CD Review Sort Of - Elvis Costello - This Year's Business Model

This%20Year%27s%20Business%20Model.jpgElvis Costello and The Attractions essential 1978 record This Year’s Model was re-released for the twenty-third time earlier this week as a deluxe 2-CD set. This year’s model of This Year’s Model includes a bevy of previously released bonus tracks, and a previously unreleased live concert.

I was going to review it, but instead I decided not to buy it.

On Tuesday, I found myself at Amoeba records. After an hour or so, I’d amassed a pretty impressive stack of CDs that I wanted to buy. Before I made my way to the counter, I decided to go through my purchases one last time. As I flipped through the pile… Pink Floyd – Piper at the Gates of Dawn (Deluxe Edition); Sonic Youth – Daydream Nation (Deluxe Edition); Beck – Odelay (Deluxe Edition); Wire – Pink Flag (Deluxe Edition); the aforementioned This Year’s Model… Suddenly, I had an epiphany.

I was about to spend a hundred bucks on music that I already owned!

In most cases, a deluxe version of an already admired album is a welcome addition to my record collection. B-sides, alternate takes, and demos can illuminate the artist and place the original work into a greater context. When I was younger, trying to track down all the odd one-off compilation tracks was fun. Now that I’m older, a deluxe reissue that puts everything available in one place is awesome. Keeping a few tracks in the vault so an artist can release a “new” deluxe-edition every few years in infuriating.

This Year’s Model is easily in my Top 50 records of all-time. Yet, I couldn’t bring myself to buy a sixth – yes, sixth – version of it.

Sure, in this digital age, I have the option of just downloading the songs I don’t already have. In this case, I had the option of downloading the entire This Year’s Model for $14.99, or just downloading the 17 new tracks at 99 cents a piece, for the low, low price of $16.83. Hmmm… Tough choice. I wonder why so many people are downloading music illegally.

Elvis, if you’re reading this, please stop re-releasing your old albums. A catalog overhaul every five years is egregious. For any artist to have 10 greatest hits compilations is just insane. (and I’m not mentioning all the other rarities compilations and singles box sets).

By all accounts, you’re a pretty swell guy. You’re clearly a music fan. You’re passionate, prolific, clever, and consistently challenging. Despite having a career that’s lasted over thirty years, you’ve managed to always feel current and relevant. (Well, except maybe for a short stretch during “The Beard Years”) Your live shows are always energized and inspired. Hell, you even walked the picket line with us writers during the WGA strike.

But, Elvis, it also seems like you have a hard time saying “no”. For every brilliant Larry Sanders cameo, you turn up in a movie like Spice World. For every inspired Roy Orbison collaboration there’s a misguided Gwen Stefani duet. For every anti-Bush benefit you play, there’s an American Express commercial.

You might be surprised to learn that I actually don’t have a problem with any of that. The indiscriminate abandon with which you dive into project after project is part of your charm. I wouldn’t want it any other way.

Make all the Lexus commercials you want. Keep recording songs for Nickelodeon soundtracks. Keep appearing on 20 records a year. But please, stop taking advantage of your fans by repackaging the same old records again and again.

Here’s a thought. You are overdue for a proper box set. Why not take all those “bonus” tracks and reward the fans with an Archive-style vault-plundering? Make it 100 discs long if you want. The crux of the box can be Definitive multi-disc versions of every record you’ve ever released. Demos, live tracks, B-sides, guest appearances. Put ‘em all on there. You can even have your fans pay for the box with an Elvis Costello Visa card if you want.

Just promise me you won’t re-release the box set three years later with 8 new songs.

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Comments (9) [rss]

The only reissues that have ever truly lived up to their billing for me, have been the Pavement records.

What's really weird is, Bowie's been reissuing albums for the third of fourth time MINUS the bonus tracks from the last set of reissues!

And it was one thing when CD technology was improving, and the remasters did sound considerably better than older generations. Today with everything mastered loud and super-compressed for the Ipod listener, I find new pressings often sound worse than the versions mastered in the 90s.

Six pressings of TYM is pretty extreme though, and This Year's Model Redux got similar complaints a year ago. Surely a series of single-disc rarities sets or live shows would cost less and sell to the same people, without the stink of rehash?

A far cry from the guy who stormed off the stage of Saturday Night Live. Maybe he could re-issue that scene with previously unreleased angles.

Let's have a burn party and just sit around burning our old albums and drinking absinthe all night.

BTW, Thanks for putting "Nobody's Heroes" in my head - it will be stuck there all night now. Be-e-e-e what you a-a-a-a-are...

As if the act of buying a CD didn't make me feel old enough, the fact that I'm buying the same titles I once owned on LP really drives it home. It's a compulsion in a way, when you consider I haven't listened to the bonus tracks from the Ryko version I've owned since the 80's.

Thanks for writing this piece.

Now do we have 6 degrees of seperation where someone can actually forward this to Elvis?

Bob -

Elvis took a page from the Bowie playbook and actually re-released his entire back catalog as single discs with ZERO bonus tracks last year. At that point, I think they were officially the fourth reissue of each album.

Elise - I like the burn party idea!

ezfinn - good call on the Pavement reissues. They were definitely done right. I think the Elvis ones, for the most part, have been really good. I just don't like having to rebuy them every few years.

taang - I used to make tapes with just the bonus tracks, listen to them a few times, then store 'em away. Depending on the record, I would or wouldn't keep listening once the original record was done. (This Year's Model is one that I did listen to all the way through)

There are some great Deluxe Editions out there. The Ryko Bowie discs were great. The Patti Smith remasters... The Who reissues have been really good. Complete Live At Leeds? Hell yeah!

Really the only reason to buy that (and I have loved this fellow since he was the very first "concert" I went to), is if your current remastered version #410 or whatever got munched in the cd player or something, then I could see spending the cash. Otherwise what is the point? If you can find someone who bought the thing, burn the extra tracks or as Heath says pay extra for those tracks you really need and download them.

I stopped going to see Elvis when his (non scalped) ticket price reached $65 bucks. Sure it's worth 65 bucks to have him sing "All This Useless Beauty" in Italian and make me cry like a baby, but it's the principle of the thing.

I mean I have to make up for actually purchasing NORTH.....arggghhhhh

Damn, he was so cute back then...look at that HAIR! lol

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