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Earlimart, The Wedding Present @ The Troubadour, 9/19/08

The Wedding Present

Friday night at The Troubadour featured long-time local favorites Earlimart and UK indie pop/rock group The Wedding Present. And, unexpectedly, Keanu Reeves, sitting up in the VIP session, rocking out to the latter. Earlimart went on right at 9 o'clock, with bright, hypnotic images projected on the wall behind them, which included forests, fields, and underwater sequences. An original Ship Collective band whose offshoots/former members include Great Northern and Silversun Pickups, Earlimart are currently back to the basics: talented founders Aaron Espinoza and Ariana Murray, with a touring drummer. The set included music from their two recent albums Mentor Tormentor and Hymn and Her (Majordomo in Japan), as well as from some oldies like 2004's Trebel and Tremble. Murray is fascinating in her effortless switching from a Christmas-light-strewn keyboard to a low-slung bass guitar, and her mellow vocals are the perfect accompaniment to Espinoza's higher, whispery voice. The combination of Murray's synthesized string sounds and Espinoza's hard-driving guitar are very effective; the dynamics between harder rocking songs like the infectious "Nevermind the Phone Calls" and the pretty "Happy Alone" (reminiscent of Headlights' Kill Them With Kindness) kept the show at a good pace, and is part of what keeps Earlimart interesting and continuously on the radar for indie rock fans, regardless of their lack of a label in the U.S. Steadfast good songwriting refuses to be ignored. Espinoza told the crowd, "You are the reason I live here", and bands like this are the reason many of us live in L.A. (Take that, Pitchfork and Airborne Toxic Event.) Needless to say, it was a very enjoyable set.

The Wedding Present are another band who have paid their dues and been around awhile, but with quite a different sound. Founded by singer David Gedge in 1985, the group's discography seems to have gone through several genres, with their latest release El Rey (Vibrant/Manifesto) sporting an unabashedly lo-fi pop-rock sound. Gedge's vocals sound kind of like a less romantic Morrissey, live, if Mozz never hit his high notes or held anything too long. The drums and guitar bang along steadily, but the songs themselves are lacking something, and somehow managed to blend together into a single, bland sound onstage. The crowd was enthusiastic, however, and the venue was full; Gedge joked with individual fans who yelled out requests, and the energy was high. The fact that the presence of Keanu Reeves was actually more interesting than the music, however, wasn't a good sign, and I left thinking Earlimart were truly the stars of the night.

The Wedding Present

Low-light photos by Simone Snaith for LAist

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