Results tagged “joaquinphoenix”

       

Wow! How bad of a release day is it when 12 Rounds and Jonas Brothers: The Concert Experience are the two high-profile releases? Ugh. For the first time in I don't know how long, I couldn't find 20 DVDs worthy of inclusion in this space. Two Lovers is probably the best pick, but it suffers from a surfeit of Gwyneth Paltrow. Maybe the most intriguing DVD out today is Transmorphers: Fall of Man. I'm sure it sucks, but any film that piggy-backs on the marketing largess of the rancid Transformers: Revenge of the Fallen is aces in my book!

Considering the downward-trending turbulence of our current economic environment, now might not be the best time to release a movie that so glories in conspicuous consumption like Confessions of a Shopaholic. Then again, it has the winsome Isla Fisher so it might be worth a look. Clive Owen rules. Naomi Watts sort of rules. Considering that, why can't I get excited about The International. It just feels so...generic. Oh, great. Another classic horror film is getting raped, er, re-packaged, er, re-made for today's audiences. The new Friday the 13th "film" better have copious amounts of gore and pointless nudity. And when are they re-doing Leprechaun?

Just in time for Valentine's Day is the release of Two Lovers, an emotionally-charged, quiet drama by director James Gray. At the center of the story is Leonard Kraditor (Joaquin Phoenix), a depressed thirty-something who is forced to move in with his parents after a painful, life-threatening break-up with his fiancé. With a nowhere job at his family's dry cleaning business, very few friends and an unintentionally abrasive nature, Leonard is truly a sad sight to behold. That is, until two very different women drop into his life and he experiences an awakening, stepping outside the boundaries he's laid down for himself and living life on the edge.

If you somehow missed both had top-drawer casts and the imprimatur of quality. Both were also awfully dull. Tom Cruise takes another step down from his previous perch of box office invincibility.

When was the last time an actor executed a more profound career turnaround than Casey Affleck? Gone Baby Gone is his second superb performance of the year. If you don't see it for him, see it for Amy Ryan's breakout, Oscar-nominated turn. The mere presence of the divine Anne Hathaway makes was released? Greatest poster ever?

Despite the presence of a fine cast, compelling material and a promising director, isn't terrible, it is relentlessly mediocre which--considering the high level of talent involved--can only qualify it as a deep disappointment. The script hits a profoundly false note so early in the film that you spend the rest of the time disconnected from its reality--a killer in a movie that requires your emotional investment in order to succeed.

In a shocking upset, Tyler Perry's Why Did I Get Married easily topped the box-office with a much higher than expected $21.5 million haul. Ordinarily, I'm on the side of the underdog, but Perry's movies are so aggresively mediocre that I'm not looking forward to the glut of his product that is now certain to follow. Then again, Why Did I Get Married is hardly worse than The Game Plan which finished second in...

It's a strong weekend for new releases. After a long break, Jim Gray is back in the director's chair with We Own the Night. Mark Wahlberg and Joaquin Phoenix star as brothers on opposite sides of the law. Reviews have been 50/50, but critics were equally blase about Gray's last flick, The Yards, which I loved. Cate Blanchett is back as Queen Elizabeth in Elizabeth: The Golden Age. Reviews have been weaker than those...

The opening scene of We Own the Night with Eva Mendes fingering herself on a couch making out with Joaquin Phoenix had me at hello. Thats the thing about movies sometimes, the first scene (or the trailer) gets you in good and then the rest of the film doesn't live up. Needless to say, this film did just that. The trailers and that first scene, and the second scene of Phoenix walking through a...

After a raucous couple of weeks we're settling in now. We know what sucks (Moonlight and about a jillion other programs) and what's pretty good (Chuck and just a handful of others). It's a matter of choosing a couple to follow now as we wait for the delayed series like Nip/Tuck, etc. 7:00pm The Pride of the Yankees TCM - The Gary Cooper classic is followed by Anthony Perkins in Fear Strikes Out, yes, it's...

During the Academy Awards some boring guy always comes out and explains how they voted and who guarded the results and we never pay attention. But the upshot is that people that are in The Academy get to vote on the nominees.

9:40 Jake and Heath stumble and laugh over the sappy script written for their Brokeback Mountain intro. They look darling, don't they?

Blogwatching the Golden Globes (it's not liveblogging if it's tape-delayed, right?) We forgot to write down times, but trust us, this is (mostly) chronological. We blogged the red carpet, too.

We're bouncing back and forth between the NBC and E! red carpet broadcasts. Woah, Dean Cain is carpeteering for NBC and he still looks like Scott Peterson. Dean, it's time to lose the highlights.

Horseraces! Handicaps! No sooner had we posted about the not-quiet-announced Oscar host than the SAG Award nominees were announced. The biggest surprise must be the nomination of Hustle & Flow in the "best performance by a cast" category (SAG's version of "best picture"), while none of the cast members were nominated individually. Doesn't take a rocket scientist to figure out that Terrence Howard was robbed.

The number of film festivals held in this town seems only slightly outnumbered by the number of Coffee Bean and Tea Leaf outlets. But tomorrow, AFI Fest 2005 (Nov. 3-13) opens -- and in its 19th year -- this is one that shouldn't be ignored. A few of the week's highlights include: