The Labor Day weekend is typically a slow time for the movie business as everyone makes one final attempt to catch some elusive summer magic (e.g. sleep with unattainable lust object). As such, The Final Destination was the best of a weak bunch as it nabbed $12.4M ($47.5M) to top the weekend box office. Terrible newcomer All About Steve finished a reasonably close second ($11.2M) just ahead of the steady Inglourious Basterds ($10.8M | $91M). Gamer disappointed in its debut ($9M) as audiences showed a rare flash of sound judgment.
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Is it just me or is there a surprising lack of public excitement about the release of Extract? I mean, Mike Judge and Jason Bateman working together on a film? Either one of these guys pulls me into a theater, but both together-- that's nirvana. On the other hand, is anyone looking forward to Gamer? Gerard Butler is rapidly squandering the capital he earned back when he was just a working actor. If you don't know what I mean, watch how great he was in Dear Frankie. Hell, he was even good in Timeline and that movie blew!
As expected, Marky Mark's had a surprisingly strong start on Friday before tailing off slightly as the weekend continued. Apparently, Americans just can't get enough of their flawed yet heroic president, George W. Bush.
Judging by the sour critical reception, it sounds like Max Payne probably sucks. They did cut one hell of a trailer, though. Harry Knowles loved Sex Drive, but then again he also loved Godzilla. How do you not go see W.? I mean, a film about George W. Bush directed by Oliver Stone. The curiosity factor alone will pull me in. What Just Happened? received a dismal response at Sundance this year. The original book by Art Linson, however, is a gem. Who knew Alec Baldwin was such a douchebag? Everyone.
As expected (due to its wussy PG-13 rating and higher theater count) ($3.5M/$144.4M).
Ordinarily, I'm completely disinterested in the box office performance of a movie. Sure, my innate sense of justice leads me to wish that good films will do well and bad films poorly, but I never check Boxofficemojo over the weekend to see how a movie is doing. I may keep on eye on Forgetting Sarah Marshall, though, to see if the weakening Apatow brand can regain some strength after the relative failures of will restore some order to Judd's universe.
