Man, downtown is kickass. Yeah, you've seen the great theatre and the wonderful eats and the art walk, but you've probably also thought about the homeless population, or the proclivity for violence in the face of an economic abyss. And while all of these things, in their own way, are true about downtown, things like the Grammy Museum are really helping to elevate the standard while keeping an eye on what’s important in their neighborhood.
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Whereas a minor film like succeeds magnificently at the much trickier challenge of using adolescents--and even children--to convey the realmless and redemptive power of unconditional love. Furthermore, it shares with the audience one of the great luxuries of cinema; it draws you into a strange, new world that you never even imagined existed. It is nothing less than a rich marvel.
John Sayles has enjoyed one of the more respected careers in film over the last twenty-five years. By some estimates, he is the king of the uncredited re-write and has used the large fees he's garnered as a script doctor to further his own career as a writer-director. His resume is studded with several superb pictures (Sunshine State, Passion Fish, Eight Men Out, The Brother from Another Planet) and one masterpiece (Lone Star). Tonight at the Aero Theater, Sayles unspools his latest, .
