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Catherine Kustanczy

Eat Me: STEAK Eat Me: STEAK

Eat Me is a regular feature about the nooks and crannies of Toronto's restaurant scene, about the amazing restaurants that are—for some reason—criminally underpatronized. If you find yourself with a bit of spare cash, or you’re celebrating an anniversary, want to impress a date, or if you just feel like... continue reading on Torontoist

You're Allowed To Like Him You're Allowed To Like Him

The name George Michael generally conjures up images of a guy in tight jeans and black jacket, stuck in the 80s, crooning lightweight pop fluff. It might also conjure the memory of the guy who got arrested for indecency. Or the guy who was busted for drugs after passing out... continue reading on Torontoist

Way of the the Words Way of the the Words

The Way of the World is a comedy, but it’s also a difficult play, with a complicated plot, a lot of characters, and stories within stories involving finance and property. It takes deft direction and clear exposition to move past the details of William Congreve’s 1700 work without getting... continue reading on Torontoist

Voila, Rachid Voila, Rachid

The Small World Music Festival kicks off tonight with Algerian-French singer Rachid Taha. Taha’s always been difficult for North American critics to categorize. He’s been put in the “punk” bin, though it doesn’t really suit him, and he’s veered from the swirling heavy-rock sounds of "Barra Barra" (made famous on... continue reading on Torontoist

Fringe: Zombies in Kensington Fringe: Zombies in Kensington

Not all Fringe shows happen at the main or studio spaces of the big three (Tarragon, Muraille, Factory); some are in school basements (like Eve Ensler’s A Memory, A Monologue, A Rant and a Prayer), others are in smaller theatres (like the Robert Gill or Glen Morris), and others take... continue reading on Torontoist

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