Results tagged “melnitzmovies”

The week begins with a John Hayes double feature. In Grave of the Vampire, legendary vampire Kroft awakens and rapes a woman in a graveyard. The resulting child doesn't need milk. He needs… blood! This is paired with Jailbait Babysitter, which stars Therese Pare as a teenager who's turned out by an older prostitute (Lydia Wagner).

Grindhouse Monday and Tuesday it's The Muthers, a combination blaxploitation and women-in-prison flick that stars Janine Bell and Rosanne Katon as a pirate duo who must rescue Bells sister from the private jail of an evil coffee plantation owner, followed by Fight for Your Life, a revenge thriller about a pacifist black minister whose family is taken hostage and tortured by a trio of convicts, until he finally snaps and wreaks his vengeance. Wednesday and...

Grindhouse The week begins with a pair of 70s actions flicks. The Lady in Red, which has one of my favorite taglines of all time "She's made of bullets, sin & bathtub gin!" is a gangster film starring Robert Conrad as John Dillinger and Pamela Sue Martin as his moll. (Bonus: it was written by John Sayles.) In Bare Knuckles a Los Angeles bounty hunter tracks a psychopath who murders women by using kung-fu. Then...

Grindhouse There probably isn’t a single night I wouldn't enjoy going to the Quentin Tarantino-curated Grindhouse Festival at the New Beverly. On Monday & Tuesday it’s a double bill of Rolling Thunder, a revenge flick about a Vietnam vet who goes on the warpath after his wife and son are killed by thugs, and The Town That Dreaded Sundown, a 1977 film that's set in 1946 about a hooded killer stalking the terrified residents of...

Why woo your sweetheart with such tediously traditional notions as flowers, teddy bears and edible panties when you could watch Matthew Barney and his inamorata Bjork going at each other with flensing knives on the deck of a Japanese whaling vessel in Drawing Restraint 9? And if that's not enough Barney for you, there's the making-of documentary Matthew Barney: No Restraint. His work has sometimes been described as a "hauntingly dreamlike fantasy and surrealist odyssey," but I think Vern of Aint It Cool has the best take on Matthew Barney.

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