Results tagged “rogerdaltrey”

      

Just four lines into the LA stop on Roger Daltrey’s “Use It Or Lose It” solo tour - so named for the singer’s desire to keep his instrument in shape for a planned burst of activity from his “other” band, the Who, in the coming year - he seemed in danger of losing it... It was a nervous moment, especially with the knowledge that Daltrey’s ailing throat had forced a few last-minute cancellations during the Who’s 2007 tour. But he plowed on, muttering “we’ll come back to that one,” picked up an acoustic guitar, and led his band through a dramatically re-arranged version of “Who Are You.” Now in a more familiar vocal range, he managed to warm up and start belting it out. And from that point, through the whole two-hour show, everything was more than fine.

Tonight In Rock: Roger Daltrey, Brand New, Patrick Watson, The Soft Pack

Tonight legendary English singer-songwriter, best known as the founder and lead singer of the Who, will be headlining the Orpheum Theatre in Downtown. Long Island-bred pop punk outfit Brand New are poised to make their long-awaited return to Los Angeles, performing twice at the Hollywood Palladium as well with Atlanta-based indie rock act Manchester Orchestra and Portland's own folk rockers the Builders and the Butchers (LAist Interview) in tow. And, lastly, San Diegan garage rockers the Soft Pack (LAist Interview) will be taking on the Echoplex with none other than lo-fi noise-infused rock duo Wavves, Sacramento-bred psych quartet Ganglians and, of course, local lo-fi pop act Best Coast. But we strongly suggest heading over to Largo at the Coronet to catch Québécois singer-songwriter Patrick Watson.

Vocalist Roger Daltrey capped a non-stop four-day weekend of Who activity on Monday at the Arclight Cinema in Sherman Oaks, taking fan questions at the big-screen premiere of the Who’s Live At Kilburn 1977. Curious fans overflowed the theater, one of a small handful of screenings before the film’s release next week on DVD. This concert film, unseen since it was filmed for possible use in Jeff Stein’s documentary The Kids Are Alright and then shelved, captures Keith Moon’s last public performance, putting the final exclamation point on one of the greatest runs in rock history.

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