The Vandal, Joe Escalante | Photo by: Tommy / used with permission
It seemed the writing was on the wall for Indie 103.1 FM when the plug was pulled on Joe Escalante’s “Last Of The Famous International Morning Shows.” Two months later Indie 103.1's plug was pulled.
Entravision Communications had decided Indie was too independent for its purse-strings and ended a five year experiment. Goodbye was said to a rare high-quality station which featured fresh talent-driven programming. Indie's audience wasn't mainstream, but it was sizable and fervent. In 2008 Rolling Stone dubbed Indie 103 the nation’s Best Radio Station.
The frequency is now home to “El Gato,” a Ranchero music station. No word on if “El Gato” is in the running for Rolling Stone’s Best Radio Station of 2009.
When Indie 103.1 tapped Joe Escalante to replace Dickie Barrett, the station brought in a man whose resume was full of feats -- though none in radio. Escalante played bass in The Vandals, and in 1996 he gave birth to independent label Kung Fu Records. He also received his bachelors at UCLA and earned a law degree from Loyola Law School.
“I considered it such a privilege to be a drive-time radio host in Los Angeles,” said Joe Escalante during a recent chat with LAist. “It’s something I never would’ve quit.” His breakfast-shift labor of love lasted only two-and-a-half years.
Early Days of Indie
“When I first got the job I was ready to follow orders, but there weren't any really,” Escalante recalled. “They kind of let me do what I wanted, because that was the idea.” Escalante’s bosses let the creative people do the programming and “didn’t worry about the ratings.” They believed they would come.
David Lynch and Joe Escalante
The hardest part of the job was the “shock to the system” of the 6 a.m. start time. Having spent the previous decade touring with world with The Vandals, Escalante said he “had gone ten or so years without needing an alarm clock.”
Great Contributions
“The best thing about doing the morning show was having David Lynch as my weather man, and Timothy Olyphant as my daily sports guy,” Escalante said of the contributions he received from the renowned film director, and the star of HBO’s David Milch-penned “Deadwood.” “I was really proud of those two.”
Both Lynch and Olyphant “remained somewhat of a secret bonus for those who managed to find the show," remembered Escalante. "It was a company policy that we were not allowed to send out press releases about our shows. I tried to make myself believe that it somehow made it even more cool that no none knew it was going on. I would have loved it if they [Indie] had marketed that.”
“When I would have an important guest on and they would find out the real David Lynch was doing weather, they would look at me with a changed level of respect, like they were doing the right morning show,” Escalante said.
The Axe Swings Through The Morning
“I didn’t protest. The people at Indie took a chance on me, I’m a little strange. I thanked them for the time,” Escalante said of the news his show wasn’t to go on. “I didn’t think they made the right decision but that wasn’t my job, to figure out the right decision.”
Many listeners wrote Escalante to tell him their morning commute would never be the same. “The fans don’t have a duty to the shareholders of Entravision, but it told me they got what I tried to do,” he said. “That was satisfying.”
Escalante likens the run of his show to cancelled TV series “Arrested Development.” Both were products “that people loved, absolutely loved" but there weren't enough of those people to create financial hits. “That’s the curse of being into weird stuff."
“I enjoyed doing the morning radio thing, ” Escalante said, “but I’m not running around going ‘I’ve got to get another morning radio job.’” He doesn’t take interest in the life of a journeyman radio host, though the right offer may be out there. “If someone says ‘hey, do you want to be Adam Carolla’s new sidekick?’ -- I’ll wake up at three in the morning to do something like that.”
Barely Legal Radio Lives
Though the morning show wasn’t to go on, Entravision agreed to continue to broadcast “Barely Legal Radio,” Escalante’s weekly legal advice show. 103.1’s format change then moved “Barely Legal Radio” to Indie's online radio station.
Airing live on Fridays, from 11 a.m. to noon, Barely Legal Radio moved from a 9 a.m. because 11 is “a better time for Internet radio,” Escalante said. “ Drive-time is no longer preferred. You want to be on the air when people are on their computers.”
"Barely Legal Radio" will become a nationally syndicated show if Escalante and sponsor LegalZoom get their wish. “We are on a quest to get on a regular station, and on as many stations as we can,” he said. Internet radio is going to be a great place for this show “in a couple of years. Right now, Barely Legal needs to be on an over-the air station because it’s call-in talk radio.”
While Escalante hasn’t practiced law in six or seven years, he is able to give good legal advice because he remains involved with the legal community. He takes MCLE (Minimum Continuing Legal Education) classes, and is “a Pro Tem judge in the LA County court system.” Judge Escalante hears cases ranging from small claims to landlord-tenant.
Don’t expect Escalante to take a turn for the life of the suit-and-tie attorney. “I’m not really the law firm type,” admitted the bass player.
Music is Business
Escalante finds the music industry stuck at a fork in the road. “The worst thing about the music business is that people actually do buy CDs,” he said. With half of the consumers purchasing CDs and the other half buying music via iTunes, “it’s neither one nor the other.” Escalante feels the music business will continue to have problems so long as the market is split. “I wish overnight the CDs would go away.”
And if it’s good punk rock you want, Escalante thinks you need to dig into the Internet. “There are kids playing a really un-commerical style of punk rock,” he said. “They’re doing it for the energy and to make a difference. They know there’s money in punk rock but they don’t want it.” He compared them to his early days in punk rock. “That’s what drove us, that we would never be commercially successful with this music.”
If it's good music for your morning commute you want, “you might want to figure out how to get Internet in your car,” Escalante said through a laugh. “Otherwise don’t look forward to radio getting any better.”
"Lynch and Escalante" Photo by Jose Galvan | "Joe Playing Bass" Photo by Austin Brown / both used with permission
Miss Indie 103.1? Comment below!




While I never listened to the show (due to a lack of working radio in vehicle), I do miss the variety of radio programming. It's just a matter of time before it's all gone. :(
Awesome article, I've been wanting to hear from Joe to see what's up now. I think a huge percentage of people on the road in LA felt a slight increase in road rage when Indie went off the air. Now the only choice for drivetime radio is NPR or lose a handful of IQ points. It's hard to go NPR all the time, especially on the way home when I'd rather listen to music than news.
After Indie went off the air I learned who Flo Rida is. I shouldn't know who Flo Rida is. I blame Indie for leaving me with Flo Rida.
"The frequency is now home to “El Gato,” a Ranchero music station. No word on if “El Gato” is in the running for Rolling Stone’s Best Radio Station of 2009."
I dislike ranchera music as much as the next guy but it's pretty ignorant/condescending how the switchover has been treated on many web sites. The fact is that ranchera stations have a hell of a lot more listeners than indie-rock ones do.
http://en.wikipedia.org/wiki/Ranchera
This is true. And I seriously doubt "El Gato" would care if they were/were not in the running for Rolling Stone's Best Radio Station of 2009.
They're not reaching that audience at all.
Maybe he should start a radio station in a smaller urbanized area with low Hispanic population (i.e. Chicago or Seattle)? Know your market demographic before sinking money into something that won't survive.
Not to nitpick, but Chicago has 2 million hispanics living there. 80% of whom are Mexican.
Condescending? Maybe. Ignorant? No. Ignorant would be saying that all those listeners weren't in the country legally.
"Ignorant? No. Ignorant would be saying that all those listeners weren't in the country legally."
I bet those iiiiiiiiiiiiilegals don't buy nothin' from those advertisers, eh?
El Gato might not be in the intended demographic for Rolling Stone's award, but Spanish-language radio stations are some of the most listened stations in Los Angeles. That's an award Indie would never receive.
Radio stations are corporate and intended to make money. Indie was not making money, Entravision did the right thing by taking it off the air and choosing a format that might be profitable. It will have to compete with the other Spanish-language radio stations in L.A. It's also not only playing rancheras, it's playing a whole bunch of other genres, but I won't get into that here.
Emoney,
If I remember correctly, Chicago is still the second largest concentration of Mexicans in an urban area outside of Mexico, after Los Angeles. One of the more recent genres (or variation of a genre, really) of Mexican music came out of Mexican immigrants in Chicago.
Ignorant is dismissing the whole audience of Spanish-language radio stations as illegal immigrants just because they speak Spanish. I'd say that most are legal immigrants or citizens born in the U.S.
Wake up, smell future in all of its goodness.
Just switch to podcasting ... Joey records a couple hours late-night, and fans download to their ipods in the morning, pre-commute.
Hassle to download? Need gadget to play your ipod through car stereo?
Granted. But consider: podcasts usually have absolutely no commercials. So well worth the hassle.
Compensation model? All Joey needs is a few thousand daily listeners, and he can nab a sponsor (Subway!) for the show, and we're all set.
i miss indie 103.1
anyone notice that kroq hasn't played any good new music lately since they can't leech off indie?
I'm not sure KROQ has played anything new since 2004...
they played indie's new music ;)
If you can wait until 9am the new Morning Becomes Eclectic with Jason Bentley replacing Nick Harcourt is breathtaking. There is more variety and the sets blend together the way only a DJ with Bentley's background can do it. Great listen - too late for drive time but that is what the CD/XM/iPod is for.
James
I really miss hearing Joe Escalante. He was the king of the snarky comment. Listening to Joe and Timothy giggle their way through each sports update was the highlight of my morning.
I also used to laugh so loud after David Lynch's weather segment, because Joe would always pretend to ask David a question (I'm guessing David pre-recorded his weather segment) but then David would hang up in his face. Oh boy, you'd just have to hear it -- it's hard to describe how funny it sounded.
I miss you Joe, and your cohorts Liz Warner, Jose Galvan, and of course Timothy Olyphant and David Lynch.
Peace Indie!
http://www.davidlynch.com/dailyreport/
I was pretty bummed when Joe went off air, and even more so when Indie went dark. His morning show was easily the most fun morning show for us weird people. I remember the first time I listened to the show, thinking, who the hell is this guy? He has a terrible radio voice, doesn't sound like the rest of the morning show DJs out there, and has all these awkward pauses that would get you fired on another other radio station.
It only took a couple of morning drives to realize this was part of the charm. By the time Joe went off air, he was the only morning show guy I could listen to. It still cracks me up how he'd always pretend to ask David Lynch a question, just to have him hang up on him every time. I even loved his snarky AT&T and Legal Zoom ads.
I think one of the best parts about Joe and Indie for me was that I got to walk around thinking there were millions of people in LA who kinda had similar taste to me. I had just moved to LA when his show started. Knowing the show was out there gave me faith that LA is indeed a cool town with people kinda like me (not that I'm very cool). Now that it's gone, I'm not so sure.
RISE LIKE A PHOENIX, INDIE. PPPPPPPLLLLLLEEEEEEEEEAAAAAAAAAAAASSSSSSSSSSSSSSEEEEEEEEEE!
I haven't mourned anything so much since my Baba died :(
Now that Joe Escalante is off the radio, maybe he could join an established punk band, obtain the rights to their music and bill himself as the principal songwriter of their songs? Oh wait, he already did that.
Jonesy's Jukebox and Watusi Rodeo are certainly missed.
Escalante is a tool.
Always of two minds about Joe Escalante. He would always throw in little politically conservative statements (Liz Warner: "Want to guess which country has the most gun violence?" Joe: "The country that is most free?") that I disagreed with, which was fine. But I read about his stealing of the Vandals catalog and realized it kinda sounded like him.
I preferred Dickie Barrett.
I was lucky enough to have stumbled upon Joe's show about a year ago. What breath of fresh air and what a sad loss to our community. The variety of music was awesome. Barely legal radio was a real treat and bonus..Always looked forward to my Friday morning ride.
Joe you are sorely missed. You are a great talent and we were lucky to have you for this show. You are destined for much bigger things. I look forward to seeing where destiny takes you. Until then Adios Muchacho!
Tom from Covina...
I was fortunate enough to stumble on indie 103.1 pre- December 2003; miss the early indie 2003-2005 but as with any station the format matures, becomes less eclectic and more homogenized due to economic pressures. Best Station ever, I wish we had it back... To everyone who made it possible (Including the on air personalities) Thank You and why in the hell don't you launch on XM or Sirius?
Guy