I’m not an expert at being a mom. No one can be an expert at being a mom. We’re all learning everyday. I’m learning just like everybody else is. Some days I get an A, some days…[&lt;em&gt;Laughs&lt;/em&gt;]  I don’t think you can be an expert at being a mom if you have twenty kids. Every child is different, every experience is different. &lt;em&gt;You’re&lt;/em&gt; different every year. You’re changing and evolving as they are. But I’m fortunate enough that I have access to the most credible people in each area. I can talk to these people on a daily basis in every area. And when I’m doing the research for the book, I can call up this person here, that person there. And what I want to do, the reason I write these books and the site is up there, is so that we can take all this information that we’re learning from all these great moms and these amazing influencers and share it with everybody. I mean, I would want to know it. It’s exciting to be able to share all this stuff. That’s the most exciting thing about this job, the people I get to meet.&lt;/p&gt;

&lt;p&gt;&lt;img class="right" alt="HMC%20LOGO%20121407%203.5X2.jpg" src="http://laist.com/attachments/LA_Melissa/HMC%20LOGO%20121407%203.5X2.jpg" width="320" height="183" /&gt;&lt;a href="http://www.hotmomsclub.com"&gt;The Hot Mom's Club&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.amazon.com/Hot-Moms-Handbook-Have-More/dp/1595558519/ref=pd_bxgy_b_img_b/103-6759297-3748621"&gt;The Hot Mom's Handbook&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.amazon.com/gp/product/0971567980?ie=UTF8&amp;tag=wwwhotmomsclu-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0971567980"&gt;The Hot Mom To Be Handbook&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/laist_interview_141.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Melissa Moore</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160863</id>
    <title xmlns="http://www.w3.org/2005/Atom">LAist Movie Review: Tarsem's &lt;em&gt;The Fall&lt;/em&gt;</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="Take this, Zorro The Gay Blade!" src="http://laist.com/attachments/la_lincoln/Fall06-MaskBandit-Alex.jpg" width="368" height="437" class = right /&gt;&lt;strong&gt;There are things&lt;/strong&gt; that should have turned out, you know, good, but unfortunately didn’t. It’s an extremely long list. George Lucas should have been banned from going within 50 yards of a word processor when it came time to write &lt;em&gt;The Phantom Menace&lt;/em&gt;. &lt;em&gt;Studio 60 On The Sunset Strip&lt;/em&gt; should have been more than a terrible romantic comedy (minus, inexplicably, the comedy.) And &lt;em&gt;The Fall&lt;/em&gt; should have been a great film.&lt;/p&gt;

&lt;p&gt;I honestly, really wanted to like it. The latest beautiful mess by the monotonously single-named Tarsem (director of &lt;em&gt;The Cell&lt;/em&gt;), it's exceptionally pretty to look at, with great performances, settings, and other technical compliments I won't waste your time writing. Sure, if one can use Tarsem’s previous work (including, oddly enough, the video for REM’s Losing My Religion) as a guide, it was guaranteed to be flashy, insubstantial and weird for weirdness’ sake on a level embarrassing even to the Olympian God of Filmic masturbation, David Lynch*. But damn it, whatever his flaws, when it comes to telling the camera where to point, and making it look all pretty in post, he knows what he’s doing.&lt;/p&gt;

&lt;p&gt;But it’s also painfully self-derivative, contains blatant artistic larceny, and eventually comes to an unsatisfying conclusion having failed entirely to make sense, or even a point&lt;strong&gt;**&lt;/strong&gt;.&lt;em&gt;The Fall &lt;/em&gt;concerns the hospital ridden adventures of a young immigrant girl (Catinca Untaru), and a gravely injured Hollywood stuntman (Lee Pace), sometime in the early 1920s. She is recovering from the titular fall (strongly implied to have resulted from the slave conditions she and the rest of her immigrant family suffer under as agricultural laborers in the OC), while He has been temporarily paralyzed by a badly executed stunt. Having recently become healthy enough to run around the Hospital, Immigrant Girl meets Stuntman and thus begins the plot. &lt;/p&gt;

&lt;p&gt;Tarsem sure does know how to cast. Lee Pace, who despite his relatively short resume is on his way to a brilliant career, is great as The Stuntman. He’s already been great in &lt;em&gt;Infamous&lt;/em&gt; and the unjustly overlooked &lt;em&gt;The Good Shepherd&lt;/em&gt;, but his performance here might be deserving of the most praise, somehow managing to eke out surprising layers of depth from the paper thin story he’s been given. HOwever, the most glowing praise must be reserved for Catinca Untaru. As anyone who experienced the Jake Lloyd disaster of 1999 will recall, child actors, used badly, can ruin a film. It's not their fault mind you - they're children, and acting is hard work. It requires the more detached imagination of adulthood that children typically have not yet developed. (Perhaps one of the reasons great child actors seem strangely old for their age, and why George Lucas seems like an annoying little kid.) To get it right, you need an actor with real talent and a director capable of bringing it out. Which, as you have guessed, is where I'm going with this.&lt;/p&gt;

&lt;p&gt;As the viewpoint character, Untaru has to carry the movie on her shoulders, and fortunately, there’s never a single eye-rolling "now that's pod racing!" moment, or embarassing obvious rote memorization that leave you wishing that Tarsem had decided to go with a teenage protagonist instead. She's just really goddamned great, and if she can avoid cocaine, put off binge drinking until she’s at least 15, and try not to star in a series of teen comedies with an equally drug addicted best friend, she's going to do a lot of important work. &lt;/p&gt;

&lt;p&gt;&lt;img alt="How Could She?" src="http://laist.com/attachments/la_lincoln/Fall03-PrincessEvelyn.jpg" width="318" height="435" class = left /&gt;The work in question here is the gargantuan task of making us give a damn about a hybrid of Harold Chasen and Rob Gordon. The Stuntman's injuries, we quickly learn, are more than likely psychosomatic - the problem isn't that he can't walk, but that his status climbing girlfriend dissed him and dismissed him to shack up with the star of the film on which he was injured. The heartbroken Stuntman now in full woe-is-me mode has lost the will to live and wants to kill himself, a desire that none of his friends or doctors will help him fulfill. &lt;/p&gt;

&lt;p&gt;Enter the Young Immigrant Girl, lonely and eager to help out, but conveniently far too young and not yet expert enough at the English Language to get what's happening. Feeling sorry for him, she strikes up a conversation and The Stuntman, quickly sensing an easy mark, sets out to convince her to unknowingly assist him in pioneering a career in the exciting field of assisted suicide. To do this, he wins her trust by making up an engaging adventure story, a swashbuckler-slash-revenge tale populated by people in the young girl’s life, (and the girl who dumped him), interrupting the tale at key points to cajole the Young Girl into scoring some morphine for him. &lt;/p&gt;

&lt;p&gt;From here, the movie alternates between the downcast real world setting of a 1920’s Los Angeles Hospital (invalids! deaths! Old people! Morphine!), and the diverse, elaborately costumed epic landscapes of The Stuntman’s tale. All the while, Pace’s stuntman acts with complete disregard for anyone around him while the Immigrant Girl behaves (she thinks) with selfless kindness. When the consequences of The Stuntman's actions are made clear (and she's faced with the kind of person he is), they're both Changed Forever And Ever.  &lt;/p&gt;

&lt;p&gt;But a Tarsem film isn't about the actors. He started out in music videos, a learning experience that pays off big in his ability to create memorable shots that make otherwise mundane landscapes look alien, dreamlike, but has also limited his storytelling abilities to, essentially, drawn out, pretentious visuals. Sort of like Ansel Adams manning the camera for a porn directed by David Lynch&lt;strong&gt;**&lt;/strong&gt;. (At some point, you have to ask "when are they going to get to the sex?") But - and you’re going to read it in every goddamned other review anyway, so I might as well get it out of the way now – The Fall is visually stunning. Stunningly so. You could even replace the Taser with scenes from this movie&lt;strong&gt;***&lt;/strong&gt;.&lt;/p&gt;

&lt;p&gt;&lt;img alt="Then this happened..." src="http://laist.com/attachments/la_lincoln/Fall05-MaskBanditsMD.jpg" width="200" height="336" class = right /&gt;It begins with an amazing opening title sequence unlike anything an admittedly pedestrian filmgoer like myself had seen (at least until GTA 4&lt;strong&gt;***&lt;/strong&gt; came out last week), a black and white depiction of a old time film shoot, with the credits imposed on the scenery as though they weren’t added in post but actually found carved out of the landscape, (which naturally required the crew to legally change their names so the shot wouldn’t be a lie). This is followed by an authentic depiction of Los Angeles during the period when it was still trying to figure out what kind of city it was going to be. Neat stuff, that is until the Stuntman’s epic begins, and Tarsem hits the reboot feature in his brain. 10 minutes in, you finally realize that you’re seeing shots lifted frame for frame from &lt;em&gt;The Cell&lt;/em&gt;, albeit without being annoyed by the criminal waste of Vincent D'Onofrio’s talent, or by the criminal indulgence of J-Lo’s delusional grasping for respect.&lt;/p&gt;

&lt;p&gt;There’s Tarsem’s trademark mirror-image landscape shot, where an above ground object, say, a mountain, is mirrored by the shadow it makes, or by the earth on which it sits. Beautiful, at least the first 20 times you’ve seen it. Then there’s his obsession with bleak desert landscapes. No joke, nobody films the outskirts of Victorville quite like him, but come on. And don’t forget his gift for bestowing a compellingly sexual allure to trees, grass and assorted shrubbery. Not that I was paying attention or anything. And his (also trademark) mask fetish. He can’t get enough of ‘em. Apparently he considers the art of filmmaking as an opportunity to indulge the dream all boys have of making a real life Snake Eyes or Storm Shadow costume. And it continues thusly for the duration - He repeats himself and repeats himself and so on and so forth to the point that you start to wonder if he spends his free time patting himself on the back.&lt;/p&gt;

&lt;p&gt;&lt;img alt="he's looking for the story. It's got to be here somewhere..." src="http://laist.com/attachments/la_lincoln/Fall02-OttaBengaMD.jpg" width="285" height="332" class = left /&gt;You know how people are always shocked that, say, Ethan Hawk could have (supposedly, supposedly!) cheated on Uma Thurman? Tarsem’s imagery is proof that even astonishing beauty gets old. Unfortunately, he doesn’t stop with mere repetition. At the beginning of the third act, the audience is treated to a scene so blatantly plagiarized from &lt;em&gt;Frida&lt;/em&gt;, I’m surprised an army of lawyers didn’t burst into the screening room with demands that the film be stopped and every viewer’s notes be confiscated. I won’t give it away here, but it was shockingly obvious, without even a perfunctory attempt to change context or mood just enough to create plausible deniability. It makes the viewer feel simultaneously pitying and angry at the waste. The film had its own visual style – it didn’t need to steal from Julie Taymor. &lt;/p&gt;

&lt;p&gt;The story peters out during the third act and you're left feeling like the point was something about the nobility of unrequited love, or self destruction, or some such nonsense. It isn't really clear. The only redeeming quality comes from the final narration by the Immigrant Girl, describing events after leaving the hospital. It's kind of a non sequitor, but it leaves you feeling somewhat optimistic. Perhaps it's entirely appropriate. My cruel and unearned mockery aside, Tarsem spent 4 years of his life working his ass off making this film, paying for it out of pocket, making commercials, essentially bartering his existence to complete it. He poured everything he had into it and there’ve still been significant release delays. And worse, he must have had a stroke when Pan’s Labyrinth came out, because the plot is basically similar to The Fall (though tragedyfied by approximately 50%, and less sweatily suicidal). &lt;/p&gt;

&lt;p&gt;Which is why it hurts to say that after all that time and effort, the final product is, basically, pretentious garbage, but that's what it is. Then again, it’s beautiful, mesmerizing garbage, and who am I to judge? Looking over this review, I noticed 400 words that are certain to get this review beaten up by tougher, more popular, less gay seeming articles, and I tend to crawl into my own nether regions too. In the end, while I can’t reccomend the thing, I can at least be glad it was made, and hope despite myself that it turns a profit. I’d prefer a mountain of this to more dreck from the likes of, say, Mike Myers. &lt;/p&gt;

&lt;p&gt;See it for yourself and decide who’s more full of shit: Me, or Tarsem. &lt;em&gt;The Fall &lt;/em&gt;opens today in Los Angeles and New York City. For more information, visit &lt;a href="http://www.thefallthemovie.com/"&gt;the official site&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;*&lt;/strong&gt; &lt;em&gt;Sorry, people who think they sound smart for “getting” this masturbating hack’s alleged films. Movies are a storytelling art and Lynch wouldn’t know how to tell a story if it came to him in a mirror image dream, then suddenly reversed itself midway through so that suddenly David was played by a different actor which, like, is like totally weird n’ stuff, so that you don’t know whether the story takes place in hell, or just the screening of the film. Or did I just blow your mind?&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;**&lt;/strong&gt; &lt;em&gt;Politeness dictates that you don’t point out the reviewer’s own lack of points-making ability.&lt;/em&gt; &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;***&lt;/strong&gt; &lt;em&gt;Don't Tarsem Me, Bro.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;****&lt;/strong&gt; &lt;em&gt;Truly the finest work of art yet this century.&lt;/em&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/09/laist_movie_rev.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Ross A. Lincoln</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161202</id>
    <title xmlns="http://www.w3.org/2005/Atom">Books On Our Radar: Fictional LA</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="Books On Our Radar: Fictional LA - Latinos in Lotusland, Bright Shiny Morning, All We Ever Wanted Was Everything, Girl Factory" title="Books On Our Radar: Fictional LA - Latinos in Lotusland, Bright Shiny Morning, All We Ever Wanted Was Everything, Girl Factory" src="http://laist.com/attachments/la_callie/booksonouradarfictionalla.jpg" class="left" width="250" height="275" /&gt;Any Angeleno worth their salt knows this city can be both bright and happy or sinister and dark by quick turns or subtle steps or shameless spirals. There is much to celebrate about LA and much to shy away from - which makes it the ideal city-as-character in many a writer's novel. A few new books are out that feature LA and they're on our radar to check out this month.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;a href="http://www.vromansbookstore.com/NASApp/store/Product?s=showproduct&amp;isbn=9781931010474"&gt;Latinos in Lotusland: An Anthology of Contemporary Southern California Literature&lt;/a&gt;&lt;/em&gt; edited by Daniel A. Olivas&lt;/strong&gt; - This collection of stories take place all over LA: from East L.A. to Malibu, Hollywood to the San Fernando Valley, Venice Beach to El Sereno.  Many seasoned and up-and-coming Latino writers contributed to this anthology including Reyna Grande, Salvador Plascencia, Alex Espinoza, Michael Jaime-Becerra, Lisa Alvarez and Daniel A. Olivas. Their stories feature aggressive journalists, cement pourers, disaffected lovers, drunken folklorico dancers, successful curanderos, teenage slackers, aging artists, wrestling saints, aimless druggies, people made of paper, college students, and even a private detective in search of a presumed-dead gonzo writer.  Quintessential LA...but so much more.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;a href="http://www.vromansbookstore.com/NASApp/store/Product?s=showproduct&amp;isbn=9780061573132"&gt;Bright Shiny Morning&lt;/a&gt;&lt;/em&gt; by James Frey&lt;/strong&gt; - After all the hoopla surrounding his not-so-true memoir &lt;em&gt;&lt;a href="http://www.vromansbookstore.com/NASApp/store/Product?s=showproduct&amp;isbn=9780385507752"&gt;A Million Little Pieces&lt;/a&gt;&lt;/em&gt;, we're intrigued that he spent the last two years writing a novel...about LA. The book's description is even more enticing: "James Frey lingers on a handful of LA's lost souls and captures the dramatic narrative of their lives: a bright, ambitious young Mexican-American woman who allows her future to be undone by a moment of searing humiliation; a supremely narcissistic action-movie star whose passion for the unattainable object of his affection nearly destroys him; a couple, both nineteen years old, who flee their suffocating hometown and struggle to survive on the fringes of the great city; and an aging Venice Beach alcoholic whose life is turned upside down when a meth-addled teenage girl shows up half-dead outside the restroom he calls home." Can Frey do fiction? And will his fiction do LA justice? We'll be checking it out this month.&lt;strong&gt;&lt;em&gt;&lt;a href="http://www.vromansbookstore.com/NASApp/store/Product?s=showproduct&amp;isbn=9780979419829"&gt;Girl Factory&lt;/a&gt;&lt;/em&gt; by Jim Krusoe&lt;/strong&gt; - If ever a writer could turn LA's fro-yo culture into a disturbingly sex-laced comment on society's ills and odd whims, it is Krusoe.  Publisher's Weekly's tells us just enough to pique our interest: "In the basement of a Southern California yogurt shop one hot summer night, Jonathan, a down-on-his-luck fro-yo slinger, discovers several young, beautiful naked women encased in glass and suspended lifelessly in a milky mixture. Jonathan's boss, Spinner, catches him nosing around and reveals his experiment: acidophilus, yogurt's active culture, has the uncanny ability to preserve and nourish life, he explains, and the women bobbing before Jonathan's wide eyes are making 'an investment in their future."  With all &lt;a href="http://www.laist.com/2007/05/10/is_pinkberry_fakeberry.php"&gt;fro-yo&lt;/a&gt; &lt;a href="http://laist.com/2008/04/22/pinkberrys_chem.php"&gt;madness&lt;/a&gt; &lt;a href="http://laist.com/2008/03/12/screw_pinkberry.php"&gt;we've&lt;/a&gt; &lt;a href="http://laist.com/2008/04/22/pinkberrys_chem.php"&gt;covered&lt;/a&gt;, we'd do ourselves a disservice by ignoring this debut novel.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;a href="http://www.vromansbookstore.com/NASApp/store/Product?s=showproduct&amp;isbn=9780385524018"&gt;All We Ever Wanted Was Everything&lt;/a&gt;&lt;/em&gt; by Janelle Brown&lt;/strong&gt; - While much of the novel takes places in Silicon Valley, a key storyline in Brown's novel is set in Los Angeles and features a woman who "has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, &lt;em&gt;Snatch&lt;/em&gt;." While it sounds like so many LA cliches, we're curious to see if Brown's first novel can go beyond it and render her LA-esque characters less-stereotype, more human.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/11/books_on_our_ra.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Callie Miller</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.161321</id>
    <title xmlns="http://www.w3.org/2005/Atom">A Weekend of Italian Graffiti Artists</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p>This past week, an international exchange called LA Goldrush brought graffiti artists from Italy to Los Angeles.  Now in it's second year, organizers <a href="http://is.gd/c2m">Raptuz</a> (Milan) and <a href="http://www.manone.com/">Man One</a>/<a href="http://www.crewest.com/">Crewest Gallery</a> (Los Angeles) created a series of events throughout the city, one that many witnessed on Winston St. at the <a href="http://laist.com/2008/05/09/photo_essay_las_1.php">Downtown Art Walk</a> on Thursday.</p>

<p>Over the weekend, the artists hit two spots. On Friday and Saturday, they created permanent murals at <a href="http://livethehollywood.com">The Hollywood</a> condo development near Hollywood and Highland.  On Sunday, they visited the <a href="http://www.veniceartwalls.com">Venice Walls</a>. LAist photographer <a href="http://www.flickr.com/photos/tomandrews/">Tom Andrews</a>  spent some time with the visiting artists in both locations and documented what happened: </p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/a_weekend_of_it_1.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160759</id>
    <title xmlns="http://www.w3.org/2005/Atom">Lunch in Vernon? Check out La Villa Basque</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p>Reader <a href="http://www.flickr.com/photos/apollosputnik/">Apollo Sputnik</a> was down in <a href="http://www.cityofvernon.org/">Vernon</a> and happened upon this treasure. Thankfully, he shared with us so we could share with you:</p>

<p>"I was happy to discover La Villa Basque in the middle of industrial Vernon. I have never seen a better kept mid-century diner. They're only open for lunch during the week -- but it's worth the effort... The place is full of a cast of characters -- I passed by a 70+ lady, wearing smudged make-up and a 2-foot high beehive hair-do. Most of the patrons seemed to be business men of the area. </p>

<p>"The owner, Vernon mayor Leonis C. Malburg also owns the building next door. He's been on the city council since the Eisenhower administration. His grandfather founded the city of Vernon."La Villa Basque<br/>
2801 Leonis Blvd<br/>
Vernon, CA 90058<br/>
(323) 583-1696</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/08/villa_basque.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160830</id>
    <title xmlns="http://www.w3.org/2005/Atom">LAistory: Thelma Todd's Roadside Cafe</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;em&gt; LAistory is our new series that will take us on a journey to what came before to help us understand where we are today.  We began with &lt;a href="http://laist.com/2008/05/03/laistory_val_ve.php"&gt;Val Verde, the "Black Palm Springs"&lt;/a&gt; and now we go to Thelma Todd's Roadside Cafe.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="Roadside Cafe 1" title="Roadside Cafe 1" src="http://laist.com/attachments/la_jacy/Roadside-Cafe1.jpg" width="640" height="412" /&gt;&lt;br /&gt;
This December 16th, it will have been seventy-three years since Thelma Todd was found dead at 29, in the garage of her home. The car she was sitting in was still on. The exact circumstances of her death remain a mystery.&lt;/p&gt;

&lt;p&gt;Thelma Alice Todd was born on July 29th 1905 in Lawrence, MA. She was a lively child, always good at academics, and she wanted to be a schoolteacher. In college, her mother (who wanted her to be more than a "schoolmarm") encouraged her to participate in beauty pageants. In 1925, she won the Miss Massachusetts title, and was subsequently offered movie roles. She had a gift for comedy (though she also did drama and horror roles) and starred in over 130 movies. Transitioning easily from silent to talkie films, she worked with such venerated actors as Buster Keaton, Laurel and Hardy, Zasu Pitts and the Marx Brothers. Her bombshell look earned her the moniker, "The Ice Cream Blonde."&lt;img alt="Todd12.jpg" src="http://laist.com/attachments/la_jacy/Todd12.jpg" width="192" height="400" class="left"/&gt;Like many in the industry, Thelma lived fast. She had so many car crashes, the studio eventually insisted that she have a driver. She was married briefly in 1932 to 1934 -- a party guy, Pat DiCicco. Their chief entertainment appeared to be drunken brawls, one of which landed Thelma in the hospital for an emergency appendectomy. &lt;/p&gt;

&lt;p&gt;In the early thirties, Todd bought a piece of property on what is now called the Pacific Coast Highway, facing the ocean and built a structure that would double as her home (in the upstairs apartments) and Thelma Todd's Sidewalk Cafe, which was downstairs. The Cafe was a great success, catering to the entertainment and underworld crowds.&lt;/p&gt;

&lt;p&gt;There are few facts about the death of Thelma Todd that anyone can agree on. She had purchased and was running the cafe with her boyfriend, director, Roland West. They lived above the cafe in adjoining bedrooms.&lt;/p&gt;

&lt;p&gt;&lt;img alt="Roadside Cafe Doors" title="Roadside Cafe Doors" src="http://laist.com/attachments/la_jacy/Roadside-Cafe-Doors.jpg" width="400" height="300" class="right" /&gt;The evening before her death, he admitted that they had been fighting. It was a Saturday, and that night, Thelma was driven to a party being held for her in Hollywood at Cafe Trocadero. It was hosted by Stanley Lupino and his daughter Ida. Her ex, Pat DiCicco had requested to be seated next to her, but he arrived with a date and immediately attached himself to another group. Thelma was humiliated and fought with him. She proceeded to get quite drunk and confided to Ida she was seeing a rich businessman.&lt;/p&gt;

&lt;p&gt;&lt;img alt="Roadside Cafe Lamp" title="Roadside Cafe Lamp" src="http://laist.com/attachments/la_jacy/Roadside-Cafe-Lamp.jpg" width="400" height="300" class="left"/&gt;Meanwhile, back at the Cafe, West locked up. as was his habit, at two am. Todd left the Trocadero sometime before three. Though people claim to have seen or heard from her early the next day -- a pharmacist at 9:30 am, and a close friend claimed to have received a phone call, where she identified herself as "Hot Toddy, " (a well-known nickname) to talk about a party -- none of these instances can be verified.&lt;/p&gt;

&lt;p&gt;It wasn't until Monday morning around ten-thirty am, that the maid found Thelma, slumped over at the wheel of her 1932 Lincoln Phaeton. Eventually, her death was ruled a suicide, though everyone said that 29 year old Todd was in good spirits.&lt;/p&gt;

&lt;p&gt;&lt;img alt="Thelmas Garage Door" title="Thelmas Garage Door"src="http://laist.com/attachments/la_jacy/Thelmas-Garage-Door.jpg" width="400" height="300" class="right"/&gt;&lt;br /&gt;
Inconsistent facts quickly came to life. The coroner determined she died between five and eight am on Sunday. She was still wearing her party clothes from Saturday night, though she had peas and carrots in her stomach -- which weren't served at Trocadero. There were no signs of struggle -- he fingernails were undamaged -- but her nose was broken. Her sandals were clean, but the police determined that anyone climbing the outside staircase would have had dirty shoes.&lt;/p&gt;

&lt;p&gt;&lt;img alt="Roadside Cafe 2" title="Roadside Cafe 2" src="http://laist.com/attachments/la_jacy/Roadside-Cafe2.jpg" width="301" height="400" class="left"/&gt;A number of theories arose. The most sensational was that Lucky Luciano had been pressing Thelma to turn her club into a gambling joint. When she refused, he had her offed. It could have been an accident. Thelma, having been locked out of the house, went up to the garage and turned on the car to keep warm (or to go someplace) and fell asleep. But West said that she wasn't shy about waking him up when she got home and a key to the house was found on her person. There was a rumor that West confessed on his deathbed claimed that he had unknowingly locked Todd in the garage. After her funeral, Todd was cremated, leading people to wonder if there had been a cover-up by the notoriously corrupt District Attorney's office.&lt;/p&gt;

&lt;p&gt;Whatever happened, Hollywood lost a star and gained a mystery.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Thelma Todd's Sidewalk Cafe (now the home of Paulist Productions -- CLOSED TO THE PUBLIC) 17575 Pacific Coast Highway&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Present day photos by Jacy Young for LAist&lt;/em&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/10/laistory_thelma.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Jacy Young</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.159492</id>
    <title xmlns="http://www.w3.org/2005/Atom">Why Do We Vote for Judges?</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><img src="http://laist.com/attachments/la_jeremy/gavel.jpg" alt="gavel.jpg" width="235" height="300" class="left"/>All over Los Angeles, on chain link fences and freeway underpasses, sprawling banners and rectangular placards advertise names of people running for office you might have never heard and with whom you will probably never have any contact. </p>

<p>But these ghosts of democracy, running for Los Angeles Superior Court judicial posts, could affect our jail and court systems for years to come.</p>

<p>This June 3, voters in California will be asked to decide on two very important ballot measures and to vote for a multitude of lawyers and incumbent judges vying for office. In L.A., <a href="http://www.smartvoter.org/2006/06/06/ca/la/judicial.html">11 judicial races with 30 contenders</a> will fill up air time and compete for attention.</p>

<p>But, as our prison population continues to balloon at a steep price to voters everywhere, why do we continue to vote for those who help ship so many to jail? </p>

<p>Why do we vote for judges? According to <a href="http://www.voteforjudges.org/">VoteForJudges.com</a>, "it is our responsibility to vote for judges we can trust to make impartial decisions based on fair consideration of the facts and law." </p>

<p>Judges, they say, rule on a variety of issues that can affect us personally (child custody, for example) and in ways that we can't immediately appreciate, such as rulings that might have farther reaching effects. </p>

<p>"We never know when a judge we vote for today will make a decision that will affect your life and the lives of your family and friends," their website states.</p>

<p>None of that is revelatory or surprising. In short, judges are asked to be judges. They are asked to do their job and we must vote the best ones in to ensure that the best person is deciding on what's best for us, or so the theory goes.</p>

<p>We do that for politicians of all sorts, including school board members, local, state and federal officials and for fiscal measures.</p>

<p>But in voting for judges, we might be perpetuating a societal ill that could have long lasting harmful affects for citizens and the world. </p>

<p>Judges, beholden to elections and hoping to avoid the perils of negative campaign attacks, seek out ways to toughen their stances on crime by sending offenders to jails and prisons that have skyrocketed our state and federal incarceration rates and further plunged state and federal governments into debt.<img src="http://laist.com/attachments/la_jeremy/alcatraz.jpg" alt="alcatraz.jpg" width="300" height="199" class="right"/></p>

<p>The numbers are staggering:</p>

<p>There are 135 jails in California, according to the <a href="http://www.nicic.org/Features/StateStats/?State=CA#3">National Institute of Corrections</a> and the state has a higher incarceration rate and lower probation rate than the national average.</p>

<p>In February, the <a href="http://www.pewcenteronthestates.org/news_room_detail.aspx?id=35912">Pew Center on the States released a study</a> that found more than one in 100 adults in the United States is in jail or prison, an all-time high that is costing state governments nearly $50 billion a year --  up from $11 billion 20 years before -- and the federal government $5 billion more.</p>

<p>With more than 2.3 million people behind bars, the United States leads the world in both the number and percentage of residents it incarcerates, leaving far-more-populous China a distant second, the Washington Post <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/02/28/AR2008022801704.html">reported</a>.</p>

<p>Logic would leave one to believe that jailing people makes society safer by removing dangerous elements from the streets and molding them into good citizens. But the Pew report found that the national recidivism rate remains virtually unchanged, with about half of released inmates returning to jail or prison within three years. </p>

<p>They may be removed, but they are not getting better, begging the question: What's the point and can we really afford to increase a state corrections budget (which last year totaled $10.1 billion) even as California is mired in a $10 billion budget gap? </p>

<p>It would be too easy to blame judges for our bloated prison population. There are educational and societal factors that help explain why so many people, particularly African-Americans, are sent to prison. But an easy solution to helping ebb the flow of .01 percent of our population into jails is to stop voting for judges and allow them to rule without fear of electoral persecution.</p>

<p>Allow them to be appointed for certain amounts of time and hold them up for review by other judges every so often. It is needless and perhaps harmful to hold judges up for electoral review by voters who are tricked into believing tough on crime means safer streets.  </p>

<p>Still, for information on judges vying for office June 3, check the<a href="http://www.lacba.org/showpage.cfm?pageid=9390"> Los Angeles County Bar Association's ratings on all judicial candidates</a>.</p>

<p><em>Photo of gavel by <a href="http://flickr.com/photos/brymo/1014496150/">Brymo</a> and Alcatraz by <a href="http://flickr.com/photos/pipeddream/2099259019/">pipeddream</a>, via Flickr.</em><br/>
</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/12/why_do_we_vote_1.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Jeremy Oberstein</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160431</id>
    <title xmlns="http://www.w3.org/2005/Atom">Video of the Day: Twitter Explained</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;object width="425" height="355"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ddO9idmax0o&amp;hl=en"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/ddO9idmax0o&amp;hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;

&lt;p&gt;The geniuses at Common Craft &lt;a href="http://www.commoncraft.com/Twitter"&gt;created this video&lt;/a&gt; explaining Twitter in plain English.  We only wish that governments would hire them to explain how parking ticket revenues worked and how to best follow a city council motion from creation to approved city ordinance.  &lt;/p&gt;

&lt;p&gt;LAist tweets too, &lt;a href="http://twitter.com/LAist"&gt;you can follow us here&lt;/a&gt;. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Related&lt;/strong&gt;&lt;br /&gt;
-- &lt;a href="http://laist.com/2008/05/01/happy_rss_day_w.php"&gt;What is RSS? Common Craft explains RSS on RSS Day&lt;/a&gt;&lt;br /&gt;
-- &lt;a href="http://laist.com/2008/05/05/twitter_for_a_c.php"&gt;Using Twitter in Car Culture&lt;/a&gt;&lt;br /&gt;
-- &lt;a href="http://laist.com/2008/04/17/los_angeles_wha.php"&gt;Los Angeles, What Are You Doing?&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/video_of_the_da_8.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Zach Behrens</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">tag:laist.com,2008://8.160426</id>
    <title xmlns="http://www.w3.org/2005/Atom">CD Review: Elbow - "The Seldom Seen Kid"</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="Elbow - The Seldom Seen Kid" title="Elbow - The Seldom Seen Kid"src="http://laist.com//attachments/Kampy/SSK-cover.jpg" width="325" height="324" class="left"/&gt;&lt;/p&gt;

&lt;p&gt;Artist: &lt;strong&gt;&lt;a href="http://www.elbow.co.uk/"&gt;Elbow&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Album: &lt;strong&gt;&lt;a href="http://www.theseldomseenkid.com/"&gt;The Seldom Seen Kid&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Label: &lt;strong&gt;&lt;a href="http://www.myspace.com/fictionrecords"&gt;Fiction&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
Release Date: &lt;strong&gt;April 22, 2008&lt;/strong&gt; (US)&lt;br /&gt;
Rating: &lt;strong&gt;5 Stars&lt;/strong&gt; (out of 5)&lt;/p&gt;

&lt;p&gt;We Americans don't always make the right decisions.&lt;/p&gt;

&lt;p&gt;VHS or Betamax? George W. Bush or Gore/Kerry? Coldplay or Elbow?&lt;/p&gt;

&lt;p&gt;Undoubtedly, some of you are reading this and thinking to yourselves, "What is Elbow? Are they a band?" ...and that is, well, depressing. You should know who Elbow is.&lt;/p&gt;

&lt;p&gt;Both Coldplay and &lt;a href="http://elbow.co.uk/"&gt;Elbow&lt;/a&gt; were Radiohead-esque English bands that surfaced the wake of &lt;em&gt;The Bends&lt;/em&gt; and &lt;em&gt;OK Computer&lt;/em&gt; in the 90s. For whatever reason, Coldplay was the band the masses glommed onto, propelling them to the top of the charts and making them bazillionaires, while Elbow remained in relative obscurity, despite their abundance of critical accolades.Luckily for us, Elbow did not fade away like Betamax, and a dozen years and four stellar albums later, we should admit that Elbow might have been a better choice. If you don't believe me, try listening to any Coldplay album four times in a row. It sounds lovely the first time, but by the fourth listen, you're anxious for the experiment to end. Elbow records, on the other hand, keep getting better and better every time you hear them. After four listens, you're ready for a fifth, sixth, seventh...&lt;/p&gt;

&lt;p&gt;Their latest, &lt;a href="http://www.theseldomseenkid.com/"&gt;&lt;em&gt;The Seldom Seen Kid&lt;/em&gt;&lt;/a&gt;, is no different. Although it incorporates different themes and moods than any of their first three albums, they still employ their genre-blending witch's brew of prog-rock, alt-rock, post-rock, anthem-rock, dream-pop, brit-pop, etc., once again managing to sound experimental, melancholy and uplifting all at the same time.&lt;/p&gt;

&lt;p&gt;Like the previous three albums, &lt;a href="http://www.amazon.com/Seldom-Seen-Kid-Elbow/dp/B0015I2P0Y/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1210177952&amp;sr=8-1"&gt;&lt;em&gt;The Seldom Seen Kid&lt;/em&gt;&lt;/a&gt; is jump-started with an engaging opening track that sets the tone for the rest of the album. &lt;em&gt;Starlings&lt;/em&gt; is a song that sounds like a lazy dream suddenly interrupted by alarm clock-like trumpet blasts, which last only as long as it takes to hit the snooze alarm and resume the dream, floating on a few minutes more before the trumpets return, waking us up to the fact that this is a new day, a new album.&lt;/p&gt;

&lt;p&gt;We are fully awake as the second track, &lt;em&gt;The Bones of You&lt;/em&gt;, gets us going at a nice clip before &lt;em&gt;Mirrorball&lt;/em&gt; slows us back down a bit. Then it's time for the big, rawkin' first single, &lt;em&gt;Grounds For Divorce &lt;/em&gt;(&lt;a href="http://www.youtube.com/watch?v=iL4mywCOJXA"&gt;video&lt;/a&gt;), which is about as subtle as a freight train. Then the whimsical &lt;em&gt;Audience With The Pope&lt;/em&gt; gives us a glimpse into the thoughts of a guy who either has his priorities right or is completely pussy-whipped, depending on your point of view. Then we get into some serious introspection with &lt;em&gt;Weather To Fly&lt;/em&gt; and the haunting and huge &lt;em&gt;The Loneliness of a Tower Crane Driver&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;After that stretch of heaviness, it's time for some more whimsy, and &lt;em&gt;The Fix&lt;/em&gt; is a fun duet featuring lead vocalist &lt;a href="http://en.wikipedia.org/wiki/Guy_Garvey"&gt;Guy Garvey&lt;/a&gt; and guest crooner &lt;a href="http://en.wikipedia.org/wiki/Richard_Hawley"&gt;Richard Hawley&lt;/a&gt;. It sounds like a vintage singalong that could have been written during the vaudeville era. Then, a brooding &lt;em&gt;Some Riot&lt;/em&gt; sets us up perfectly for the joyous anthem of &lt;em&gt;One Day Like This &lt;/em&gt;(&lt;a href="http://www.youtube.com/watch?v=SQIdXKz4sE8"&gt;video&lt;/a&gt;), a song that, like U2's &lt;em&gt;Beautiful Day&lt;/em&gt; or R.E.M.'s &lt;em&gt;Shiny Happy People&lt;/em&gt;, flirts with being overly earnest and cheesy, but damn it, we just can't help but jump up and down and sing along at the top of our lungs.&lt;/p&gt;

&lt;p&gt;The album then closes out with &lt;em&gt;Friend Of Ours&lt;/em&gt;, a touching tribute to Manchester singer/songwriter Bryan Clancy, a close friend of the band who died unexpectedly in 2006, a loss that permeates not only this particular song, but nearly all the more serious moments of &lt;em&gt;The Seldom Seen Kid&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Compared to previous Elbow albums, this album feels a little more uplifting and life-affirming. It's about the joys and sorrows of everyday life. There's songs about love, and loss, and loneliness. It lacks the political statements of 2005's &lt;em&gt;&lt;a href="http://www.amazon.com/Leaders-Free-World-Elbow/dp/B000AP2YZE/ref=pd_sim_m_title_1"&gt;Leaders Of The Free World&lt;/a&gt;&lt;/em&gt;, the brashness of 2003's &lt;em&gt;&lt;a href="http://www.amazon.com/Cast-Thousands-Elbow/dp/B00013NE6I/ref=pd_sim_m_title_2"&gt;Cast Of Thousands&lt;/a&gt;&lt;/em&gt;, and the restlessness of 2001's &lt;em&gt;&lt;a href="http://www.amazon.com/Asleep-Back-Bonus-Track-Elbow/dp/B00005UK0N/ref=pd_bbs_sr_1?ie=UTF8&amp;s=music&amp;qid=1210190277&amp;sr=8-1"&gt;Asleep In The Back&lt;/a&gt;&lt;/em&gt;. But like all the previous efforts, it is carefully crafted, full of subtle complexities, plays best as an album in it's entirety, and rewards repeat listens.&lt;/p&gt;

&lt;p&gt;Time will only tell if this will be the album that elevates Elbow into the consciousness of the masses, or perhaps even earns them a Grammy nomination. If not, I'm sure Elbow will be content to continue their role as the best band you've never listened to.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Elbow is playing at the &lt;a href="http://www.avalonhollywood.com/concerts.html"&gt;Avalon&lt;/a&gt; this Friday, May 9, 2008. Click &lt;a href="http://www.livenation.com/event/getEvent/eventId/319961/"&gt;here&lt;/a&gt; for tickets.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Read the LAist interview with Guy Garvey... &lt;a href="http://laist.com/2008/05/08/laist_interview_142.php"&gt;click here&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://laist.com/2008/05/07/cd_review_elbow.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Kampy</name>
    </author>
  </entry>
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