Since the advent of the mp3 era, there’s been a lot of talk about the death of the “album” as a medium for music delivery. As the argument goes, bands have no incentive to write forty-five consecutive minutes’ worth of content, since consumers no longer have to sit through three decent-to-mediocre tracks to get to the one they like, buried in the middle of side two. Now that the listening experience is entirely customizable, those deep cuts that never passed muster for airplay or “best of” collections will be tossed away like so many pot seeds, completely unheard by the audience that only cares about their favorite songs.
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