October 5, 2008
I am Robot and Proud - Uphill City | Songs From Tiny Pieces
Artist: I am Robot and Proud
Title: Uphil City
Label: Darla
Release Date: October 28th, 2008
Much like Victor Bermon and Minotaur Shock, Toronto-based electronic whiz Shaw-Han Liem, otherwise known as I am Robot and Proud, systematically assembles shards of swarming notes. Each symphonic strain—a puzzle piece comprised of blips, bloops and beats—is pieced together in a hyperactive yet thought-provoking manner. The premise alone prods the spirit of inquiry.
2008's Uphill City is, as the one-man-band's Myspace headline proudly proclaims, a collection of "songs from tiny pieces." The tedious process of mosaicking becomes clear in the album's title track,"Uphill City." Like the volatile particles of an atom, sequences of choppy sound bytes move to and fro at light speed. But amidst the commotion of simultaneously sounded notes Liem's composure shines through. He acts as collected as a conductor—the girdle of such frenetic melodies.
I am Robot and Proud - "The risk"
As with most experimental instrumental albums, however, the topsy-turvy moments are often the most trying. Songs like "The Risk" delineate the uncertainty outright. The scattered fragments appear to be in a muddle, but they are sieved to near perfection. And even the intensity of the overall tone could easily unsettle anyone's equilibrium. Nevertheless, Liem hammers away at each refrain, presenting his peculiar vision with exactitude.
Surely, Uphill City is crafted in robust fashion. Yet what distinguishes I am Robot and Proud from his peers is a curious sense of constancy in speed and direction—the quality of being not only persistent, but melodically dependable.



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Although it is nice to see him getting some much deserved attention, Shaw-Han Liem's first record as I am Robot and Proud came out in 2001.Victor Berman and Minotaur Shock weren't really doing this before him.
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Minotaur Shock's debut, Chiff-Chaffs and Willow Warblers, was released in 2001...you may have nailed me on the Victor Bermon...but Liem's debut came nowhere close to either of those efforts in terms of sound and how fully conceptualized they were...