More contemporary acts, like Tel Aviv’s shock-rock troupe Monotonix and Baltimore’s experimental electronic whiz Dan Deacon, clearly flourish on Bumbershoot’s bleeding edge. They do cater to the youthful and rather brazen demographic. But the irrepressible synergy between fringe artist and audience truly befit the moment—as if they had somehow hand-sewn the festival’s very seams.
Continue reading "Weekend Getaway: Bumbershoot Festival 2008 Part 2"
