Tonight Texas-bred American Academy Award-winning singer/songwriter Ryan Bingham & the Dead Horses will be headlining the El Rey Theatre in support of his third studio-album—2010's T Bone Burnett-produced Junky Star. Chicago-based multi-instrumentalist folk rockers the Autumn Defense are poised to take on the Troubadour.
And, lastly, local psych-tinged indie rockers Nightfur will be gracing the hole-and-corner Pehrspace. But we strongly suggest heading over to Origami Vinyl to catch Long Beach's own surf punk trio Tijuana Panthers. LAist favorites, LA-by-way-of-Glasgow retro 50s/60s pop outfit Neverever are slated to kick things off.
Tonight In Rock: Ryan Bingham & The Dead Horses, The Autumn Defense, Tijuana Panthers, Nightfur
Tonight In Rock: Vampire Weekend, Abe Vigoda, Frankie Rose & The Outs
Tonight NY-bred indie pop outfit Vampire Weekend (LAist Review, #2, #3, #4) will be headlining the Hollywood Bowl with Baltimore-bred dream pop duo Beach House and the Very Best, an eclectic musical amalgam comprised of London based production duo Radioclit and Malawi-bred crooner Esau Mwamwaya. LA-based experimental punk outfit Abe Vigoda are slated to perform at this year's Abbot Kinney Festival with none other than Long Beach natives Crystal Antlers (LAist Review), Puro Instincto, LA-based alt-rockers Olin & the Moon (LAist Interview), Voxhaul Broadcast, Kenneth Pattengale and many more. Ex-Vivian Girls drummer Frankie Rose & the Outs will be ringing in their debut disc at the Echo with LA-by-way-of-Glasgow retro 50s/60s pop outfit Neverever for this week's edition of Part Time Punks.
Tonight In Rock: Jenny And Jonny, The Submarines, Blue Giant, Pacific Hurt
Tonight Jenny and Johnny, yet another boy/girl duo featuring none other than ruddy-haired Rilo Kiley front woman Jenny Lewis and her middle-of-the-road actor/singer-songwriter boyfriend Jonathan Rice, will be performing for free, in-store at Amoeba Music in Hollyweird. Apple commercial inductees, LA-based indie pop duo the Submarines are poised to take on the Bootleg Theater with local "fancy pop" songstress Obi Best (LAist Interview, Review, #2) and Sacramento's Julie Baenziger, who performs under the pseudonym Sea of Bees. And, lastly, Portland-based alt-rock-leaning outfit Blue Giant, which is of course a splinter of celebrated indie pop act Viva Voce, will be warming up the stage at Spaceland for Nashville's own rock troubadour Bobby Bare Jr.. But we strongly suggest heading over to the Troubadour to catch Pacific Hurt, formerly known as Santa Ana-based indie rockers Aushua. LAist favorites, San Diegan buzz band LESANDS, LA-by-way-of-Glasgow retro 50s/60s pop outfit Neverever and folk-infused indie rock outfit Mississippi Man are all slated to perform as well.
Week In Rock: The Rapture, Nite Jewel, Blue Giant, Pacific Hurt
This week NYC-based dance-punk trio the Rapture will be headlining Sean Carlson's ever-so-famous Fuck Yeah Fest—now in its seventh year—which is set to take place in Los Angeles State Historic Park. Local electronic chanteuse Nite Jewel, who recently released a new EP entitled Am I Real?, is poised to grace the Troubadour with none other than recent collaborators Teen Inc. in tow. Portland-based alt-rock-leaning outfit Blue Giant, which is of course a splinter of celebrated indie pop act Viva Voce, will be warming up the stage at Spaceland for Nashville's own rock troubadour Bobby Bare Jr.. And, lastly, Pacific Hurt, formerly known as Santa Ana-based indie rockers Aushua, will be taking on the Troubadour with San Diegan buzz band LESANDS, LA-by-way-of-Glasgow retro 50s/60s pop outfit Neverever and folk-infused indie rock outfit Mississippi Man.
Tonight In Rock: Hot Hot Heat, The Good Life, Themselves, Neverever
Tonight Canadian indie rockers Hot Hot Heat will be continuing their month-long residency at the Bootleg Theater with local indie rockers Eulogies (LAist Interview, Review, #2, #3) in tow. The Good Life, an Omaha-based side-project from Cursive front man Tim Kasher, are poised to take on the Troubadour with none other than local indie pop outfit the Parson Red Heads (LAist Review, #2, #3, #4).

