As the only major studio film released on Friday, it's no wonder that the middling Resident Evil: Afterlife topped the box office this weekend. The tired zombie flick brought in $27.7M to easily smash the rest of the competition. The resilient Takers was a distant second, but is proving to be a solid hit for Screen Gems ($6.1M | $48.1M). Last week's champ, The American, slipped to third ($5.8M | $26.7M) but was still able to top Machete ($4.2M | $20.8M). The sad Going the Distance rounded out the top 5 ($3.8M | $14M). more ›

Jesus H. Christ might have turned water into wine, but Maynard James Keenan goes for the hard stuff in Blood Into Wine, uncorking this weekend at Laemmle's... more ›

While Disney's A Christmas Carol won the weekend with an underwhelming $31M, the real story at the box-office was Precious. The darling of this year's Sundance Film Festival earned an astonishing $100,000 per theater, breaking the record for the largest opening EVER for a specialty film (A Christmas Carol, by contrast, earned a little over $8400 per venue). Michael Jackson's This Is It had a solid second weekend ($14M | $57.8M), just topping the fantastic The Men Who Stare at Goats ($13.3M) and the weird and phony The Fourth Kind ($12.5M). Not surprisingly, Paranormal Activity continued to print money ($8.6M | $97.4M). more ›

If you like movies filled with whimsical, daffy humor (think Wes or Spike or Charlie) then you will probably dig The Men Who Stare at Goats as much as I did. It concerns our military's experimentation with paranormal phenomena as epitomized by the Jedi Warriors of the First Earth Battalion stationed at Fort Bragg, NC (yep!). Best of all, most of it is true. I like that Bob Zemekis is always pushing the boundaries of the technical aspect of filmmaking, but I'm motioned-captured out at this point! I'll see Christmas Carol but with gritted teeth. more ›

Paramount refused to screen G.I. Joe: The Rise of Cobra for critics which is usually a huge, obvious warning that the film is an unmitigated disaster. Then again, maybe the studio is still just chafing from the deserved reaming given to Transformers 2: Racist CGI Porn by reviewers. In any case, G.I. Joe is obviously on the "skip" list. The consensus on Julie & Julia (LAist review here) appears to be that the movie would have benefited from more Julia and less Julie. To get a true grasp of what an amazing actress Meryl Streep is, Netflix the following movies and watch them in this order: Doubt, Silkwood, Sophie's Choice, Stuck on You. more ›

How did a movie called A Perfect Getaway get away with having a script so manipulative, so self-aware as to be cloying and so bad in terms of its dialogue? more ›

To no one’s surprise, the awful ($14M). While discerning patriots were sad to see Paul W.S. Anderson’s “vision” further validated, they were somewhat cheered by the continued deterioration of "comedian" Dane Cook’s film career. Also, failed starlet Jessica Alba is one flop closer to what now seems an inevitable, tasteful appearance in Playboy. more ›

The fall tradition of releasing prestige films continues tomorrow as Resident Evil: Extinction opens wide. Milla Jovovich stars as the beneficent Alice, a latter-day Tess of the d'Urbervilles who is charged with the stygian task of killing armies of the undead--and the joke is now over. Anyone dumb enough to see the latest chapter of this awful series probably didn't notice anyway. At least there's nudity. But not from Ali Larter. Dang! Into the... more ›

Paris, 2010. The French government, plum out of ideas about what to do with its crime-ridden housing projects, has surrounded them with a high concrete wall topped by razor wire. Drugs have taken over the ghetto. Except for one apartment block, where wiry Leïto is fighting to keep the nasty dudes at bay — even if it means stealing a load of cocaine and washing it down the tub. more ›