Josh Tate

Photo courtesy of Today's Senior Network As the only major studio film released on Friday, it's no wonder that the middling Resident Evil: Afterlife topped the box office this weekend. The tired zombie flick brought in $27.7M to easily smash the rest of the competition. The resilient Takers was... continue reading on LAist

Photo courtesy of IFC Films If Machete fired you up for a revolucion (and if it didn't, there are 21+ screenings in Pasadena), the UCLA Film & Television Archive has the series for you! This weekend, they open "The Mexican Revolution on Film" with a Mexican production, Enamorada, contrasted... continue reading on LAist

You know it's a slow week when crap like MacGruber heads the list. Like most Saturday Night Live movies, it's a funny 30-second idea that's ninety minutes too long. If Spread didn't pave the way for Ashton Kutcher's exit from Hollywood, surely Killers will, right? Yeah, nope. Solitary Man isn't... continue reading on LAist

Though Friday estimates indicated that Machete might win the weekend, it was George Clooney's subdued The American that ultimately topped the box office. Despite the purported presence of Lindsay Lohan's titties, Machete only managed to bring in $14M, far shy of The American's $16.3M ($19.5). The resilient Takers placed a... continue reading on LAist

Photo courtesy of the Criterion Collection The films of horror maestro Dario Argento put the gore in gorgeous! This weekend, the New Beverly plays his two best-known features, Suspiria and Deep Red. For the uninitiated, Suspiria concerns a boarding school that may be a coven, while Deep Red is... continue reading on LAist