Orson Welles has seen more devastation & studio interference than any other filmmaker. Major works like The Magnificent Ambersons, Touch of Evil & Lady from Shanghai were all slashed to ribbons and will never be seen as the writer/director/actor intended. Still, they retain their innovative style, fierce bite & raw power over 60 years on. Running through Saturday, the Aero's Orson Welles retrospective features valiant restorations of these works, as well as rare screenings of UCLA's exhaustive, full restoration of Macbeth and Welles' classic (and surprisingly, untouched) Citizen Kane.
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